Lawmen : L'histoire de Bass Reeves
Titre original : Lawmen: Bass Reeves
Sur le légendaire homme de loi Bass Reeves, l'un des plus grands héros de la frontière et l'un des premiers marshals noirs à l'ouest du Mississippi.Sur le légendaire homme de loi Bass Reeves, l'un des plus grands héros de la frontière et l'un des premiers marshals noirs à l'ouest du Mississippi.Sur le légendaire homme de loi Bass Reeves, l'un des plus grands héros de la frontière et l'un des premiers marshals noirs à l'ouest du Mississippi.
- Nommé pour 1 Primetime Emmy
- 4 victoires et 13 nominations au total
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"Lawmen: Bass Reeves," a recent addition to Taylor Sheridan's repertoire, begins its narrative journey at a slower pace than his renowned works like "Yellowstone" or "1883." Initially, this slower tempo might feel less captivating, especially for those accustomed to the gripping beginnings typical of Sheridan's series. The show employs numerous time jumps, a storytelling technique that, while effective in progressing the narrative, contributes to a somewhat disjointed initial rhythm.
A striking aspect of the series is how swiftly we see Bass Reeves and his family age. This rapid progression, while necessary for the story, can at times feel abrupt, leaving viewers longing for a more gradual depiction of their growth and evolution.
However, the series finds its footing with the introduction of a clear antagonist. This pivotal moment seems to steer the narrative with a newfound sense of purpose and direction, transforming it into a more traditional hero-versus-villain tale. The gunfights, a staple in such stories, do fall into the familiar trope where villains inexplicably miss their shots, even against a hero in plain sight. This element, albeit clichéd, doesn't detract significantly from the overall enjoyment of the series.
The show concludes with a finale that feels like a fitting conclusion to the legend of Bass Reeves. It encapsulates his journey sufficiently, giving viewers a sense of completion. While the ending is well-executed, the pacing of the series as a whole suggests that a few additional episodes could have provided a more balanced narrative flow. The initial slowness and the somewhat rushed conclusion leave one contemplating what could have been with a more evenly paced storyline.
In summary, "Lawmen: Bass Reeves" is another commendable effort by Sheridan, showcasing his storytelling prowess. Despite not reaching the heights of popularity seen in "Yellowstone" or "1883," it stands as a solid portrayal of a legendary figure. The show navigates through its pacing challenges to deliver a story that is engaging and, ultimately, satisfying. It's a testament to Sheridan's ability to craft compelling narratives, even when they tread a more conventional path.
A striking aspect of the series is how swiftly we see Bass Reeves and his family age. This rapid progression, while necessary for the story, can at times feel abrupt, leaving viewers longing for a more gradual depiction of their growth and evolution.
However, the series finds its footing with the introduction of a clear antagonist. This pivotal moment seems to steer the narrative with a newfound sense of purpose and direction, transforming it into a more traditional hero-versus-villain tale. The gunfights, a staple in such stories, do fall into the familiar trope where villains inexplicably miss their shots, even against a hero in plain sight. This element, albeit clichéd, doesn't detract significantly from the overall enjoyment of the series.
The show concludes with a finale that feels like a fitting conclusion to the legend of Bass Reeves. It encapsulates his journey sufficiently, giving viewers a sense of completion. While the ending is well-executed, the pacing of the series as a whole suggests that a few additional episodes could have provided a more balanced narrative flow. The initial slowness and the somewhat rushed conclusion leave one contemplating what could have been with a more evenly paced storyline.
In summary, "Lawmen: Bass Reeves" is another commendable effort by Sheridan, showcasing his storytelling prowess. Despite not reaching the heights of popularity seen in "Yellowstone" or "1883," it stands as a solid portrayal of a legendary figure. The show navigates through its pacing challenges to deliver a story that is engaging and, ultimately, satisfying. It's a testament to Sheridan's ability to craft compelling narratives, even when they tread a more conventional path.
I've only watch the first episode, and I'll come back and adjust my review after I finish the series, but I can tell already I'm going to like it. I do like it.
First of all, the writing in this is outstanding. Most productions would make everything black-and-white, good and evil, without any intrigue whatsoever. Bass himself is not perfect, in fact he fights for the confederacy willingly. Even as a slave, he has a sense of honor, of right and wrong, but he serves his master until his master no longer deserves his allegiance.
I know quite a bit of the history of this character, and so far they've been faithful to trying to replicate the authenticity of Bass Reeves.
As sets, locations, costumes, and related are outstanding. The casting is outstanding. No caricatures, and everyone plays the role right on the money neither under nor over playing it. This is smart writing that doesn't insult the intelligence of the viewer.
If the first episode is any litmus test, this is one of the smarter shows on television right now. I've been a critic of Taylor Sheridan lately because I want him to FINALLY finish Yellowstone, but if this is what he's been working on instead, I'm gonna give him a bit of a pass because the show really is outstanding.
First of all, the writing in this is outstanding. Most productions would make everything black-and-white, good and evil, without any intrigue whatsoever. Bass himself is not perfect, in fact he fights for the confederacy willingly. Even as a slave, he has a sense of honor, of right and wrong, but he serves his master until his master no longer deserves his allegiance.
I know quite a bit of the history of this character, and so far they've been faithful to trying to replicate the authenticity of Bass Reeves.
As sets, locations, costumes, and related are outstanding. The casting is outstanding. No caricatures, and everyone plays the role right on the money neither under nor over playing it. This is smart writing that doesn't insult the intelligence of the viewer.
If the first episode is any litmus test, this is one of the smarter shows on television right now. I've been a critic of Taylor Sheridan lately because I want him to FINALLY finish Yellowstone, but if this is what he's been working on instead, I'm gonna give him a bit of a pass because the show really is outstanding.
I enjoyed the first 5 or 6 episodes, but the last ones were a little out there and short. The last episode left me with questions unanswered, perhaps that was the intent. Over all a 7 at best. I enjoy most of Taylor Sheridan's stories/shows/endeavors, but I am glad this one is not setup for another season - or don't think it is. The shows with multiple seasons take far too long between them - so much so that I loose interest and let alone remember what was in the prior season. I truly believe it would be better to conclude some of his other shows like Yellowstone (if it is ending); or 1923 before coming out with more new ones.
Being a big fan of both westerns and Taylor Sheridan I can say I've been looking forward to this ever since I first heard about it. It did not disappoint. It's shows how this hero, Bass Reeves, will do anything to take care of his family and bring justice to this who deservee it, even if that means working along side racists and other people he didn't like. There have been a few portrayals of this character over the years but David Oyelowo is by far the best yet. He makes what would still be a good show a great one. It's action packed and intelligent at the same time. Can't wait to see what Sheridan does next.
Lawmen: Bass Reeves is another in a long line of hits for Taylor Sheridan. Anything this guy touches is pure gold. Obviously, this series is about the life of Bass Reeves, one of the legends of the West and one of the first U. S. Deputy Marshall's who was black. David Oyelowo does a terrific job playing the title character, he was just nominated for an Emmy for his job in this. This series also has a bunch of supporting characters played by great actors like Dennis Quaid, Barry Pepper, Shea Whigham, Donald Sutherland, Lauren E Banks, Garrett Hedlund, Forrest Goodluck, etc. If you're a fan of this genre or Taylor Sheridan then this is a must watch.
Le saviez-vous
- AnecdotesInspired by the true story of lawman Bass Reeves (1838-1910), the first Black deputy U.S. Marshal in the upper Midwest Territory.
- ConnexionsReferenced in CBS News Sunday Morning: Épisode #44.24 (2022)
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Détails
- Durée
- 45min
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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