Visfot

We have such an agony that in Bollywood now even for a remake or copying a movie no one is taking an extra initiative or effort to add or create logical scenes as per Indian culture and geographical location. In a first look itself anyone can recognize it's an International copied or remake movie. Our film industry lazy guys are now just copying and pasting the content. Portraying scenes without any logic, promoting extra marital affair, defaming certain areas in Mumbai as Crime Hub shows all in negativity. Fardeen comeback is good but all others actors are OK. A one time watch movie on OTT and not to waste money and time in theatre.

Visfot, starring Fardeen Khan and Riteish Deshmukh, marks an engaging return for both actors to the silver screen. The movie, directed by Kookie Gulati, is a remake of the Venezuelan film Rock, Paper, Scissors. It's a high-octane thriller with a blend of suspense, drama, and moments of dark humor.

Fardeen Khan, in his comeback role, plays his character with intensity, showcasing his ability to deliver in high-pressure, emotionally charged scenes. Riteish Deshmukh, known for his comic roles, surprises the audience by taking on a more dramatic, serious character. The duo's on-screen chemistry is compelling, as they navigate the tense plot involving crime, betrayal, and moral dilemmas.

The narrative is fast-paced, keeping viewers on edge with twists and turns. While the storyline follows a predictable path at times, the performances and direction make up for the occasional lapses in originality. The cinematography is sleek, giving the film a gritty, urban edge that complements the plot's intensity.

Overall, Visfot is an entertaining thriller that capitalizes on its lead actors' performances, with Fardeen Khan's return being a highlight. It's worth watching for fans of thrillers and those eager to see these actors in new avatars.

Visfot is a complete waste of 2 hours and 10 minutes. Fardeen Khan, in his attempt to make a comeback, has chosen a story that will likely derail that comeback entirely. Abbas Dalal's writing feels so confused that even Hussain Dalal seems unsure of what to do with the plot.

It's a wasted opportunity for fine actors like Riteish Deshmukh and Sheeba Chaddha, whose talent is completely underutilized here. The kind of movies Jio Cinema picks really makes you wonder if they need to hire a better content acquisition team.

Unless you're looking for a visfot (explosion) in your head, stay far away from this one.

First 15 minutes; Shoaib gets up in the morning. Does a namaz, goes to girlfriends house, makes intercourse. Girlfriend gets up and goes to work, on the way she prays in front of Jesus and that's it .. I realised Shoaib is going to be victim of circumstances and somebody else will be a villain. Oh then a lady with big bindi on her forehead with traditional attire arrives on screen to be the cruel villain.

Police role as usual corrupt and making injustice.

Hero the victim of circumstances tries best to do all the good things except adding some wisdom to his brain.

Really thankful to @GemsOfBollywood.

Visfoot had potential, but unfortunately, it falls flat in almost every aspect. The storyline is confusing and lacks coherence, jumping between poorly written subplots that lead nowhere. The characters are shallow, with no development, making it hard to care about any of them. The lead actors, despite their previous successes, seem disconnected and uninterested, delivering lifeless performances.

The film's pacing is terrible, dragging in some parts while rushing through others, and the editing is sloppy. The dialogue is cringeworthy, filled with clichés and forced humor that doesn't land.

Overall, Visfoot is a major letdown and feels like a half-hearted attempt at filmmaking. That lady acting of mothers of child, her script and other things could updated.

Save yourself the time and skip this one.