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6,9/10
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MA NOTE
Ajouter une intrigue dans votre langueTwo music managers must put their history aside to oversee the televised reunion performances of their rock-star fathers with a fractured past.Two music managers must put their history aside to oversee the televised reunion performances of their rock-star fathers with a fractured past.Two music managers must put their history aside to oversee the televised reunion performances of their rock-star fathers with a fractured past.
- Réalisation
- Scénario
- Casting principal
Jasmine Forsberg
- Addison Reed
- (as Jasmine Paige Forsberg)
Sinclair Daniel
- Brooke
- (as Sinclair Daniels)
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Films centered around music is not new territory for Hallmark, with it being used quite a lot in its 2021 output alone. Heck even the Christmas output had this sort of premise, and most of them are fairly samey formula-wise. 'One December Night' however was a music-oriented film from Hallmark that sounded different from usual and had potential to have more depth than is often seen. Peter Gallagher and Bruce Campbell are also always watchable, regardless of the state of everything else.
'One December Night' really impressed me and does a great job with its very promising premise. As far as the 2021 Hallmark films having music as a big part of the story go, this is one of the best and most emotionally investable and also is different to the usual formula. Which makes it stand out. As far as the 2021 Hallmark Christmas films go, 'One December Night' is also another one of the best, and one of the better films of the 2021 output with a scenario that is not as predictable as others that year.
Is it a classic? No. Did feel that the ending was not a surprise and that it was a little on the pat side.
Did feel too that Eloise Mumford's character was slightly underwritten.
However, the acting is very good. Terrific actually in the case of Gallagher and Campbell, both showing different sides and bringing edge and heart to them with no signs of being taxed. The chemistry between them also grows realistically and doesn't come over as contrived or anaemic. The same goes with all the relationships, with that between Brett Dalton and Mumford not being too sidelined and being genuine and not dull. The characters were ones worth caring for, with both flaws and strengths that never go overboard in either extreme, and any development doesn't feel rushed or aimless.
Visually, 'One December Night' is not lavish, but it is slick and attractive enough. The music is great on its own and is beautifully integrated into the film, it is always a good thing when music is like a character of its own in a film etc, which is what this premise calls for, and that is definitely the case here. Very nicely performed too. The script is not too sentimental, while being more serious and personal than can often be seen from Hallmark, while having enough lightness to avoid being over serious without being juvenile or cheesy. The story is heart-warming and moving, done in a way that's not difficult to relate to.
Concluding, very well done. 8/10.
'One December Night' really impressed me and does a great job with its very promising premise. As far as the 2021 Hallmark films having music as a big part of the story go, this is one of the best and most emotionally investable and also is different to the usual formula. Which makes it stand out. As far as the 2021 Hallmark Christmas films go, 'One December Night' is also another one of the best, and one of the better films of the 2021 output with a scenario that is not as predictable as others that year.
Is it a classic? No. Did feel that the ending was not a surprise and that it was a little on the pat side.
Did feel too that Eloise Mumford's character was slightly underwritten.
However, the acting is very good. Terrific actually in the case of Gallagher and Campbell, both showing different sides and bringing edge and heart to them with no signs of being taxed. The chemistry between them also grows realistically and doesn't come over as contrived or anaemic. The same goes with all the relationships, with that between Brett Dalton and Mumford not being too sidelined and being genuine and not dull. The characters were ones worth caring for, with both flaws and strengths that never go overboard in either extreme, and any development doesn't feel rushed or aimless.
Visually, 'One December Night' is not lavish, but it is slick and attractive enough. The music is great on its own and is beautifully integrated into the film, it is always a good thing when music is like a character of its own in a film etc, which is what this premise calls for, and that is definitely the case here. Very nicely performed too. The script is not too sentimental, while being more serious and personal than can often be seen from Hallmark, while having enough lightness to avoid being over serious without being juvenile or cheesy. The story is heart-warming and moving, done in a way that's not difficult to relate to.
Concluding, very well done. 8/10.
I've been a fan of Hallmark Christmas movies since they did few enough titles a year that they didn't all look the same. "One December Night," thankfully, doesn't follow the recent formula.
I was curious to see how Peter Gallagher had matured; my image of him is from another favorite Christmas movie where he plays the immature brother, "While You Were Sleeping." Age has been kind to Gallagher, and his acting proved he's more than just a pretty face.
While the plot still contains a few too many, "Will they or won't they?" (when we all know they will), it's nice to see a story that revolves around older actors in this bromance. The young folks in this case are the side story.
While it's no "Christmas Card" or "Snow Bride," still, nice job Hallmark.
I was curious to see how Peter Gallagher had matured; my image of him is from another favorite Christmas movie where he plays the immature brother, "While You Were Sleeping." Age has been kind to Gallagher, and his acting proved he's more than just a pretty face.
While the plot still contains a few too many, "Will they or won't they?" (when we all know they will), it's nice to see a story that revolves around older actors in this bromance. The young folks in this case are the side story.
While it's no "Christmas Card" or "Snow Bride," still, nice job Hallmark.
The story has echoes of some other movies on Hallmark, but there are many fresh twists also.
It's interesting to get a look at one possible scenario of what bad boy rock stars look like in their Senior years especially as they remember good and bad times from their career. Quinn's memories of her life growing up with an alcoholic father and the loss of her mother add layers to the story. Jason's backstory isn't quite as sad, but shows the two families' histories from even another point of view. And of course the budding romance.
The acting is good as is the story. The dialogue also. There are song performances sprinkled in as well. I was surprised at how good Peter Gallagher sounded singing the title song. Jasmine Forsberg got to show off her outstanding voice a couple of times also.
It's interesting to get a look at one possible scenario of what bad boy rock stars look like in their Senior years especially as they remember good and bad times from their career. Quinn's memories of her life growing up with an alcoholic father and the loss of her mother add layers to the story. Jason's backstory isn't quite as sad, but shows the two families' histories from even another point of view. And of course the budding romance.
The acting is good as is the story. The dialogue also. There are song performances sprinkled in as well. I was surprised at how good Peter Gallagher sounded singing the title song. Jasmine Forsberg got to show off her outstanding voice a couple of times also.
Bruce Campbell and Peter Gallagher can do no wrong. The interaction between the two of them was great. They were actually just like brothers - conflict, bickering - just great!
The secondary story about the young singer - not interesting. Yes - Eloise Mumford's character was a music/singer manager - but the focus on this singer wasn't really necessary (even as little story time devoted to her). The music manager issue could have been handled without the screen time given to her story.
Solid performance by Eloise Mumford and Brett Dalton ... and what a treat to see DiDi Conn (Frenchie from Grease)! No one can mistake that voice...
The secondary story about the young singer - not interesting. Yes - Eloise Mumford's character was a music/singer manager - but the focus on this singer wasn't really necessary (even as little story time devoted to her). The music manager issue could have been handled without the screen time given to her story.
Solid performance by Eloise Mumford and Brett Dalton ... and what a treat to see DiDi Conn (Frenchie from Grease)! No one can mistake that voice...
Wow! This movie breaks the mold of what one finds on Hallmark this time of the year. I almost believe that it was made my an independent production company and Hallmark just bought it--it really does not have any of the usual tropes. Ladies, if you have a husband/ boyfriend around and you want to force them to watch a Hallmark movie this Christmas, I guarantee that this one will make them the least ill!
Le saviez-vous
- AnecdotesPeter Gallagher actually does his own singing performances. Gallagher is a Tony Award winner & has done his own singing before.
- GaffesA Boise station's call letters would start with K, not W.
- Citations
Quinn Allan: It doesn't feel like Christmas if I'm not drowning in decorations.
- Bandes originalesAuld Lang Syne
(uncredited)
[Prologue]
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- One December Night
- Lieux de tournage
- Goshen, New York, États-Unis(The main street and fountain decorated with greens and soldiers.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
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By what name was Le come-back de Noël (2021) officially released in Canada in English?
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