Commissaire Magellan
- Série télévisée
- 2009–
- Tous publics
- 1h 30min
NOTE IMDb
6,9/10
172
MA NOTE
Le Commissaire Simon Magellan élucide crimes et mystères dans la ville fictive de Saignac. Mais ce n'est que son travail de jour - il doit aussi élever ses deux filles adolescentes.Le Commissaire Simon Magellan élucide crimes et mystères dans la ville fictive de Saignac. Mais ce n'est que son travail de jour - il doit aussi élever ses deux filles adolescentes.Le Commissaire Simon Magellan élucide crimes et mystères dans la ville fictive de Saignac. Mais ce n'est que son travail de jour - il doit aussi élever ses deux filles adolescentes.
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Season 1 of Magellan was extremely enjoyable. All the actors and plots worked out. Then the wonderful Nabil disappeared and was replaced by an ever complaining character at the end of season 1.
Season 2 starts with 2 girls younger than in season 1!
Since when this would make sense to anyone?
And not only that, but their character is unpleasant.
Is the writer different ?
10 stars for season 1, 4 stars for season 2
I love this 6,great scenery, mostly fantastic actors. Magellan is a cross between Vera and columbo. At least two murders per episode, although one only had one murder. What was stupid to me was the changing of the daughter's. Yes one was old enough to leave, but then they bring in a much younger girl than the youngest. She's always in adult conversations, she has a smart mouth and does she, attend school regularly??? Simon's friend Paul was ok in the beginning, then he wore his welcome out. But I would rather have him, than the bum nephew ludo. He's very unlikable, he's lazy and dirty looking. I hope there are more seasons of this series, just get rid of ludo and the entitled daughter.
Magellan is simply the most formulaic mystery series I've ever seen, at least after season one. So, I've compiled a template for a budding Magellan writer.
Template for a Commissair Magellan Screenplay:
1) Open with short scene with the victim earlier the day of the murder.
2) Next scene, usually at night, the murder, tastefully done, little gore.
3) After stock footage of the town is standing in for the fictional town of Saignac, Magellan is at breakfast with his daughter and his nephew, Ludo. In the middle of the cute breakfast colloquy Megellan must get a call from his work colleague Selma telling him of the murder, to which he responds "I'll be right there" and he immediately leaves. (Note to screenwriter: The call about the murder must come at breakfast, not in the afternoon at the Police Station, or any other time.)
4) At the crime scene Magellan and Selma speak to several people who knew the victim and one gives them the name of a very likely suspect.
5) They go to interview that suspect, whom they determine is not likely to be the killer, but that suspect tells them something that leads them to another suspect, and it continues that way through several suspects.
6) One of the suspects should take a runner when he sees the two cops and Selma, being the younger of the two and in better shape, chases after him. This suspect is male and should not end up being the murderer.
8) While unraveling all sorts of family and business secrets among the suspects our two cops discover that the parentage of one of the younger characters is different than what everyone believes. (This is optional as it doesn't have to be in every episode, but the majority of them.)
9) Approximately ten minutes before the end of the episode the most likely suspect at that point must be murdered as he/she knows too much. But this second murder must quickly lead them to find the real killer.
10) During the course of the investigation there should be three scenes of Magellan at home with his daughter and live in comic relief character, the ne'er-do-well, insufferable Ludo. (Note to writer: These scenes should be cute and delightful, but so far they've been mostly ridiculous, silly and annoying.)
It should be noted that the Ludo character replaced prosecutor and Magellan's best friend Gavrillac, who was in the earlier episodes It was always unbelievable as to how the otherwise intelligent prosecutor could act so stupid. With respect to Ludo that's not a problem!
There is almost no deviation from the above formula in every episode, so if you are binge watching this night after night as I did, it becomes frustrating. Can't they do something original and break out of the mold, but they never do. Yet, despite all this I was hooked.
Indeed, it is a tribute to the writers can come up with such interesting plots and characters within these very strict guidelines.
Template for a Commissair Magellan Screenplay:
1) Open with short scene with the victim earlier the day of the murder.
2) Next scene, usually at night, the murder, tastefully done, little gore.
3) After stock footage of the town is standing in for the fictional town of Saignac, Magellan is at breakfast with his daughter and his nephew, Ludo. In the middle of the cute breakfast colloquy Megellan must get a call from his work colleague Selma telling him of the murder, to which he responds "I'll be right there" and he immediately leaves. (Note to screenwriter: The call about the murder must come at breakfast, not in the afternoon at the Police Station, or any other time.)
4) At the crime scene Magellan and Selma speak to several people who knew the victim and one gives them the name of a very likely suspect.
5) They go to interview that suspect, whom they determine is not likely to be the killer, but that suspect tells them something that leads them to another suspect, and it continues that way through several suspects.
6) One of the suspects should take a runner when he sees the two cops and Selma, being the younger of the two and in better shape, chases after him. This suspect is male and should not end up being the murderer.
8) While unraveling all sorts of family and business secrets among the suspects our two cops discover that the parentage of one of the younger characters is different than what everyone believes. (This is optional as it doesn't have to be in every episode, but the majority of them.)
9) Approximately ten minutes before the end of the episode the most likely suspect at that point must be murdered as he/she knows too much. But this second murder must quickly lead them to find the real killer.
10) During the course of the investigation there should be three scenes of Magellan at home with his daughter and live in comic relief character, the ne'er-do-well, insufferable Ludo. (Note to writer: These scenes should be cute and delightful, but so far they've been mostly ridiculous, silly and annoying.)
It should be noted that the Ludo character replaced prosecutor and Magellan's best friend Gavrillac, who was in the earlier episodes It was always unbelievable as to how the otherwise intelligent prosecutor could act so stupid. With respect to Ludo that's not a problem!
There is almost no deviation from the above formula in every episode, so if you are binge watching this night after night as I did, it becomes frustrating. Can't they do something original and break out of the mold, but they never do. Yet, despite all this I was hooked.
Indeed, it is a tribute to the writers can come up with such interesting plots and characters within these very strict guidelines.
The series has been enjoyable. However, I have been fast forwarding the scenes with the nephew Ludo. Most reviews on this character have not been positive. So why do the producers or whoever are the decision makers insist on including this character? It is a shame. The interludes with the original cast was entertaining. Is it is grinding at best. Who can we appeal to for a change and have Ludo move to Antarctica and live there happily ever after. And we can move on enjoying Saignac with Magellan and Selma. That will be appreciated by many of us.
I am a fan of several different crime genres. This series is particularly entertaining because it takes you back and forth between the crime and the mystery and the ins and outs of Commissaire Magellan's family life. It is a wonderful balance between mystery and light humor. Nothing is over done or overly dramatic. This is a show you can watch with your family/teens/younger teens. There are gruesome or bloody moments, but always post-mortem and very temporary. The storyline is the focus, not the ability to shock an audience, which I find to be over the top, over done and erroneous. The characters are all likeable and believable. It is a nice break from the average crime/mystery show. The comedic relief is appreciated.
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- ConnexionsSpin-off Magellan et Mongeville (2016)
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