[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
IMDbPro

La nouvelle femme

  • 2023
  • Tous publics
  • 1h 40min
NOTE IMDb
6,7/10
1 k
MA NOTE
Jasmine Trinca in La nouvelle femme (2023)
BiographieDrame

Une courtisane parisienne s'enfuit à Rome pour protéger sa réputation lorsque les difficultés d'apprentissage de sa fille risquent d'être révélées au grand jour.Une courtisane parisienne s'enfuit à Rome pour protéger sa réputation lorsque les difficultés d'apprentissage de sa fille risquent d'être révélées au grand jour.Une courtisane parisienne s'enfuit à Rome pour protéger sa réputation lorsque les difficultés d'apprentissage de sa fille risquent d'être révélées au grand jour.

  • Réalisation
    • Léa Todorov
  • Scénario
    • Léa Todorov
    • Catherine Paillé
  • Casting principal
    • Leïla Bekhti
    • Jasmine Trinca
    • Rafaëlle Sonneville-Caby
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    1 k
    MA NOTE
    • Réalisation
      • Léa Todorov
    • Scénario
      • Léa Todorov
      • Catherine Paillé
    • Casting principal
      • Leïla Bekhti
      • Jasmine Trinca
      • Rafaëlle Sonneville-Caby
    • 7avis d'utilisateurs
    • 23avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Photos22

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 17
    Voir l'affiche

    Rôles principaux78

    Modifier
    Leïla Bekhti
    Leïla Bekhti
    • Lili d'Alengy
    Jasmine Trinca
    Jasmine Trinca
    • Maria Montessori
    Rafaëlle Sonneville-Caby
    • Tina
    Raffaele Esposito
    • Giuseppe Montesano
    Laura Borelli
    • Carlotta, la nourrice
    Nancy Huston
    Nancy Huston
    • Betsy
    Agathe Bonitzer
    Agathe Bonitzer
    • Clarisse
    Sébastien Pouderoux
    Sébastien Pouderoux
    • Jean, le frère de Lili
    • (as Sébastien Pouderoux de la Comédie Française)
    Pietro Ragusa
    Pietro Ragusa
    • Le prince
    Marius Arnaud
    • Enfant de l'institut
    Alice Astolfi
    • Enfant de l'institut
    Baptiste Astolfi
    • Enfant de l'institut
    Ylan Bazile
    • Enfant de l'institut
    Tess Bentolila
    • Enfant de l'institut
    Oscar Bloess
    • Enfant de l'institut
    Aymie Brochard
    • Enfant de l'institut
    Isidore Canto-Larranaga y Ausin
    • Enfant de l'institut
    Lena Cetkovic
    • Enfant de l'institut
    • Réalisation
      • Léa Todorov
    • Scénario
      • Léa Todorov
      • Catherine Paillé
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs7

    6,71K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    7cholmony

    Consistency, gradualness, rhythm, timing

    Maria Montessori was an Italian doctor and teacher. She is the author of a special pedagogical system that bears her name and is used in many public and private schools around the world.

    Maria Montessori entered the Sapienza University in 1890 to study natural sciences, and then to medical school. She was the first woman to do so (not without difficulty). She studied in an atmosphere of hostility, rejection from her classmates and teachers. It took strong nerves and a great desire to live and create to endure this.

    Maria, like Ada Lovelace (the first female programmer, after whom the Ada programming language is named), like Alice Guy-Blaché (the first female screenwriter and director, whose film "La fée aux choux, ou la naissance des enfants" is considered the first fantasy film in the history of cinema), was a pioneer in her field, overcame gender barriers and made a significant contribution to the development of education, medicine, and science.

    She gave birth to an illegitimate child and gave him to strangers to raise in order to continue her work and practice, taking into account the harsh morals of the past. She became an expert in working with special children. The basic principles of her work - the independence of the acting person, sensory learning, respect for the individual pace of development - coincide with today's ideas about the neuroplasticity of the brain. She was a hundred years ahead of her time.

    The film talks about raising a child with love, but it means something else, namely: the necessary and sufficient focused attention to the child, joint action, fragmentation of tasks (into feasible fragments), consistency, gradualness, rhythm, timing. Any task, no matter to whom it is set, must be presented in an understandable language, on time, in suitable circumstances. And if it is voiced, then it is done, not abandoned halfway.

    You definitely need to watch this film if your life, work or hobby is somehow connected with children, upbringing, education or sports training. If you practice and implement environmental management in your work. Study the influence of an enriched or depleted environment on a growing (and adult) organism. If you are interested in how mirror neurons work and how important it is to regularly do something together.
    10debbiecpalmer

    This brilliant film needs to be translated into English asap!!

    My German friends took me to see this film when I was in Germany in April. As a Montessori nursery owner and directress, I thought this was a wonderful, very emotional film. It was really inspiring and needs to be seen in more countries around the world. I speak German so could understand the dialogue, but I would love my staff to watch it in England. So should all Montessori directors/directresses out there. Please could it be dubbed in English and shown around the world? It will give hope to parents with special needs children, will show the world how wonderful the Montessori method is and would inspire more budding practitioners to train and follow this method.

    It really is a lovely, very moving film and more people should watch it. My husband watched it with me, he doesn't speak German, but he could get the gist of the film, but would have loved to watch it in English. I definitely recommend it.
    7hjellup

    A Thought-Provoking Look at Montessori, But with Some Missed Opportunities

    I recently watched the film about Maria Montessori and found it to be both touching and inspiring. The movie does an excellent job of portraying Montessori's deep compassion and dedication to children, particularly those with developmental challenges. The heartfelt moments showing the transformative impact of her methods on children who had been marginalized by society were both moving and powerful.

    However, while the film successfully conveys the emotional core of Montessori's work, it unfortunately places too much emphasis on her work with children with special needs. This focus, while important, risks reinforcing a common misconception: that Montessori education is primarily for children with developmental disabilities. This is a disservice to Montessori's broader vision, which was revolutionary precisely because it was designed to be a universal approach to education, applicable to all children regardless of their abilities or backgrounds.

    The Montessori method is not a specialized program for children with special needs; it is a holistic educational philosophy that aims to nurture the potential of every child. It fosters independence, creativity, and a lifelong love of learning through hands-on, child-centered activities. By not delving deeper into how this pedagogy has been developed and applied universally, the film misses an important opportunity to educate a broader audience about the true essence and potential of Montessori education.

    In a time when more parents and educators are seeking alternatives to traditional education systems, it's crucial to highlight that Montessori is not just a niche or remedial approach. It's a comprehensive educational philosophy that can and does serve children from all walks of life.

    In conclusion, while the film is undoubtedly a beautiful tribute to Maria Montessori's legacy, it falls short in presenting the full scope of her work. It leaves viewers with a somewhat narrow perspective, potentially perpetuating misunderstandings about who the Montessori method is truly for. I would have loved to see more emphasis on the universal applicability of her educational philosophy, and how it continues to evolve and impact education systems worldwide.
    9Valentina-MontessoriinMoscow

    This movie is quite unusual

    I really enjoyed exploring the context of this movie. When I just started watching, I could not get the storyline. As I continued, my feelings were moved deeply and I wanted to learn more about the director and her motivation behind this film. As I read articles and watched interviews, I felt a strong connection to the whole situation that influenced the creation of this film.

    I've been professionally involved with the Montessori movement for more than 15 years now, and for me, this method has always been about love for humanity. Besides, I myself was a child who did not get appropriate support from the adults in my environment to face the challenges that I was going through, in terms of my health and getting socialised just as I was.

    I am deeply thankful to Lea for creating this piece of art, which I am sure will touch many hearts around the world. Parents, teachers, adults who remain sensitive to the needs of children and their own, will definitely appreciate this movie.
    7alexanderliljefors

    Very beautiful, artistic and deep

    Nothing that exceptional, but i would really recommend this!

    I saw this in a pretty small cinema. There weren't many people unfortunately, but i was intrigued by the real life character and the story.

    This was really what i thought it was gonna be. Beautiful cinematography, beautiful scenery, excellent acting. A very artistic and unique piece!

    Its a very thought provoking film, which really makes about feminism and the equality and moral in humanity, aswell the healing process and power of music. The power of a new education through freedom and individual guidance.

    It's definitely not a film for everyone, but i would definitely recommend it! Its worth watching! Beautiful, artistic and deep!

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Canadian writer Nancy Huston who plays Betsy is director Léa Todorov's mother.
    • Bandes originales
      Music pieces
      Composed by Mel Bonis .

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    Détails

    Modifier
    • Date de sortie
      • 13 mars 2024 (France)
    • Pays d’origine
      • France
      • Italie
    • Langues
      • Italien
      • Français
    • Aussi connu sous le nom de
      • Montessori
    • Lieux de tournage
      • Région parisienne, France
    • Sociétés de production
      • Geko Films
      • Tempesta
      • Canal+
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 4 688 256 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 40 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    Jasmine Trinca in La nouvelle femme (2023)
    Lacune principale
    What is the Canadian French language plot outline for La nouvelle femme (2023)?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.