Paa

I had zero expectations from Paa. I was not that interested, but thought to give it a chance after knowing that Mr.Bachchan is playing a 12-year old kid.

'Paa' is a different film, it's a film that caters to a niche audience. Sure, it dares to be different, but again 'Paa' is meant for those who are tired for non-stop non-sense fares.

Pluses of the film: Fresh Stoyline, plus execution. R.Bali should be applauded for making an attempt like Paa. Note-worthy Performances: Mr.Bachchan as Auro, natural to the core. Plus, he's blessed with amazing make-up. Abhishek is excellent, especially in the second hr. Vidya is in form after a long, long time. Paresh Rawal is superb. There is a hilarious sequence when asks Abhishek weather he's gay not, Only Paresh can do this stuff. The actress who plays Vidya's mom & the kid who plays Auro's best friend stand out. Jaya Bachchan does a unique appearance at the very start of the film.

Minuses of the film: It's a really Slow-Pace film. The first hr is boring. Abhishek's political portions don't work. The first hr really puts you off.

On the whole... 'Paa' deserves a watch for it's note-worthy performances & Fresh Storyline.

"Paa" evidently proves that Bollywood has still not lost it all and we still have film-makers who can deliver movies at par with the other parts of the world. Yes, the story-idea may have been borrowed from Francis Ford Coppola's "Jack" and the make-up may remind you of "The Curious Case of Benjamin Button". But at the same time, it's also true that "Paa" has nothing else related to these two names.

"Paa" certainly belongs to its director R. Balki and the phenomenon called Amitabh Bachchan. Just when everybody thought that this man has done it all, he comes up with an extraordinary and out of the world character named "Auro". What's even more astonishing in his portrayal is that you never find the real Amitabh Bachchan anywhere on the screen in those two hours. In the entire past comprising all his mammoth blockbusters, Amitabh has always been there as a Bollywood persona hidden in his on screen characters. But here is a movie where you know that there is Amitabh featuring in it, but you still can never feel him on the celluloid. He simply adopts a completely different soul minus his world famous style and baritone voice structure. And that's the magical spell, cast by the magician actor. Truly speaking, Amitabh literally sends every reviewer in search of new words to praise his impeccable and incomparable act of 'Auro' in "Paa".

Right from the first scene introducing "Auro" in his school function, the veteran actor makes you believe what you are seeing. He humbly forces every viewer in the theater to admit that he is watching the most accomplished actor of all times who has just walked beyond any number games and Bollywood Titles. Especially in the scenes where he is interacting with his kid friends in their own school lingo and in the emotional climax sequence inside the hospital, Auro goes on to set new benchmarks for the entire Indian Film Industry. Though the script has some unnecessary references of political activities and slums which could have been easily avoided, but the spotless performances of the entire cast don't let you ponder over these needless insertions and the movie goes on impressing you continuously.

Unexpectedly Amitabh is not the only one to watch out in the movie. He is superbly supported by three highly talented people in the cast lead by Vidya Balan as a tough mother who raises Auro on her own with the help of her mother. For Vidya's effortless performance, I would only like to say that in all these years of movie watching, she is the only female actress who reminded me of Jaya Bhaduri Bachchan and her flawless natural acting.To feel what I am trying to say, just carefully watch the scene where Vidya gives Auro her approval to visit Delhi. She exactly acts like Jaya in that particular scene.

Abhishek Bachchan as the truthful politician and father of 'Auro', delivers another polished act on the lines of his "Guru" and "Yuva". He comes up with a very controlled emotional performance and never tries to outshine any other person in the scene. Both Vidya and Abhishek share a very cozy chemistry on screen which actually helps a lot in enhancing the overall impact of 'Auro' on the viewers.

The third worth mentioning act comes from Arundhati Naag, who plays Vidya's mother and Auro's naani, whom he fondly calls as Bums. Her praise worthy act emerges as a strong pillar in addition to the other stalwarts present in the movie. Paresh Rawal again remembers his immense talent after few irresponsible acts in some brainless movies. Last but not the least come all the child artists in the movie, who are intelligent enough to understand the pain and suffering of their friend "Auro" and try to help him out wherever they can. It was really nice to see that 'Auro' was not being teased in his school as suggested by the promos. In fact it was very thoughtful to show all the kids having the empathy to feel the abnormality 'Auro' was born with.

Musically, the film has the maestro Illayaraja to give exactly what was needed as per the subject. His theme music is pleasant and his songs don't act as a hindrance in the narration. R. Balki very skillfully uses the songs in their short versions and in the background wherever needed. Dialogues are intelligent, witty and well written. Cinematography by P.C. Sreeram is remarkable. He brilliantly uses innovative camera angles to portray the character of "Auro" and his abnormal body structure. But what makes "Paa" so believable is the unimaginable make-up done by Christien Tinsley and Domini Till. Kudos to the duo to achieve this herculean task and hats off to Amitabh Bachchan for undergoing such a painful process in this age.

Honestly, the main highlight of the movie is that even when the story revolves around a diseased character with an abnormal behavior, the director is simply not interested in taking you onto an emotional journey at all. So, "Paa" is not just another tear jerker as expected by many. On the contrary it's a very enjoyable movie having many light entertaining moments with 'Auro' for everyone in the family. And for that the director R. Balki rightly deserves all the praises.

In short the movie is an amazing must watch experience for everyone still enjoying the gift of life at any age. It makes you realize the importance of all your days left in the count. And on the top it has a performance which can easily be kept along with any world class act by any actor in the entire globe. In other words, only one statement can match the unbelievably expressive and impressive act of Amitabh Bachchan in the movie.

He once again proves that at present he is the only "Big Paa" for the entire Indian film Industry.

This movie blew me away !! Wow !! simply WOW !! I am so surprised that not much people commented on this movie and there is no ratings !!! I simply loved this movie. One of Big B's best...According to me, after Black, this is the most challenging role ever played by him. Vidya Balan and Abhishek did an awesome job. Paresh Rawal did not have a lengthy role but he did justice to his role. The main focus of this movie is on the character Auro who is so adorable !!! Big B hats off to you...thanks for this wonderful performance. It has been a long time since I watched such a wonderful Bollywood movie !!! Auro made me laugh, Auro made me cry, Auro kept me rooted to my seat till the very last minute. Such a beautiful movie. I appreciate the efforts really and also hats off to the director.If you have a passion for good movies then this movie is a definitely watch !!! 9.5/10.

Paa...a great movie...

I have seen it yesterday....loved it...story is simple and subtle, the characters are really very good...

Big B...he has shown his one more form of acting, no one could compete him on this.... He enacted the role of a 13 year old boy with so sincerity , that in Auro you will never be able to see that its him who is enacting this character.... Auro is a gem....

Vidya Balan as a unwed mother is good to see...she has proved her mettle once again after very long, thats after Parineeta.... she looked beautiful in sari's....

Abhishek Bachan has enacted the role of a Young Indian Politicain sincerely...if all India Politicians, become like him, we wont have any more corruption in India...

Paresh Rawal is good in a brief role and Bum is exceptional...

Technically, the movie is very well directed and the dialouges are very good... R Balki is a very good director and Paa is another feather in his Cap after Cheeni Kum....

Music by the maestro Ilaiyaraja is very good and soft on ears, Paa Theme is the best...

Go for it with your Family... This is for all ages from 6 to 60...

My Ratings..

Perfomrances... 10/10 Story and Direction ... 9/10 Music ... 10/10 Overall... 9/10

Imagine this. R Balki arrives with his second film after Cheeni Kum (2007), starring Abhishek Bachchan, Vidya Balan, Paresh Rawal and introducing a twelve-year old child actor. We do not know this kid, although it is possible that he impresses us all after we see him perform. But does this essentially guarantee a bumper opening for the movie? Can we safely assume that the audience will come into the theatres? Now, take this. The entire cast and crew remains the same. And although it is indeed possible to find an immensely talented child artist and create the desired character using prosthetic make-up and voice modulation, the director decides to cast Amitabh Bachchan as the child. And he calls the film Paa. The result is for us to see, in the form of one of the most smartly promoted films of our time. This is what we call star power. This is what I admire about the phenomenon of a superstar. And this is what this film uses in the best possible way.

The film also uses the personality, and not the acting, of Abhishek Bachchan to create a gen-next politician, and we connect. It uses Vidya Balan to portray a strong, independent, modern Indian woman, and most importantly – a mother; and we connect. And it utilizes the human curiosity for the weird, our tendency to look at 'freaks' with wide eyes and held breaths, and converts that 'freak' into a warm, lovable and memorable character called Auro, and takes us into his world. It uses songs, melodrama and the Bollywood cliché to tell a story. It relies on the time-tested formula of emotional manipulation and succeeds in making the audience cry. It has decent production values, is marketed smartly and sold at cheap rates. The result is not a great, timeless, flawless piece of art. The result is a film that knows how to use the illusion of the medium. The result is a movie that moves.

The best thing about Paa is that it knows what it is doing. It does not claim to be 'socially relevant', and does not ask us to leave our brains home before coming to the theatres. Instead it asks us to bring our brains, our hearts, our entire selves, not excluding the 'curiosity for the weird' that we all have but fail to accept. It treats itself as a film for everyone, and successfully creates an entertaining cinema experience. In its attempt, it often gets inconsistent, but it never seems uncertain. It is an innovation, and yes, that it is, which is sure of itself, including how to sell itself. It is an innovation that does not go wasted, and that is indeed an achievement in the Hindi film scenario of today.

It has been a few decades now and Hindi cinema is desperately in the need for revival. For that to happen, if it ever happens, we need socially relevant cinema, we need cinema as works of art, we even need cinema with an international appeal, and with the guts to experiment . But what we need most is innovative ideas, true to Hindi cinema sensibility and tradition, not necessarily great in the absolute cinema-sense, but films which make people come, watch and connect. We need more films like Paa. I have no idea about how it is going to fare at the box-office. If it is a commercial success, my point would be proved beyond doubt. If it fails, well, I will try my best not to lose hope.