Gaganachari
- 2024
- 1h 55min
NOTE IMDb
6,9/10
1,2 k
MA NOTE
Ajouter une intrigue dans votre langueA dystopian comedy that takes place in the 2040's, where an apartment inhabited by three problematic bachelors soon becomes a haven for an extra-terrestrial female fugitive.A dystopian comedy that takes place in the 2040's, where an apartment inhabited by three problematic bachelors soon becomes a haven for an extra-terrestrial female fugitive.A dystopian comedy that takes place in the 2040's, where an apartment inhabited by three problematic bachelors soon becomes a haven for an extra-terrestrial female fugitive.
- Réalisation
- Scénario
- Casting principal
Avis à la une
To be honest, I really liked it. It's got good graphics, not so good story (but still watchable) and the whole story-line just makes me keep watching. And one more thing - this is not for a typical Malayalam movie "REVIEWER". The whole concept of post apocalyptic tale and subtle puns against the current/near future political agendas are good.
One thing I got to mention is the VFX. Sure most of the images and animations are questionable (I know about the existence Midjourney and blender). But it was good by the choice.
I really hope there will be a second part. Will there be a second part to this?
One thing I got to mention is the VFX. Sure most of the images and animations are questionable (I know about the existence Midjourney and blender). But it was good by the choice.
I really hope there will be a second part. Will there be a second part to this?
Gaganachari scores high in how it treats its familiar (yet experimental, for Malayalam) plot, garnished with a heavy dose of pop culture references, making it palatable for both 90s and 2000s kids. The sci-fi mockumentary packaging, which I only remember from a recent Krishand film, looks and feels fresh. The humor flows organically, even when a few writing misses occur in the second hour. The cast is terrific-each fitting their respective roles to the T. Gokul Suresh is surprisingly good as the lovestruck loser Allan, and so is Anarkali Marikkar as Alieyamma. Ganesh Kumar and Aju Varghese bring in the laughs with their one-liners, making even generic events like dinner, sleep, and meditation look entertaining.
There is overuse of AI but it's understandable given what the makers were trying to achieve here. Ultimately, what we see and hear on screen, looks incredibly believable for its given budget, and that's what should matter at the end of the day. The socio-political subtext is also played for laughs, and I particularly enjoyed the writing (and visual) choice of painting Kerala in a greenish excess, as opposed to the typical dystopian desert shades. Sankar Sharma's music also adds zing to the proceedings. I'm unsure if the sequel (or is it a spinoff?) holds the same level of potential given it'll be a star-led vehicle, but we'll just have to wait and see. Good work, Arun Chandu!
There is overuse of AI but it's understandable given what the makers were trying to achieve here. Ultimately, what we see and hear on screen, looks incredibly believable for its given budget, and that's what should matter at the end of the day. The socio-political subtext is also played for laughs, and I particularly enjoyed the writing (and visual) choice of painting Kerala in a greenish excess, as opposed to the typical dystopian desert shades. Sankar Sharma's music also adds zing to the proceedings. I'm unsure if the sequel (or is it a spinoff?) holds the same level of potential given it'll be a star-led vehicle, but we'll just have to wait and see. Good work, Arun Chandu!
The surreal mix of post-apocalyptic dystopia and absurd comedy might feel overwhelming for some, but it's also what makes this film memorable.
Can't think of any other mollywood flick that makes use of such multi-genre possibilities.
Bleakness of a post-apocalyptic world meets the light-heartedness of satire and mockumentary, creating a film that's as unpredictable as it is unsettlingly hilarious.
It's both absurdly entertaining and uncannily insightful, offering viewers a chance to lose themselves in a world that is as bizarre as it is reflective of our own.
It's a landmark movie in Malayalam for sure and is going to be discussed and analysed in future.
Can't think of any other mollywood flick that makes use of such multi-genre possibilities.
Bleakness of a post-apocalyptic world meets the light-heartedness of satire and mockumentary, creating a film that's as unpredictable as it is unsettlingly hilarious.
It's both absurdly entertaining and uncannily insightful, offering viewers a chance to lose themselves in a world that is as bizarre as it is reflective of our own.
It's a landmark movie in Malayalam for sure and is going to be discussed and analysed in future.
It had a solid run in theatres and made some good noise in film circuits. Strangely, it slipped onto OTT without much noise. Yet, it was inevitable that I'd miss it once it was available on OTT.
This is a science fiction story set in the 2040s, focused on three bachelors living in a building while the rest of the world is in shambles. A female alien comes to stay with them, making their lives even more complicated.
It's unlike any science fiction you may have seen so far. The movie doesn't take itself seriously, yet it portrays a world transformed by humanity's exploitation of nature, grounding its absurdity with a sense of real-world consequences. It takes a while to understand what's happening on screen, as the plot unfolds through gags within a dystopian setup.
Ganesh Kumar is seen in a never-before avatar, and he absolutely nails it. Gokul Suresh is decent in parts, though he overacts in multiple sequences. Aju Varghese handles his role well, while Anarkali Marikar as Alien maintains a poker face throughout as the character demands, which she does effectively. John Kaippali, in a limited role, adds beautifully to the chaos.
This is an experimental movie, and it should be viewed with that lens. The cinematography cleverly captures the tone, and with just the right amount of graphics, the movie is made surprisingly believable. The usage of real life anecdotes or materialistic things in futuristic setup was interesting. However, the runtime feels a bit lengthy, and trimming it could have helped create a crisper narrative. The comedy works in the film's favor, and the song during the end credits-a rap-adds an interesting touch.
Once again, Malayalam cinema tries something new and does it well. With a low budget, they've managed to churn out a decent film. Watch it for a different experience, with logic set slightly aside.
#pranureviews #Gaganachari #GaganachariReview.
This is a science fiction story set in the 2040s, focused on three bachelors living in a building while the rest of the world is in shambles. A female alien comes to stay with them, making their lives even more complicated.
It's unlike any science fiction you may have seen so far. The movie doesn't take itself seriously, yet it portrays a world transformed by humanity's exploitation of nature, grounding its absurdity with a sense of real-world consequences. It takes a while to understand what's happening on screen, as the plot unfolds through gags within a dystopian setup.
Ganesh Kumar is seen in a never-before avatar, and he absolutely nails it. Gokul Suresh is decent in parts, though he overacts in multiple sequences. Aju Varghese handles his role well, while Anarkali Marikar as Alien maintains a poker face throughout as the character demands, which she does effectively. John Kaippali, in a limited role, adds beautifully to the chaos.
This is an experimental movie, and it should be viewed with that lens. The cinematography cleverly captures the tone, and with just the right amount of graphics, the movie is made surprisingly believable. The usage of real life anecdotes or materialistic things in futuristic setup was interesting. However, the runtime feels a bit lengthy, and trimming it could have helped create a crisper narrative. The comedy works in the film's favor, and the song during the end credits-a rap-adds an interesting touch.
Once again, Malayalam cinema tries something new and does it well. With a low budget, they've managed to churn out a decent film. Watch it for a different experience, with logic set slightly aside.
#pranureviews #Gaganachari #GaganachariReview.
An unprecedented experience in the Malayalam film industry. Gaganachari is a futuristic experimental product. Creativity on a peak level. Change is here. The crew behind the screen had done beyond meritorious work especially the art team. And the cast cannot be left unspoken. Performance by Gokul, Anarkali and moreover Ganesh sir was promising than before. Aju Varghese has done it again. The soothing background score gets you immersed into the vibe. An admirable movie, still not so acceptable by all of the audience. A heartfelt appreciation for the brave efforts. Longing for more from the team.
Le saviez-vous
- AnecdotesSimilar to the alien franchise, here the alien acquires some behavior of the species it consumes.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Montant brut mondial
- 38 313 $US
- Durée1 heure 55 minutes
- Couleur
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant