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Yue Lao

  • 2021
  • 2h 8min
NOTE IMDb
6,7/10
1,9 k
MA NOTE
Kai Ko and Gingle Wang in Yue Lao (2021)
ComédieDrameFantaisieRomance

Ajouter une intrigue dans votre langueFollows a young man who, after being struck dead by lightning, takes on the odd job as a matchmaking god to tie men and women together with red strings, while trying to retrieve the lost mem... Tout lireFollows a young man who, after being struck dead by lightning, takes on the odd job as a matchmaking god to tie men and women together with red strings, while trying to retrieve the lost memory of his previous life.Follows a young man who, after being struck dead by lightning, takes on the odd job as a matchmaking god to tie men and women together with red strings, while trying to retrieve the lost memory of his previous life.

  • Réalisation
    • Giddens Ko
  • Scénario
    • Giddens Ko
  • Casting principal
    • Gingle Wang
    • Vivian Sung
    • Kai Ko
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    1,9 k
    MA NOTE
    • Réalisation
      • Giddens Ko
    • Scénario
      • Giddens Ko
    • Casting principal
      • Gingle Wang
      • Vivian Sung
      • Kai Ko
    • 14avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 11 nominations au total

    Photos23

    Voir l'affiche
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    + 17
    Voir l'affiche

    Rôles principaux32

    Modifier
    Gingle Wang
    Gingle Wang
    Vivian Sung
    Vivian Sung
    Kai Ko
    Kai Ko
    Eugenie Liu
    Eugenie Liu
    • Blood Sister
    Chun Hong
    Chun Hong
    • Teenager at Basketball Court
    Umin Boya
    Umin Boya
    • Ghost Head
    • (as Chih-Hsiang Ma)
    Yuu Chen
    Yuu Chen
    • Gods of Love Leader
    Yan-Hsi Hou
    Yan-Hsi Hou
    • Gods of Love Leader
    Cheng Ko
    Cheng Ko
    • High-School Boy
    Li-Ang Chang
    Li-Ang Chang
    • Mi's College Boyfriend
    Honduras
    Honduras
    • Horse Face
    Bruce Hung
    Bruce Hung
    • Tommy
    Kent Tsai
    Kent Tsai
    • Motor Rider
    Tsai-Hsing Chang
    Tsai-Hsing Chang
    • A-shin
    Joelle Lu
    Joelle Lu
    • Ox Head
    Chih-Ju Lin
    Chih-Ju Lin
    • Mi's Father
    Yu-Jing Hong
    • Tommy's friend
    Laka Umaw
    • Yama
    • Réalisation
      • Giddens Ko
    • Scénario
      • Giddens Ko
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs14

    6,71.9K
    1
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    9
    10

    Avis à la une

    8justinovoo

    Greedy

    This film is like Taiwan version of Along with the Gods, but more simpler. I can see the visuals, and the editing is OK. I don't understand why the director included the joke during a touching scene, it totally ruined my emotions.

    The story is terrible. The creativity does not compensate the bad storytelling. Ko cannot balance the storyline of the afterworld and the love story, it feels like there are so many to express but completely loses its focus. However, I can say the leads are great in this film.
    8Junsail

    The most creative fantasy

    The benchmark for Chinese fantasy films. It integrates a lot of elements, but it still handles it very well. The two main lines represent love and hate. Every move is the attachment to obsession. There is no right or wrong, only letting go or not.
    6pasaribuharisfadli

    This mish-mash probably will work better as a series

    While staying interesting and never boring, Till We Meet Again's rushed narrative only makes it feels more like a summary than a feature film with a complete arc. As result, the film suffers greatly from underdeveloped characters and undercooked plot points. The genre-changing is also a tad abrupt instead of organic. The premise probably will be fleshed out better as a series instead of a film.
    7liashiri

    love is to let go

    Alan, the main character, is struck by lighting, leading him to the underworld, where he figures his past lives and meet Pinky. With him in danger of being an animal on his next life, he decides to apply as a god of love (partnered with Pinky).

    The story provokes the concept of life and death, delving deep into various topics of Chinese Mythology. Concept wise, Allan's dedication and sacrificing nature aches my heart, especially with his neverending pursuit towards Xiaomi, the love of his life. He continues protecting her even afterlife, oblivious to Pinky's blooming love towards him. Though Xiaomi was able to let go of him on the ending, we arrive on the sweet ending of Pinky and Allan meeting again, but as children with no memories of one another.

    The main issue with this movie is its pacing. There are a lot of scenes that doesn't make sense, unless you overanalyze it, or perhaps know a thing or two on Chinese Mythology. Despite its issue, it was able to give an emotional resolution for the problem, explaining the past despite its ragged pack of scenes.

    Another issue is its romance. I believe they're trying to force the two (Allan and Pinky) of them together, but it really does not work lol. Allan's character is written with love + Xiaomi all over again, its obvious. The ending was its last push to make it seem... less forceful.

    Despite the movie's flaw, it's great nonetheless. Still one of my favorite movies due to its concepts. I am a sucker for reincarnation stuff lol.
    7tiffanyswift-01525

    A refreshing attempt and great original story

    You could call this a romantic film but you can also call it a fantasy. Either way, it's a great one and a nice try for Taiwanese film. I have watched the director's and the two protagonists' films from You are the Apple of my eyes, our times. Both of them are typical, touching teenager love stories,this one reaches out to the afterlife and reincarnation,a recreation of the another world. And it also includes some vulgar and erotic jokes, just like the director's first and signature one. All in all, it's moving, refreshing, genuine and a good one.

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    Détails

    Modifier
    • Date de sortie
      • 24 novembre 2021 (Taïwan)
    • Pays d’origine
      • Taïwan
    • Sites officiels
      • Official Facebook
      • Official Instagram
    • Langue
      • Mandarin
    • Aussi connu sous le nom de
      • Till We Meet Again
    • Sociétés de production
      • Abico Films
      • Ambassandor Theatres
      • Fist of Fear
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 1 714 572 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 8min(128 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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