Scream of the Banshee

The cast and concept seemed interesting, but I was dubious seeing that it was low budget and that it was SyFy. As far as SyFy movies go, it is far from their worst, but it is not one of their better ones either. The cast aren't terrible, but the only ones really to come above their material are Lucy Hale and Todd Haberkorn. Marcelle Baer is not bad either, but her character is written poorly, while the casting of Lance Henriksson promised much but mainly because he is only on screen for ten or so minutes his efforts seemed wasted. The banshee was rather fake sadly, though the scream was terrifying, and the choppy editing and artificial-looking effects don't help. Neither do the hackneyed scripting, the dull, predictable and ridiculous story, the lack of any real terror or suspense or the annoying stereotypes for characters. Overall, not a complete waste of time but still pretty lame. 3/10 Bethany Cox

Having a cool title and premise does not excuse a filmmaker from those making decisions that weaken their movie. Overzealous editing, camerawork, and lighting are no substitution for judicious storytelling or direction; cheap jump scares are altogether gauche. Scene writing and plot threads still need logical through lines from A to B, or at least through B to C, to tie a picture together. I'm given to understand that director Steven C. Miller wanted to make a darker feature than the intended television premiere would allow, and also that he took inspiration from mid-century genre flicks. I can see glimpses of both these elements in his thinking - in some of the practical effects including blood, gore, and props; in the narrative advancement that drops kernels of supernatural horror piecemeal as the tale comes together. Unfortunately, the end result doesn't particularly measure up in any capacity: despite all due earnestness in the production, 'Scream of the banshee' mostly just falls flat.

I don't think anyone's efforts were outright bad; I see the hard work that was put into this. I see what Miller wanted to do. But in one way or another every contribution just ended up being misguided. While practical effects look great, digital creations are, shall we say, less than seamless. The first time we see the titular creature it looks fantastic, but the special makeup and costume design somehow seem increasingly inauthentic as the length draws on; why change what didn't need to be? Andrew Strahorn's cinematography and Miller's editing are technically proficient, but exercised to wrong ends, trying to artificially heighten the horror violence but instead only overcooking it. Ryan Dodson's score is enjoyable in and of itself, but is employed in ways here that make it seem over the top. The production values are weirdly inconsistent; from one scene to the next the fundamental image before us might bear a different look and feel - sometimes exactly on point, at other times bearing the appearance in different ways of having been filmed in front of a green screen even for simple exterior shots, if not having been computer-generated outright. Miller's intent as director was true, but he takes cues from other genre flicks of the early 2000s, including TV movies, that severely reduce the best potential. The cast give the best performances they can to realize the material, but the combined effect of every other facet is to force them into a corner that strips away nuance and tact. Poor Todd Haberkorn seems to have suffered the most in this regard.

For all this, however, Anthony C. Ferrante's screenplay is surely the chief weakness. There are some genuinely good ideas in the writing, but by and large Ferrante's work is sadly a scattered mess. Characters should have been more than just empty shells; dialogue is mostly terrible, and sometimes cliched. In both these regards, I feel bad for Lance Henriksen, because his part has the dubious distinction of representing the worst writing of anything in the whole feature. Scene writing (and Miller's realization of it) is too often ham-handed and overdone, sometimes testing the limits of good sense or suspension of disbelief (example, watch for an early scene in which three characters obliviously walk past something on the floor). Like an old house that needs to be remodeled, the plot has good bones - yet the meat between those bones is in desperate need of revitalization. Some individual story beats are questionable; threads between beats and scenes are sometimes thin and falling apart. There is, after all, a complete story told herein, but it struggles to feel cohesive or even coherent as a substantial amount of Movie Magic is involved to weave everything together. It's a lot to try to take in.

I don't altogether hate 'Scream of the banshee.' I see what was put into it; I see what it could have been. As it stands, however, nothing quite fits together; the efforts of all involved are just slightly mismatched from what they should be. I wish Ferrante only the best, and I trust that he has grown in his skills as a writer since this was made, but his screenplay needed significant rewrites. I don't absolutely regret watching this film - I'm just disappointed. Good ideas; no major success in any fashion. My kindest regards to all who had a hand in this, and I hope to see more of what they can do elsewhere. 'Scream of the banshee,' however, is just not the fun horror romp it might have been.

In 1188 A.D., in Limerick City, Ireland, Templar Knights chase a creature through the woods and trap her head in a box.

In the present days Professor Isla Whelan (Lauren Holly) and her two assistants are researching and labeling historical artifacts in the basement of the university where she works and they find an Irish glove and map with the name Duncan. Isla's estranged daughter Shayla Whelan (Marcelle Baer) finds a hidden space behind a wall with a box with the severed head, but they believe that it belongs to deformed person or an animal. Out of the blue, the head screams and they all bleed through the ears. They learn soon that the head is from a Banshee and in accordance with the mythology they are doomed to die. Their only hope is to find the lunatic and discredited Professor Broderick Duncan (Lance Henriksen), whose expertise is in the feminine spirit in Irish mythology.

"Scream of the Banshee" is an awful and boring, but never scary, SyFy horror movie. The messy screenplay is lame, with poor characters development and explanation of the Banshee mythology. My vote is three.

Title (Brazil): "Gritos do Além" ("Screams from Beyond")

In 1188 Ireland, some warrior horsemen chase and attack a red-cloaked figure. Obviously "Screaming Banshee" of the title, the pursued rider is brutally murdered. Flashback over… In the present, California college professor Lauren Holly (as Isla Whelan) is archiving some old relics. She happens upon an Irish gauntlet, which assistant Todd Haberkorn (as Otto) decides to wear. Also found is a metallic box, hidden behind a wall. The gauntlet opens the box and out pops the Screaming Banshee. Well, she doesn't exactly pop out, at first, but her spirit is released. To stop Screaming Banshee, Ms. Holly and her archivist team must seek out help from hammy old Lance Henriksen (as Broderick Duncan)...

In some early scenes, the Screaming Banshee looks intriguing and frightful. But, by the end, budget constraints have turned her into a very silly-looking monster. There is almost nothing given about the Banshee to make her interesting. Having a good moment here and there, relatively new director Steven C. Miller is either unable to interpret a good story, or improve upon a bad one. Some of the later sets look nice, but this is a hopeless Syfy TV Movie. With nothing much to comment on, daughter Marcelle Baer is most valuable player in the attractive cast sweepstakes. Her boyfriend Garrett Hines has great muscles. Perhaps most noteworthy is the creative pluck of Mr. Haberkorn's eyebrows.

*** Scream of the Banshee (2011-03-04) Steven C. Miller ~ Lauren Holly, Todd Haberkorn, Lance Henriksen, Marcelle Baer

I almost rated this lower because Afterdark should know better - films like "Crazy Eights" were inexcusable in their second year, and in their fifth, here's another film entirely as cliché and uninspired as any of those big-budget "horror" films regurgitated into cinemas in the last few years.

Actually, whereas many "Ring" clones feature mysterious deaths before the protagonist starts investigating, this time the characters are investigating weird happenings before they know anyone's dead.

And also the film focuses on several characters, not just the protagonist and love interest, the main threat is represented with practical effects rather than CGI, thankfully, and, um... oh, they're investigating exactly where the banshee came from instead of trying to determine why this creature exists, and...

Actually, that's probably every difference between this and your average "Ring" clone. Not that bad, albeit definitely not scary and very disappointing for a film that's supposedly horror festival material.