Albatros

Emelia Conan Doyle (Jessica Brown Findlay) claims to be a descendant of the great writer Arthur Conan Doyle. She takes a cleaning job at a seaside hotel owned by Jonathan Fischer (Sebastian Koch). He's struggling with writer's block and holed up in the attic. He has combative wife Joa (Julia Ormond), bookish daughter Beth (Felicity Jones), and six year old Posy. Emelia befriends Beth who is applying for Oxford. Emelia claims to be a writer but she can't live up to her family name. As Jonathan mentors her, they begin an affair.

Jessica Brown Findlay and Felicity Jones are both lovely although this movie may be better if there is a darker, sexier edge. This plays more like a light relationship drama. The story suggests an eroticism that this movie does not have despite Findlay flashing her boobs comically. There is a darker edge that nobody is able to deliver other than Ormond. The story, the performances, and the tone don't completely click.

I watched this film without any expectations, in the end, I got exactly what I wanted. Albatross might not be a masterpiece but it certainly has become one of my favorites. I wonder why Comedy isn't added in this film's genre 'cause I found most of the dialogues comical.

As everyone saying, there is no exaggeration about Jessica Brown Findlay's acting, she was adorable and the other characters including 12 year old and old guys acted very fine.

Humans make mistakes but realizing those and not repeating them is the important part. If you find someone feeling very low then you say any random thing just to cheer him up. Similarly, sometimes our parents lie to us too, not with the intention to hurt us but to inspire us and make us discover the hidden talents within. This is what I understood from the film.

So, I give this movie 10 out of 10 'cause I totally loved it.

In the evocative location of the Isle of Man there is Emelia Doyle, a teenager who lives with her grandparents (her mother committed suicide, her father disappeared). She tries to become a writer because she is convinced that she is a descendant of Sir Arthur Conan Doyle, but in the meantime she only scrapes together menial jobs; then there's a failed writer, Jonathan Fischer, author of a single successful novel on which he lives off a pension, without being able to write anything decent anymore; finally there's the writer's daughter, Bethany, a young girl with no experience due to parents unable to let her go, who aspires to continue her studies at the coveted Oxford University.

A charming comedy with three characters who don't have the courage to take a step forward in their lives: they help each other, almost without wanting to, to give themselves a push, to "rewrite", to become aware of themselves. The film is convincing thanks to a certain irony that amiably mocks the characters, to the delightful naive grace of Felicity Jones (Bethany), to the irreverent, cheeky, sensual but also tenderly defenceless humanity of Jessica Brown Findlay (Emelia), who in the end manages to get rid of her alibi for doing nothing with her life (the albatross around her neck of choleridgian memory) and starts writing seriously. A little-known, rather neglected comedy, but definitely worth a look.

Introducing a new mega-star: Jessica Brown Findlay. Some films are destined to remain in the shadows of the stars they create. Albatross is one of those films.

The story follows Emelia, a rebellious, seductive and intelligent teenager played by Brown Findlay. Taking a job as a cleaner at a guest house, Emelia befriends the teen daughter of the house, begins an affair with the husband and gets scowled at by the wife and mother of the family who live there.

Alternating between comedy and drama, the film has an awkward tone. The writer Tamzin Rafn claims it was written as a comedy but there are only occasional really funny moments. Instead, it is the drama that is more gripping with a range of characters who are trapped in miserable lives in a beautiful but dead-end location. Filmed with a great eye for scenery on the breathtaking coast of the Isle of Man by director of photography Jan Jonaeus, the narrative takes in the kids on the beaches, the family in the guest house and most notably Emelia and new friend Beth. But these disparate people all appear confined and resigned to unfulfilling and disappointing existences.

Emelia's snarky way with words brightens and amuses what could be a depressing film. There are laughs to be had and there is hope for a better life for many of the characters, but the film is dealing with some serious issues like Alzheimer's, suicide and unfulfilled potential. Perhaps director Niall MacCormick saw an opportunity to inject more drama into what could have been a fluffier lightweight British comedy and went for it.

The cast are all excellent, Sebastan Koch all guilty nervous ticks, Julia Ormond neglected, spiteful and probably the saddest character in the story. But Felicity Jones and Jessica Brown Findlay carry the weight of the film and are believable opposites, angel and devil, bookworm and loose cannon. Brown Findlay particularly shines with comic delivery of vicious put-downs but also scenes of more hefty emotional weight. It is the moments spent with Emelia's grand parents that help to explain the actions of this troubled young woman and will keep audiences sympathising with what could have been a one-dimensional typical teen tearaway.

See it for the scenery, the performances and for the drama. Witness the making of a star! Writer Tamzin Rafn and star Jessica Brown Findlay attended a screening and answered questions from the assembled audience on Monday (03/10/11) night. Thanks to LoveFilm as always for another great opportunity to hear from the people involved.

There are some characters in this film, there really are, and they are all so very different, and, at the same time, very alike. Emilia, at times quite brilliantly played by Jessica Brown Findlay, is the superficially confident teen who commands the scene and will not be put down easily. Beth, well played by Felicity Jones, is the girl who likes the rebel instinct of Emilia, but is waiting on a place at Oxford. The two girls, and their families, live in a fictitious English south coast town. Beth's parents own a hotel/guest house proceeds from the only book her father has successfully authored. There is much friction between Beth's parents.

The plot develops around the friendship between Emilia and Beth, and then between Emilia and Beth's father, and takes us down a number of diversionary routes until we get to the revelations that make the story tie up its loose ends.

Not entirely satisfactory or convincing as a film but it has some promising acting from its younger stars. Well worth a rental.