Le Moine et le Fusil

I went and watched the film in the cinema, and I honestly believe that the film is amazing. With gorgeous scenery, a great story, relatable characters, and amazing acting by the cast, the movie is a true treat that has to be seen in the theatre. The one feature that stands above all is the cinematography by the director.

The cinematography is simply peak cinema, with not a single wasted movement; the movie does it's role of keeping the audience in their seats very well. The cast is distributed throughout the story without too much focus on one character (why do it when the story is of this caliber); something that we do not see in many films today.

The characters are well fleshed out, and the symbolism is quite interesting (although I don't think I got 100% of the allusions). The satire and comedic beats do not miss - again without over exaggeration - the comedy is well timed, generating a response from me and the other viewers at the cinema.

The best thing about the movie is the cinematography, and to see how well-directed it is, an experience at the cinema is not one to miss.

The King abdicates his throne, and the election officials usher the clueless community members of the village of Ura into the age of democracy with a mock election. The story unravels with a family caught up in the new shift, a monk in search of a gun for his Master before the full moon, and an American antique gun collector with his young guide.

The movie features a wide array of Bhutanese artists, talents, and creative individuals on various levels and capacities along with the finest production a Bhutanese movie has ever seen. The cast includes seasoned Bhutanese actors, new faces, and local individuals who are either playing the characters they are or have transformed into a completely different characters. With Bhutanese music in the background, the beautiful valley of Ura, a number of cameos from unexpected stars, and centered around Bhutan's innocent ignorance of the past, we learn so much about Bhutan.

This lovely film depicts Bhutans transition to democracy through portrayals of villagers living peacefully in the remote hills within a humorous story of a visiting American trying to do a business deal with people for whom money is all but meaningless. Gorgeous scenery and terrific performances from a mainly unprofessional cast of locals.the director captures his love of his native country, the only one with a Gross Happiness Index. He greatly respects the simplicity of the villagers life while showing that democracy isn't a given, it must be taught and given meaning to a country whose life under a revered King has been at peace and harmony for centuries.

Incredible work and a proud moment for Bhutanese, Bhutan and film-making from this part of the world.

Spectacular interweaving of themes, characters, emotion, spiritualism, symbolism, and the very core of the Bhutan and her cultural significance and perhaps, its relevance in this day and age.

Story-telling at a different level.

Every single artiste bears out their roles. And the spectacular visual vista of beautiful Bumthang that's superbly captured.

Best wishes at the Oscars. May Pema Lingpa himself and the ever-watchful guardians of Pelden Drukpa all collectively shower their love and blessings.

A beautiful, feel good movie from the director of Lunana: A Yak in the Classroom. The film captures a moment in time when Bhutan is transitioning to democracy (told through the parallel journeys of an American tourist and young Bhutanese monk). It also showcases Bhutanese culture, people and society. The film is fun, funny, irreverant, smart and full of phalluses! There are layers of meaning around democracy, buddhism and the influence of western values on this himalayan kingdom. The script is superb, the cinematography is beautiful, and I love the casting of one of Bhutan's biggest music stars as the main character (the monk). Love this!