NOTE IMDb
7,1/10
5,2 k
MA NOTE
Alors que son frère a plongé l'empire familial dans un endettement fatal, Noah revient dans le quartier des diamantaires d'Anvers pour redresser la barre.Alors que son frère a plongé l'empire familial dans un endettement fatal, Noah revient dans le quartier des diamantaires d'Anvers pour redresser la barre.Alors que son frère a plongé l'empire familial dans un endettement fatal, Noah revient dans le quartier des diamantaires d'Anvers pour redresser la barre.
- Récompenses
- 1 victoire et 7 nominations au total
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First things first. If you want to watch this show in English, don't even think about going for the dubbed version. I have watched three episodes with subtitles and one dubbed trailer. The dubbing just does not convey the characters, voices, subtext, or feelings well at all. That's not the fault of the voice-over actors, it's just the nature of dubbing. Unless you are visually impaired or have difficulty reading for other reasons, the subtitles are a better way to go by far.
So, this is a very solid, well acted family/crime drama with good production value. It captures the sub-culture of this extended family and their small Orthodox community quite well. I'm not Belgian or Orthodox myself but I am Jewish and it feels reasonably authentic to me. The primary actors are well cast, even the smaller roles like the patriarch and the local butcher. Shout-out to the young actor playing the main character's English son. He's quite good, very natural and likable.
So far the pacing is good and keeping me invested. The story of the "prodigal son" returned is always a good start. When you add the layer of the son having rejected the strict parameters of his family's religion and been cast out, having to make a new identity, it becomes more compelling. That part is actually very true to life and I find it fascinating.
Of course some of it is far-fetched, not so much the straits in which this old diamond-dealing family finds itself as the way the prodigal son (Noah) has transformed. I suppose it makes sense, since he would have been very young when he left (early 20s) and 15 years have passed. Still, sometimes the show relies on "tough guy" tropes from American and I assume British shows to inform his actions, words and demeanor, and it doesn't always work.
This is especially true when he uses English phrases and words out of the blue. They are only sprinkled in here and there but they always take me out of the moment. I'm American. I recognize and understand the words, I just don't know why this Belgian guy would be using them, particularly when he is speaking to Albanians? And the actress playing his son's grandmother, who is supposed to be English, uses a disjointed combination of Cockney and other accents that are clearly inauthentic.
But overall, I don't care much about accents. They are hard to get right and the actors are all doing a fine job with the stuff that really matters. It is at heart a family drama with some business and crime matters woven through it, and as that it works. Also, there is really nothing else on Cable right now like it. So, I recommend it.
Also, it makes me really think diamonds are just not all that and cost more in blood and treasure than they are really worth. But maybe that's just me.
So, this is a very solid, well acted family/crime drama with good production value. It captures the sub-culture of this extended family and their small Orthodox community quite well. I'm not Belgian or Orthodox myself but I am Jewish and it feels reasonably authentic to me. The primary actors are well cast, even the smaller roles like the patriarch and the local butcher. Shout-out to the young actor playing the main character's English son. He's quite good, very natural and likable.
So far the pacing is good and keeping me invested. The story of the "prodigal son" returned is always a good start. When you add the layer of the son having rejected the strict parameters of his family's religion and been cast out, having to make a new identity, it becomes more compelling. That part is actually very true to life and I find it fascinating.
Of course some of it is far-fetched, not so much the straits in which this old diamond-dealing family finds itself as the way the prodigal son (Noah) has transformed. I suppose it makes sense, since he would have been very young when he left (early 20s) and 15 years have passed. Still, sometimes the show relies on "tough guy" tropes from American and I assume British shows to inform his actions, words and demeanor, and it doesn't always work.
This is especially true when he uses English phrases and words out of the blue. They are only sprinkled in here and there but they always take me out of the moment. I'm American. I recognize and understand the words, I just don't know why this Belgian guy would be using them, particularly when he is speaking to Albanians? And the actress playing his son's grandmother, who is supposed to be English, uses a disjointed combination of Cockney and other accents that are clearly inauthentic.
But overall, I don't care much about accents. They are hard to get right and the actors are all doing a fine job with the stuff that really matters. It is at heart a family drama with some business and crime matters woven through it, and as that it works. Also, there is really nothing else on Cable right now like it. So, I recommend it.
Also, it makes me really think diamonds are just not all that and cost more in blood and treasure than they are really worth. But maybe that's just me.
Rough Diamonds is an exception to many of the recent Netflix originals. It is an excellent series, it is authentic, it has no drugs or explicit sex, and no foul language. Queenmaker was another great series with a clean ending; you don't have to wait for season 2. House of Cards, Money Heist, Delhi Crime, Queen's Gambit, Night Agent, and Marcella are good examples of what Netflix should focus on. In the past Netflix licensed excellent TV series like Revenge so that we could watch them without commercials. That was the biggest value proposition for us. Many of the recent originals are pretty bad, full of explicit sex, drugs, foul language with f and mf words. Many have actors who do not belong in the script but are there to satisfy diversity. We love the Korean, Northern European, some other foreign shows.
The plot takes place mostly in the Antwerp diamond district, a city which I like and visited a few times. Main character Noah abandoned his orthodox Jewish family and his fiancée Gila15 years previously and events are set in motion by the suicide of Noah's younger brother, which drags him back from the UK to the uneasy relationship with his father and brother Eli. His sister Adina is the first female trader of the family and proudly so, but their business is going through a rough patch.
Noah has an unsavoury background, inclusive of a criminal mother in law named Kerra and soon everybody is thrown into shady business with drug dealers and dishonest bankers.
Throughout the story we get glimpses of the cutthroat diamond business and its diverse players, the life of women in the orthodox community and the hard life of the police that has to deal with money laundering and drug dealing. All this without any excessive violence or swearing, yet keeping a gritty edge.
So refreshing. There's something authentic about this European series that elevates it above all the US series I recently watched - and stopped watching after a few episodes. Must be because all the US series must follow a suffocating code of diversity, which often strangles the plot into a banal storylines of diverse-good/not-diverse-bad.
In this series they don't have to plant fake diverse characters, because the world shown is diverse enough to include people of different sex, ethnicity and religion.
Noah has an unsavoury background, inclusive of a criminal mother in law named Kerra and soon everybody is thrown into shady business with drug dealers and dishonest bankers.
Throughout the story we get glimpses of the cutthroat diamond business and its diverse players, the life of women in the orthodox community and the hard life of the police that has to deal with money laundering and drug dealing. All this without any excessive violence or swearing, yet keeping a gritty edge.
So refreshing. There's something authentic about this European series that elevates it above all the US series I recently watched - and stopped watching after a few episodes. Must be because all the US series must follow a suffocating code of diversity, which often strangles the plot into a banal storylines of diverse-good/not-diverse-bad.
In this series they don't have to plant fake diverse characters, because the world shown is diverse enough to include people of different sex, ethnicity and religion.
This series provides a nice insight into jewish culture and into the diamond industry in Antwerp. The dense atmosphere that goes with a relatively closed culture that has it's own rules and values, is well portrayed.
But these are probably the most interesting aspects of this series. The story itself is all over the place with no clear plot in sight. There's a constant back and forth between plans, their failures, the repairs, threats that come and go. Continuous fuss on who's loving who and why or why not. It gets irritating at some point.
Acting is poor (especially the actors playing their roles in the district attorney ofices) to mediocre. Somehow you keep hanging in there waiting for a new unexpected twist in the storyline, but it never comes. There's quite a few unlikable characters her of which the female district attorney stands out. For some of the characters it's more or less clear why they have to be unlikable, for the district attorney this is unclear. Her unlikeability really has no function other than stirring up things at the office without this being needed or essential for the story.
There's the suggestions of development of the characters, but also this does not seem to go anywhere. This series has onsets to all kinds of developments in the storyline but is hardly ever able to deliver.
I liked the scenery, the insight given into a culture. Definitely not bad, but all in all just too little to justify a high rating.
But these are probably the most interesting aspects of this series. The story itself is all over the place with no clear plot in sight. There's a constant back and forth between plans, their failures, the repairs, threats that come and go. Continuous fuss on who's loving who and why or why not. It gets irritating at some point.
Acting is poor (especially the actors playing their roles in the district attorney ofices) to mediocre. Somehow you keep hanging in there waiting for a new unexpected twist in the storyline, but it never comes. There's quite a few unlikable characters her of which the female district attorney stands out. For some of the characters it's more or less clear why they have to be unlikable, for the district attorney this is unclear. Her unlikeability really has no function other than stirring up things at the office without this being needed or essential for the story.
There's the suggestions of development of the characters, but also this does not seem to go anywhere. This series has onsets to all kinds of developments in the storyline but is hardly ever able to deliver.
I liked the scenery, the insight given into a culture. Definitely not bad, but all in all just too little to justify a high rating.
The production values are fine, the storyline is interesting, but as usual, Netflix is lax about uploading details of the cast and episodes. Netflix must improve in this area. It seems that they have no one working for them who has any knowledge of actors who are not primarily known for English language based films or TV.
The 8th episode is streaming now and still, the cast is mostly still listed without any photos or details in the episode guide. Several actors are obviously rather accomplished people in the field of European productions, to judge by their performances, but there is nothing about them in the cast listings. Viewers are left in the dark in regard to work histories and images. To say that Netflix is lax in this area is an understatement.
This is obviously not to mention that there are still no synopses for the episodes at all, 8 episodes in. Netflix is becoming well known for this laxness.
The 8th episode is streaming now and still, the cast is mostly still listed without any photos or details in the episode guide. Several actors are obviously rather accomplished people in the field of European productions, to judge by their performances, but there is nothing about them in the cast listings. Viewers are left in the dark in regard to work histories and images. To say that Netflix is lax in this area is an understatement.
This is obviously not to mention that there are still no synopses for the episodes at all, 8 episodes in. Netflix is becoming well known for this laxness.
Le saviez-vous
- AnecdotesWhen the characters are praying, whether in religious services or in the home, they are using the practice version of the prayers, in which the name of God is not used and is replaced by "Hashem," which in Hebrew means "The Name." The reason is to avoid violating the Third Commandment, a prohibition on using the name of God in vain. The use of the practice version reflects a significant attention to detail by the production company and the actors.
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- How many seasons does Rough Diamonds have?Alimenté par Alexa
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