La défection d'un officier de renseignement britannique et agent double du KGB et sa relation avec un ami et collègue du MI6.La défection d'un officier de renseignement britannique et agent double du KGB et sa relation avec un ami et collègue du MI6.La défection d'un officier de renseignement britannique et agent double du KGB et sa relation avec un ami et collègue du MI6.
- Nomination aux 1 BAFTA Award
- 1 victoire et 9 nominations au total
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A movie about the world of spies, not a spy movie.
Captivating and dynamic to the end; even in crescendo.
The central character Nicholas Elliott is wonderful. He is "the spy among friends". The friends are everyone else: the defector Philby, the commoner Ann from MI5, the impetuous yankee Angelton, the arrogants Sir... "More involved than he looks", he is the real spy, with a vision. He puts things in order; everyone learns from him.
The film is not about Philby; but how do you make things move forward, how do you manage a crisis... in british style.
A film about the great world of British espionage, with the imperial spy Elliott.
P. S. It's in small spaces because it's not an action movie. And it's not "in darkness" but in the shadows. Because the focus falls on the characters, it's a battle of intelligences.
Captivating and dynamic to the end; even in crescendo.
The central character Nicholas Elliott is wonderful. He is "the spy among friends". The friends are everyone else: the defector Philby, the commoner Ann from MI5, the impetuous yankee Angelton, the arrogants Sir... "More involved than he looks", he is the real spy, with a vision. He puts things in order; everyone learns from him.
The film is not about Philby; but how do you make things move forward, how do you manage a crisis... in british style.
A film about the great world of British espionage, with the imperial spy Elliott.
P. S. It's in small spaces because it's not an action movie. And it's not "in darkness" but in the shadows. Because the focus falls on the characters, it's a battle of intelligences.
Based on the true story of a notorious British secret agent, watching A Spy Among Friends feels like a journey back in time to those classic '60s spy thrillers, with various plot threads that gradually weave into focus. Damian Lewis and Guy Pearce are excellent in their respective roles as conflicted old friends and Anna Maxwell Martin is superb as the sharp, dogged MI5 investigator trying to drill down to the truth. With locations including London, Beirut, Istanbul and Moscow, it takes a while to fathom what's going on. And it does a great job of exposing the smug superiority of the old boys' network that ruled MI6.
'A Spy Among Friends' is hard work. So hard, in fact, that even having watched it to its conclusion I'm not absolutely certain of what was going on throughout its six episodes. And the reason for this is two-fold:
1. The story concerns spies and counter-spies and. For all I know,. Counter-counter-spies, and that itself makes for a difficult road. But, 2. Making matters more difficult (by far) is that the series goes back and forth and back again and forth again between time periods so that we can never grow comfortable with what's going on in the 'current' story-line. The series plays with us in this regard. A 1963 character walks into a room and in the next instant we see the same character in 1945 entering an altogether different room. And while we're trying to make sense of all this, the story moves to another time or place entirely.
Damien Lewis as one of the film's leads is excellent. There is about him an effete upper-crust quality that at times gives way to a very humane and caring side. Guy Pearce as 'The Spy' has a less complex role, but he carries it off nicely. We do not experience the battles within his mind as well as we might; his duplicity is, after all, the reason for this story (based on a true UK spy Kim Philby who in fact spied FOR the Soviets. Anna Maxwell Martin as a government interrogator (MI5) is absolutely wonderful. If there's a hero in this series, it is she.
In short, hard work. At times fatiguing. But worth giving it a try.
But if while watching it you begin to hope that the following episodes will be 'more clear', you can forget about sticking with it.
They won't.
1. The story concerns spies and counter-spies and. For all I know,. Counter-counter-spies, and that itself makes for a difficult road. But, 2. Making matters more difficult (by far) is that the series goes back and forth and back again and forth again between time periods so that we can never grow comfortable with what's going on in the 'current' story-line. The series plays with us in this regard. A 1963 character walks into a room and in the next instant we see the same character in 1945 entering an altogether different room. And while we're trying to make sense of all this, the story moves to another time or place entirely.
Damien Lewis as one of the film's leads is excellent. There is about him an effete upper-crust quality that at times gives way to a very humane and caring side. Guy Pearce as 'The Spy' has a less complex role, but he carries it off nicely. We do not experience the battles within his mind as well as we might; his duplicity is, after all, the reason for this story (based on a true UK spy Kim Philby who in fact spied FOR the Soviets. Anna Maxwell Martin as a government interrogator (MI5) is absolutely wonderful. If there's a hero in this series, it is she.
In short, hard work. At times fatiguing. But worth giving it a try.
But if while watching it you begin to hope that the following episodes will be 'more clear', you can forget about sticking with it.
They won't.
In the 1950s, John Le Carre (as he wasn't yet known) had to leave his job in the British secret service following the defection of the Kim Philby. Le Carre adopted his pen name and took up a new career as a writer of spy thrillers; and most directly fictionalised the Philby story in his most famous novel, 'Tinker, Tailor, Soldier, Spy'. This was adapted into a brilliant, talky television drama, featuring many of the outstanding British actors of the 1970s. It was more recently made into a film; but in a very different style. 'A Spy Among Friends' is new, less fictionalised account of Philby's defection, but it's far more like the 1970s version of Le Carre's work than the later film. Guy Pearce, Damian Lewis and Anna Maxwell Martin, among others, sit around talking. I should absoultely love it, given how much I adore its spritual predecessor, and it is good; but it's a little bit too clever, and it can be hard to follow all the subtle twists of plot. The Australian Pearce in particular is very good (and convincingly English) as Philby, but it's a muted affair.
Written by Alexander Cary of Homeland fame, and also starring Damian Lewis of Homeland fame alongside Australia's own Guy Pearce, A Spy Amongst Friends tells the story of disgraced British double agent Kim Philly (Pearce) - by all accounts, one of the biggest intelligence coups of the Cold War, on either side - and his friendship with Nicholas Elliott (Brody, who is brilliant) and the defection of Philby to Russia. Elliott is being debriefed by British officials in the aftermath of that defection. This is one of those shows, similar to the early seasons of Homeland, where you need to pay very close attention to everything going on. A slow burn series, but a very good one.
Le saviez-vous
- AnecdotesDominic West was originally cast to play Kim Philby, but had to withdraw from the project because of COVID delays and his ongoing commitment to The Crown (2016).
- GaffesThe series is unfair to James Jesus Angleton, largely portraying him as a rube, who is constantly discovered by British intelligence and is completely taken in by Philby, even after Philby's betrayal is revealed. In reality even Angleton's critics acknowledge that he was, for a long time, a brilliant agent, although one who ultimately became consumed by paranoia.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Шпигун серед друзів
- Lieux de tournage
- Bucarest, Roumanie(Beirut, Moscow, Berlin, Vienna, Istanbul)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h(60 min)
- Couleur
- Rapport de forme
- 2:1
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