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Elles

  • 2011
  • 12
  • 1h 39min
NOTE IMDb
5,6/10
7,8 k
MA NOTE
Juliette Binoche, Anaïs Demoustier, and Joanna Kulig in Elles (2011)
On her latest assignment, a journalist for Elle immerses herself in a prostitution ring run by university students.
Lire trailer1:36
1 Video
30 photos
Psychological DramaDrama

Lors de sa dernière mission, une journaliste du Elle s'immerge dans un réseau de prostitution tenu par des étudiants universitaires.Lors de sa dernière mission, une journaliste du Elle s'immerge dans un réseau de prostitution tenu par des étudiants universitaires.Lors de sa dernière mission, une journaliste du Elle s'immerge dans un réseau de prostitution tenu par des étudiants universitaires.

  • Réalisation
    • Malgorzata Szumowska
  • Scénario
    • Tine Byrckel
    • Malgorzata Szumowska
  • Casting principal
    • Juliette Binoche
    • Anaïs Demoustier
    • Joanna Kulig
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,6/10
    7,8 k
    MA NOTE
    • Réalisation
      • Malgorzata Szumowska
    • Scénario
      • Tine Byrckel
      • Malgorzata Szumowska
    • Casting principal
      • Juliette Binoche
      • Anaïs Demoustier
      • Joanna Kulig
    • 27avis d'utilisateurs
    • 97avis des critiques
    • 50Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Vidéos1

    International Version
    Trailer 1:36
    International Version

    Photos30

    Voir l'affiche
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    Rôles principaux25

    Modifier
    Juliette Binoche
    Juliette Binoche
    • Anne
    Anaïs Demoustier
    Anaïs Demoustier
    • Charlotte
    Joanna Kulig
    Joanna Kulig
    • Alicja
    Louis-Do de Lencquesaing
    Louis-Do de Lencquesaing
    • Patrick
    Krystyna Janda
    Krystyna Janda
    • La mère d'Alicja
    Andrzej Chyra
    Andrzej Chyra
    • Le client sadique
    Ali Marhyar
    • Saïd
    Jean-Marie Binoche
    • Le père d'Anne
    François Civil
    François Civil
    • Florent
    Pablo Beugnet
    • Stéphane
    Valérie Dréville
    Valérie Dréville
    • La mère de Charlotte
    Jean-Louis Coulloc'h
    Jean-Louis Coulloc'h
    • Le père de Charlotte
    Arthur Moncla
    • Thomas
    Scali Delpeyrat
    Scali Delpeyrat
    • Charles
    Laurence Ragon
    • Colette
    Alain Libolt
    • Le mari de Colette
    Swann Arlaud
    Swann Arlaud
    • Le jeune client
    Nicolas Layani
    • Le client guitare
    • Réalisation
      • Malgorzata Szumowska
    • Scénario
      • Tine Byrckel
      • Malgorzata Szumowska
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs27

    5,67.8K
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    10

    Avis à la une

    6videorama-759-859391

    Sex, more a factor in play here

    We've seen similar films dealing with the subject of student prostitution, so when coming to view this, it's a tired watch. It's been all done before. The movie starts where we're further into the story, where journalist, Binoche, who carries the film in a great if bold performance, interviews two young beautiful girls, selling and indulging in sex with older men, kind of bringing much similarity, I would say to that later Art house film, Young And Beautiful, which I haven't yet seen. There are some truly hot sex scenes in this film, from our two lasses, one featuring a middle aged guy getting into Demoustier's lacey panties, and boy, does she want it. Slowly disassociating herself from her family, as well as having problems with the fridge door, Binoche immerses and loses herself into this life, becoming good friends with both girls, causing her to privately masturbate, and give hubby something he hasn't had in a while, where the film suddenly ends. The films fault, like Binoche losing herself, the film loses it's intentions, handling of story, where the movie shallowy touches on the subject, and doesn't go into enough depth of the girl's backgrounds, like why they do it, and what really has led em to this point, where meeting mommy of one of the girls, was at least something. But the film gets more caught up in the sex between call girl and client, which is the film's real failing. This was angrily disappointing in one sense, as the end credits rolled. It's Binoche's film, though. Watch it for her, the film's only strong savior.
    lazarillo

    OK French "social problem" movie, but perhaps a little exploitative and hypocritical

    This movie, like another recent French movie "Student Services", exposes the apparent current social problem of impoverished Parisian female university students resorting to prostitution. In America movies like this are generally preachy and alarmist and usually relegated to the Lifetime network where they're viewed mostly by bored housewives. I'm not exactly sure WHO these French movies are aimed at though, and they seem a little hypocritical. If you REALLY want to de-glamorize co-ed prostitution should you show quite so many scenes of impossibly attractive French actresses like Deborah Francois (in "Student Services") or Anais Demoustier (in this) having hot, naked, kinky sex? Women might appreciate the social message here, but most men will find it a little hard to concentrate on the message what with all the blood flowing from their brains to their boners. Even the middle-age female protagonist of this movie, a journalist played by Juliette Binoche, is so turned on by audiotapes of the Demnoustrier character's sex sessions that at one point she has to go in the bathroom and pleasure herself. She becomes so obsessed with her "expose" that she neglects her husband and children. She's definitely a strange, and not particularly likable, character.

    The movie is also surprisingly kinky. Demoustier's prostitute character has wine bottle inserted in her butt by a sadistic client. Another Polish prostitute has her large breasts urinated on. These scenes aren't graphic, of course, but the fact that they're included at all--combined with a rather muddled moral message--definitely tends to move this toward lurid exploitation.

    Binoche is not very good in this, but it might be the character she's saddled with. Demoustier is both sexy and adorable, but doesn't have much of a role, and her character pretty much disappears after the assault with the wine bottle. I didn't dislike this movie, but I prefer the similar "Student Services". It too seems a little at odds with itself message-wise, but it gives the major role to its sympathetic prostitute character. And it's not QUITE so exploitative and hypocritical.
    7stensson

    Erotic lifestyles

    According to some reports, great many female students in France financed their studies from prostitution. This film starts from this report. Juliette Binoche plays the journalist who interviews two of these girls. Many times.

    She tries to analyze it all from a cold professional view, but finds that she is the one who changes and maybe also gets analyzed. The girls tell her they are abused sometimes, but Binoche is the one who takes the biggest injuries.

    Interesting film about "Western morals" declining more and more in all ways, since we're not interesting in sharing profits like we used to. But the film is a little cold and and analyzing, just like a professional journalist should be.
    6paul2001sw-1

    Enjoyable but weak

    In the enjoyable but ultimately silly film, a wealthy Parisian journalist interview a couple of students who are earning their way through college working as prostitutes. Expecting to pity them, she finds herself envying (and fancying) them; the film makes the point that interviewer and interviewees alike inhabit a world that is full of rich men and luxurious surroundings, but the working girls have a measure of sexual excitement and control lacking in the married life. Now I can accept that not every prostitute is drug addicted, enslaved and so on: but it's hard to believe in the romantic and glamorous way their lives are depicted. Interestingly, this is a film directed by a woman, and starring three women as well: clearly the stereotype of the high-class hooker has enduring appeal to both sexes.
    7Felix-28

    Disappointing but some redeeming features

    I was expecting Juliette Binoche to be as fabulous as she normally is, but she was the disappointment among the three female leads.

    To be fair, I think it was the fault of the part, rather than faults in her performance. I think the idea was that her character, the journalist, got so involved in what she was researching and writing that she forgot about her own life and family until the story was finished; but the result was that her character was just a mess.

    What I liked about the film was what seemed to be a much more honest and realistic portrayal of the two prostitutes than we normally see. Both were very believable. Both students, one (Anaïs Demoustier as Charlotte) in control of what she was doing, and the other (Joanna Kulig as Alicja) drinking to much and seemingly headed for disaster. Both of them liked sex; Charlotte liked the sex she had with her customers apparently just as much as she liked the sex she had with her boyfriend. You don't see that in Hollywood movies. In Hollywood movies the prostitutes never kiss and they never have orgasms, and they all hate what they're doing. In this film, Charlotte didn't hate it at all, in fact she liked it a lot; whereas Joanna said that she liked it, and seemed to like the physical sensations, but also seemed to hate the idea of what she was doing. That seemed pretty realistic to me.

    There were two things that struck me particularly. One was quite early on in the film, when Juliette Binoche asked Charlotte why she kept working. The answer was that the money was hard to give up.

    The second was from Charlotte again, and again in answer to a question from Juliette. The question was, what was the worst thing about the work, and the answer was having to tell lies all the time.

    Both of those things rang pretty true to me.

    So what it comes down to is a more realistic portrayal of prostitution than we normally get, but a rather messy movie with a rather messy central character.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Director Malgorzata Szumowska revealed Joanna Kulig, who in the film plays a prostitute, was so afraid of the scene where she is naked with a client who is peeing over her. "It was amazing that for three months she was afraid of that scene. But what was challenging was that when she starts to do it, she did it very fast. In a few hours without any hysteria, no questions." During that scene Kulig wanted to hear classical music and asked that not all the crew were on the set. "For me it was very difficult to keep concentrated!" - the actress said. "The scene was funny. On the sixth time [the juice machine] was broke so we had to stop. And everybody started to laugh. I had to be very concentrated. To have a serious face thinking about the subject. And I started to play and for two minutes, 'Sorry! We have to stop. This machine doesn't work with the juice!' And everybody...."
    • Gaffes
      Call girls get paid before the act, not after, or by Venmo etc.
    • Citations

      Anne: All women are whores, is that it?

    • Crédits fous
      Closing credits begin during a breakfast scene with Anne's family.
    • Connexions
      Features We Fuck Alone (2006)
    • Bandes originales
      Symphony No. 7 Op. 92 II. Allegretto
      Written by Ludwig van Beethoven

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    FAQ17

    • How long is Elles?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 février 2012 (France)
    • Pays d’origine
      • France
      • Pologne
      • Allemagne
    • Sites officiels
      • Haut et Court (France)
      • Juliette Binoche: The Art of Being - Official Fansite
    • Langues
      • Français
      • Anglais
      • Polonais
      • Arabe
    • Aussi connu sous le nom de
      • Sponsoring
    • Lieux de tournage
      • Paris, France
    • Sociétés de production
      • Slot Machine
      • Zentropa International Poland
      • Zentropa International Köln
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 4 000 000 € (estimé)
    • Montant brut aux États-Unis et au Canada
      • 157 508 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 24 286 $US
      • 29 avr. 2012
    • Montant brut mondial
      • 3 822 241 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 39 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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    Juliette Binoche, Anaïs Demoustier, and Joanna Kulig in Elles (2011)
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    What is the Brazilian Portuguese language plot outline for Elles (2011)?
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