Sanctuary

The only reason I viewed this was because I've become sort of fascinated by the films that Christopher Abbott takes on. He is not remotely interested in the norm in his many indie films. I've also been impressed now and then by Margaret Qualley. I have now mentioned the entire cast of this film and for an hour and a half we watch these two strange people go at each other. He is a very rich man who has a kink about being dominated and she is a dominatrix. He wants to end these paid for "get-togethers", but she has other ideas. A lot of this is very unpleasant to view and I almost turned it off, but I'm glad that I didn't as it's an odd film, sort of a clever one, that only really provides some satisfaction because of its very final scene which out of the blue put a big smile on my face. That didn't really make it a very good film, but it did make it more interesting, sort of after the fact.

Pointifully performative and bitingly funny-- as a rom-com *Sanctuary* is less of a character study and more of an intense single discussion between Christopher Abbott, Danita Battle, and he prying eye of the viewer. This does feel like a more twisted Netflix or Apple TV date night movie and while the cast carries the film, it does so through both the best of times and the worst of times. While the film's opening is gripping and sexy, and the ending emotionally powerful, very little happens between minute 30 and minute 85.

To make matters less convenient, the actors and filmmakers make it painfully obvious in the first 20 minutes that the Dom is in love with Hal and feels the need to demonstrate her value without telling her Sub, "I love you." That would ruin the power dynamic. The result, is a story that feels drawn with a few aimless scenes. I would expect this from a movie with 30 minute long scenes.

Films like this seem to rest in the strength of their cinematography, acting (mostly closeups), and the dramatic tension in the dialogue. Director Zachary Wigon, and writer Micah Bloomberg can relax because of the good acting and editing on display here (many movies do); however *Sanctuary* may have had stronger foundations and really stuck the landing if they didn't.

I feel like I harp on this point too often, but 'Sanctuary' is another prime example of a film doing so much with so little. You could make this film with next to no budget, and simply with a terrific script and great performances you have a film that is infinitely more compelling than your average $250 million blockbuster. This was a good one.

To stretch a concept this seemingly simple out over 95 minutes without it becoming stale is a hell of an effort. There were a couple of times where I thought the film was losing steam, but then a new angle would come up and it was like the film was starting fresh again. Even when the film ended I would've happily watched another 30-40 minutes of this story.

I love the air of mystery surrounding the events in the film. I really had no idea where it was headed. In fact I had a theory but that turned out to be aggressively wrong. This was a very well crafted film. 9/10.

While it is not a perfect film, Sanctuary does win points for it's creativity and craft. The story is handled with care, although it is a bit bloated. However, this allows the viewers the full view of the situation, something that I appreciated. It really doesn't skimp on the details.

The two leads are fantastic in their respective roles and manage to be the only actors on screen for the entire runtime, which is a feat I certainly applaude. Not many actors or actresses can pull that off without the audience feeling exhausted by their performance, especially with having to do such long takes as well. Very impressive.

Speaking of long takes, I really enjoyed the cinematography. The sweeping camera motions, and the way the moods are captured throughout are subdued just enough to not overshadow the narrative, but are wild enough for a slick presentation.

Coming to the ending, it was a bit predictable. But there's something about such a sweet ending that made me feel like these two deserved it. For all the mind games and the fighting, it felt like the right place, right time, even if it was a bit too convenient for this particular story. Any more would have felt like too much.

Overall, I recommend it. It has a few downfalls, but they are easily overlooked by the simple but charming story of a dominatrix and a rich kid falling in love through blackmail and vitriol.

3.5 secret videos out of 5.

Sanctuary has only two actors, and the entire plot occurs inside a hotel room (and very occasionally in the corridor outside the room) over one night. Rebecca (Margaret Qualley) is a dominatrix; her client is Hal (Christopher Abbott). They are engaged in a BDSM relationship. The plot is very twisty, and the motivations of the two characters are not revealed to us until the last few moments of the movie.

The performances of Qualley and Abbot are exceptional. There is a deep sexual chemistry between them that is palpable throughout the entire movie. They are complex and flawed characters, and why they behave the way they do is often unclear. This is the intriguing mystery that is the focus of the story.

The direction of Sanctuary by Zachary Wigon is very skilful; he knows how to create a sense of danger within the tightly controlled experiences going on in the claustrophobic hotel room. I found the movie engaging, and I kept guessing until the movie's end. There is hardly any music, and what there is complements the film's tone perfectly. The cinematography is excellent, and the intimate, claustrophobic space of the setting is used to significant effect.

The BDSM theme of the story is a metaphor for the power dynamics that go on in relationships; this symbolism is subtle but effective. Power in relationships is complex, shifting back and forth between individuals who often use it to control others. Sanctuary suggests that power dynamics in relationships are complex and are influenced by gender, wealth, and social status and can have both positive and negative consequences.

Sanctuary is slow-paced, and the controlled chaos that finally leads to what is going on in the relationship can be frustrating. But the delayed gratification is worth it, and the story's last moments are satisfying. The dialogue is witty and engaging, and the banter between the two characters reminded me of some of the old-fashioned screwball romantic comedies we used to watch.

Sanctuary is a well-made film, and it was engaging. However, the circular nature of the dialogue and the late reveal at the end made the journey there often frustrating. This is the biggest problem with the movie; it would have been easy to give up well before the end. I'm glad I persevered, but the movie's enjoyment is mostly in retrospect. I suspect many viewers may give up before seeing the worthwhileness of the film and the point of it all in terms of the theme of power dynamics in relationships.

Sanctuary is for those who enjoy character-driven dramas and twisty plots. However, the slow pace and limited setting may not be for everyone. Additionally, the BDSM theme may not be suitable for all audiences.