NOTE IMDb
7,4/10
25 k
MA NOTE
Ajouter une intrigue dans votre langueA year with one platoon in the deadliest valley in Afghanistan.A year with one platoon in the deadliest valley in Afghanistan.A year with one platoon in the deadliest valley in Afghanistan.
- Nommé pour 1 Oscar
- 10 victoires et 21 nominations au total
Juan 'Doc Restrepo
- Self
- (images d'archives)
Avis à la une
¨My personal low point? - Rock Avalanche, I saw a lot of professional tough guys go weak in the knees.¨ Restrepo is one of the five pictures nominated for Best Documentary at the Oscars and it also won the Grand Jury Prize in the 2010 Sundance Film Festival. It's beautifully directed and filmed by Tim Hetherington and Sebastian Junger (writer of The Perfect Storm). The huge success of this film and what separates it from the hundreds of other war pictures is that Junger puts us right in the middle of the action without any political agenda. He simply decides to film these groups of soldiers who have been deployed to one of the most dangerous locations in Afghanistan and lets us experience their day to day lives without making any pro or anti war comments. We are allowed to see a small glimpse of what the American soldiers have to go through and how they live amongst the villagers. In a way Junger allows the soldiers being filmed to tell their own story. We experience what they are going through in this dangerous war zone and how they interact with the local people. The cinematography is actually quite astonishing and I really felt like I was there with the soldiers. Restrepo made me appreciate even more last year's Oscar winning picture: The Hurt Locker, because it showed me how real that film actually was. At one point one of the soldiers even claims that no rush is as high as being shot at in the middle of a war zone. War can be addictive and it actually is for some soldiers.
The camera silently follows an American platoon that is being deployed to one of the most dangerous war zones in Afghanistan known as the Korangal Valley for a period of 15 months during 2007. The film begins while the platoon is arriving at the base and some of the soldiers share their thoughts about beginning their service in such a dangerous zone. We follow these soldiers as they live in tents in the middle of a valley where danger is eminent. They have to experience gun fights almost every day, and at the same time they have to adapt to the environment. When they are not fighting, we see the soldiers digging for protection; we see them burning their own feces, and just goofing around while they wait for next gunfight to take place. A day without action is nonexistent in the Korangal Valley. It is during one of these gunfights that one of the soldiers is mortally wounded, his name was Restrepo and the rest of the soldiers decide to build a resistance camp named O.P. Restrepo on his behalf. Restrepo changed the entire mood of the soldiers and they were ready to have their revenge. At the same time that the soldiers have to fight off the Taliban they also try to improve their relations with the locals who have a difficult time accepting the Americans (especially after they kill one of their cows).
The movie isn't pro or anti war; it simply places the camera in the middle of the action and lets us experience what is going on. No one's opinion about War is going to change: those who favor Americans involvement in Afghanistan will still do so after watching this documentary and those who don't will still feel the same because the directors don't try to manipulate us into thinking the way they do. There aren't any personal opinions about politics or war; it's all about experiencing what these soldiers have to go through every day whether or not they actually understand what they are fighting for. Some of my favorite parts of the documentary were the scenes where the Captain meets with the local villagers and tries to make allies out of them and the Rock Avalanche operation. The Captain really doesn't have a clue of the way the villagers think and goes the wrong way about trying to convince them to help the Americans. The Rock Avalanche Operation was really intense and was the climatic point of the film. I really loved the interviews with the soldiers with the camera closing-up on their faces (The Good, The Bad, and The Ugly style). Restrepo is a really good and memorable documentary that will stay with you for days. It is only 90 minutes long so it is really worth your time.
http://estebueno10.blogspot.com/
The camera silently follows an American platoon that is being deployed to one of the most dangerous war zones in Afghanistan known as the Korangal Valley for a period of 15 months during 2007. The film begins while the platoon is arriving at the base and some of the soldiers share their thoughts about beginning their service in such a dangerous zone. We follow these soldiers as they live in tents in the middle of a valley where danger is eminent. They have to experience gun fights almost every day, and at the same time they have to adapt to the environment. When they are not fighting, we see the soldiers digging for protection; we see them burning their own feces, and just goofing around while they wait for next gunfight to take place. A day without action is nonexistent in the Korangal Valley. It is during one of these gunfights that one of the soldiers is mortally wounded, his name was Restrepo and the rest of the soldiers decide to build a resistance camp named O.P. Restrepo on his behalf. Restrepo changed the entire mood of the soldiers and they were ready to have their revenge. At the same time that the soldiers have to fight off the Taliban they also try to improve their relations with the locals who have a difficult time accepting the Americans (especially after they kill one of their cows).
The movie isn't pro or anti war; it simply places the camera in the middle of the action and lets us experience what is going on. No one's opinion about War is going to change: those who favor Americans involvement in Afghanistan will still do so after watching this documentary and those who don't will still feel the same because the directors don't try to manipulate us into thinking the way they do. There aren't any personal opinions about politics or war; it's all about experiencing what these soldiers have to go through every day whether or not they actually understand what they are fighting for. Some of my favorite parts of the documentary were the scenes where the Captain meets with the local villagers and tries to make allies out of them and the Rock Avalanche operation. The Captain really doesn't have a clue of the way the villagers think and goes the wrong way about trying to convince them to help the Americans. The Rock Avalanche Operation was really intense and was the climatic point of the film. I really loved the interviews with the soldiers with the camera closing-up on their faces (The Good, The Bad, and The Ugly style). Restrepo is a really good and memorable documentary that will stay with you for days. It is only 90 minutes long so it is really worth your time.
http://estebueno10.blogspot.com/
I completely disagree with the above review. If the Junger and Hetherington want to make a documentary - they are perfectly entitled to make it the way they see fit, and if they chose not to become the immersed in politics of the conflict then so be it. If you want to see that kind of documentary - switch on the History Channel any night of the week. The viewer gets right into the action in 'Restrepo' with the soldiers and it has given many a young person second thoughts about joining the military. That in itself is praise enough for this awesome documentary on man's inhumanity to man. The action shots are superb and real - you do not want any of the soldiers to be hurt because you get to know them as the film progresses.
Filmmakers Tim Hetherington and Sebastian Junger take their cameras into the trenches for a "day in the life" look at what it's like to fight in the Korengal Valley, Afghanistan, nicknamed the most dangerous place on earth.
There, a platoon of battle-weary men fight the Taliban, an elusive spectre of an enemy that they rarely actually see. They seem to have little interest in what they're doing or why they're doing it; they only come alive immediately after a fire-fight (of which they have at least 3 or 4 a day), when the adrenaline of battle gives them a natural high. The rest of the time they spend going about their more mundane duties, feeling at all times like fish in a barrel.
Late into the film, one of their men is killed in a battle that pretty much all of them agree was one of their worst moments during the whole period. Other men had been killed, but this seems to be one of the first that the men actually see die before their eyes. It has a devastating effect -- they collapse into sobs and turn instantly from fighting men into small boys, and our hearts go out to them with compassion and the frustrated regret that they have to live like this while the rest of us go about our cushy existence.
"Restrepo" confirms what a lot of fictional accounts of the War on Terror (or whatever it is we're calling it now) have suggested: the feelings of determination and vengeance that got us into all of these messy military conflicts have long since given way to depressed resignation. No one is really sure what we're doing anymore, these soldiers least of all, and watching "Restrepo" didn't feel much different from watching a documentary about Vietnam.
Grade: A
There, a platoon of battle-weary men fight the Taliban, an elusive spectre of an enemy that they rarely actually see. They seem to have little interest in what they're doing or why they're doing it; they only come alive immediately after a fire-fight (of which they have at least 3 or 4 a day), when the adrenaline of battle gives them a natural high. The rest of the time they spend going about their more mundane duties, feeling at all times like fish in a barrel.
Late into the film, one of their men is killed in a battle that pretty much all of them agree was one of their worst moments during the whole period. Other men had been killed, but this seems to be one of the first that the men actually see die before their eyes. It has a devastating effect -- they collapse into sobs and turn instantly from fighting men into small boys, and our hearts go out to them with compassion and the frustrated regret that they have to live like this while the rest of us go about our cushy existence.
"Restrepo" confirms what a lot of fictional accounts of the War on Terror (or whatever it is we're calling it now) have suggested: the feelings of determination and vengeance that got us into all of these messy military conflicts have long since given way to depressed resignation. No one is really sure what we're doing anymore, these soldiers least of all, and watching "Restrepo" didn't feel much different from watching a documentary about Vietnam.
Grade: A
It's a strange way to fight, without ever seeing the people you're shooting at and who are shooting at you.
The strongest aspect about this viewpoint documentary is its lack of an opinionated narration. The filmmakers--who deserve commendations of their own for putting themselves in the line of fire for 15 months--let the soldiers and their activities tell the story, the firefights, patrols, attempts to communicate with the Afghans, mundane chores.
And they let the viewer judge for meaning.
It isn't possible, however, to truly capture a year and three months in 90 minutes. I did find it curious that so much interview footage was cut. If you see it on DVD, don't miss the interviews shown under special features. Perhaps the director-cameramen wanted to keep the ratio heavier on footage than interviews.
In one omitted interview, the unit Captain admits that he thought he was responsible for losing even one soldier. He also mentions that one of those killed was the unit Sergeant Major's son. There should have been some way to weave this into the story.
Another soldier says he hates the terms "you did what you had to do" because he doesn't think he really had to do it. Says he doesn't think God will greet him with a playful punch to the shoulder and say "you did what you had to do." It's powerful stuff, the included and the omitted footage. For the most part we fight now with volunteers. The mix of soldiers is a bit different than it was when there was a draft, but "Restrepo" shows that American forces still bring a wide range of backgrounds and reactions.
And it shows that most are still so young that we are still sending kids to do the jobs old men ask them to do. They are brave, fearful, obscene, committed for the wrong reasons, committed for right reasons, and committed for no reason at all.
It's a powerful view.
The strongest aspect about this viewpoint documentary is its lack of an opinionated narration. The filmmakers--who deserve commendations of their own for putting themselves in the line of fire for 15 months--let the soldiers and their activities tell the story, the firefights, patrols, attempts to communicate with the Afghans, mundane chores.
And they let the viewer judge for meaning.
It isn't possible, however, to truly capture a year and three months in 90 minutes. I did find it curious that so much interview footage was cut. If you see it on DVD, don't miss the interviews shown under special features. Perhaps the director-cameramen wanted to keep the ratio heavier on footage than interviews.
In one omitted interview, the unit Captain admits that he thought he was responsible for losing even one soldier. He also mentions that one of those killed was the unit Sergeant Major's son. There should have been some way to weave this into the story.
Another soldier says he hates the terms "you did what you had to do" because he doesn't think he really had to do it. Says he doesn't think God will greet him with a playful punch to the shoulder and say "you did what you had to do." It's powerful stuff, the included and the omitted footage. For the most part we fight now with volunteers. The mix of soldiers is a bit different than it was when there was a draft, but "Restrepo" shows that American forces still bring a wide range of backgrounds and reactions.
And it shows that most are still so young that we are still sending kids to do the jobs old men ask them to do. They are brave, fearful, obscene, committed for the wrong reasons, committed for right reasons, and committed for no reason at all.
It's a powerful view.
Worth watching, very honest intense footage showing a soldier's view
Shown with a non-judgemental eye on the realities.
Shown with a non-judgemental eye on the realities.
Le saviez-vous
- AnecdotesCo-director of Restrepo, Tim Hetherington, was killed on April 20, 2011 while covering the conflict in Libya.
- Citations
Joshua McDonough: They're gathering intel right now, basically, on how to deal with us because they haven't - - there's no real research or intel on how to treat us right now because they haven't had to deal with people like us since WWII and Vietnam, you know, dealing with guys that are coming back from 15 month deployments with as much fighting, you know, as we went through.
- Bandes originalesTouch Me
Written by Günther
Performed by Günther
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- How long is Restrepo?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Restrepo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 330 894 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 581 $US
- 27 juin 2010
- Montant brut mondial
- 1 436 391 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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