Agatha All Along

Agatha All Along is a fun addition to the spooky season, but it suffers from some critical shortcomings that keep it from greatness.

I love witches and witchy stories so I was thrilled for another outing into the occult side of the MCU. However, when I started watching the show I found myself somewhat disappointed, though also somewhat entertained as the story progressed with good moments pocked with a few flaws.

The main downsides to the show are its frequently poor dialogue and corny storytelling, nevertheless after one masterful episode and a truly compelling twist I was almost convinced that this was not a mediocre MCU project, it was good maybe even great. Almost. At this point I wanted it to be great, but ultimately the unsatisfying ending dragged it back down from greatness to just being pretty good.

I love exploring this little corner of Marvel. It doesn't relate much back to the larger MCU but I don't think they ever led anyone to believe it would.

It's a great Halloween witch story very much in the vein of Hocus Pocus. It's silly, campy, quippy, but still with an edge that keeps you on your toes.

Kathryn Hahn excels and really drives the bus here, allowing everyone else to shine in their own way.

This is only after the first two episodes but really I don't have any complaints. The action could use some tighter choreography, that was my one note.

Whether Wanda returns by the end or not, I don't think it matters! This show enchants all on its own.

Rooted firmly in what made WandaVision an enticing watch, Agatha All Along delivers a familiar viewing experience, but goes about it in its own way.

The premise is deceptively simple--a down-and-out villain on a quest to restore her power. As the story unfurls, we see it's about much more than that, and even Agatha's seemingly straightforward motivations are reframed by the end. The story takes its time with the plot twists, but once it starts, it doesn't let up until the very last minute of episode 9.

Led by a career-defining performance from Kathryn Hahn, the cast works well separately and best as a group. Locke and Plaza are highly engaging as the mysteries of their respective characters centre and recontextualize the narrative.

This is a thrifty production by Marvel standards, as you can sometimes--not very often--tell. The broom riding sequence is janky, and the final confrontation has to mostly take place offscreen. This has an upside as it more or less forces the narrative to zero in on the emotional aspect and make us empathize with these characters. The finale in particular surprised me with how poignant and small-scale they allowed it to be, respecting the core of the show as it offers a solemn and mature look into Agatha's world not often associated with the superhero genre.

Overall, this has been a quality MCU offering that shows not all superhero tales need expensive fireworks to shine.

I am saddened by the people downvoting this show simply because of a character's sexual orientation. It's not even the highlight of the show; it is just referenced.

Anyway, judging by the duel-episode premier, the show is enticing. It's a bit goofy with its humor, but what Marvel project hasn't dipped into that silliness? The vibes of the show are perfect for the Halloween season. I am excited for the continued expansion of magical beings in the MCU.

My only concern would be whether or not the teased surprises in store will actually be surprising, but this is a general worry due to past MCU Disney+ shows. They just don't seem to stick the landing, but--damn--does this one have a promising start.

I am having a good time so far. Hahn, Plaza, and LuPone seem to be enjoying themselves, as well! While it may not be as serious and heavy as Falcon and the Winter Solider, it certainly is miles ahead of She-Hulk's absurdity for the sake of absurdity.

This limited series, a sequel to WandaVision, follows Agatha, still trapped in Westview and stripped of her powers. Her situation changes when a mysterious teenager frees her, and together they embark on a quest along the Witch's Road, a mythical path said to grant travelers their greatest desire-in Agatha's case, the restoration of her powers. To navigate the trials of the road, they must assemble a coven representing the five witch specialties: Earth (green magic), Water (potion magic), Fire (protection magic), Air (divination magic), and Spirit. As they journey through the road's trials, tensions arise within the group, with secrets and hidden motives threatening their success, and they soon discover that nothing on the Witch's Road is as it seems. Overall, due to clever pop-culture references to classic horror and witch-themed features, chilling moments of genuine terror, a remarkable ensemble cast, -especially Hahn's electrifying performance as the titular character- and wicked dark humor, this show was really good, and although, I wish we had received more background lore and character development for some of the other coven members, I still thoroughly enjoyed my time with this series and thought that It served as a fantastic medium to further explore Agatha's character and is a strong addition to Marvel's comeback era, where quality is clearly being prioritized over quantity, and with its much more mature tone and language, the show reflects an MCU that has grown with its audience and paves the way for future projects, add to that some brilliant foreshadowing, jaw-dropping twists, and an insanely catchy song that refuses to leave my head, and this mini series has undoubtedly left a lasting impression and has quickly become one of my favorite Marvel Disney+ shows.