P.S. Joyeux Noël

'The Christmas Promise' is another 2021 Hallmark Christmas film to have a more serious theme for its story, after 'Christmas in My Heart'. The themes of grief and loss is familiar territory for Hallmark, but they are such relevant, universal and relatable themes/emotions due to everybody encountering them at least once in their lives that it doesn't matter how many times they're seen in film and television. Did like the idea and was already prepared to appreciate its good intentions regardless of the overall execution.

On the whole, the themes and the idea in 'The Christmas Promise' are executed quite well. Not flawlessly, with some story progression/pacing issues and aspects could have been fleshed out more. There was a lot to like about 'The Christmas Promise' though, it did move me, it's well performed and its good intentions and well meaning were very much obvious and appreciated hugely. As far as the 2021 Christmas films from Hallmark go, it's overall neither one of the best or worst (though out of the ones that had been aired already and this it is one of the better faring ones).

Am going to start with the good. It is a good looking film, with the scenery being beautiful. The music has presence and isn't drab, but it also doesn't feel intrusive or overwrought (which would have been very easy to do with such a serious story). The script has sincerity and doesn't get too melodramatic, though it is not always perfect.

While the story isn't perfect either, it deals with the themes of grief and loss thoughtfully and poignantly and manages to be moving without being maudlin. While also managing to be cheerful and upbeat, the gentle tone working very well. The cast are near uniformly great, with a poignant turn from Torrey DeVitto, a sympathetic one from Dylan Bruce and the always worth watching Patrick Duffy bringing understated feistiness to his role.

Did however find some of the story rushed in how it progresses, with things happening too quickly and sometimes introduced abruptly in the final third particularly. While DeVitto and Bruce have really lovely chemistry together, the relationship itself develops too fast and almost too whirlwind like.

While really liking Duffy in the role, his story could have been fleshed out a lot more or been cut because it did feel like padding. Personally did find Karen Holness too hammy and her character obnoxious, they do not gel within a film with such a gentle tone.

In summary, pretty good film with good intentions and heart but also a few bumps. 6.5/10.

Good basic story even if it borrows themes rather blatantly from other movies, but at least not all the same movie. Good acting. Good dialogue. Some good scenes that pop like the one with the three women with facial crème masks. And awesome chemistry between Torrey DeVito and Dylan Bruce.

DeVito's, Nicole is very appealing. Her grief makes her sympathetic and scenes before and later show her to be generous, loving and amiable.

This could have been an excellent movie, but more than once, I went "huh"? I missed where the Christmas tree in the field came from. Maybe it was mentioned, but it hit me out of nowhere. Nicole goes from so deep in grief that she barely leaves her house except for work then to being flirty with Joe way too quickly. There's another change of mood that is way too quick near the end. There are others.

Some of the movie's attempts to pull heartstrings over Nicole's grief were too obvious. They still managed to work, but they should have been less blatant.

It's still a good movie, but it could have been very good. It felt like scenes were left out for time. You don't waste a name like Patrick Duffy, but I think the story would have flowed better by removing his dating life completely (even it felt truncated) and filling in some gaps with Nicole and Joe.

It has the gift to remind few classic romance films. And a reasonable job of Patrick Duffy. And not bad acting. And friendship fair portrait. And a kind baker and few good drops of seductive humor.

But, maybe, the accent on grief and its cure remains the basic virtue of film.

Sure, unrealistic in some scenes, regreting the meteoric presence of Henry - and the impression to be a sort of too easy pretext - , it is a nice story about the help from the other after a profound difficult event. And this makes it some different by the Hallmark Christmas universe.

But, working more than well, it is a decent pledge for trust and joy the second chance.

...Torrey DeVitto is perfect for Hallmark Christmas movies. Sweet, fun and drop dead gorgeous.

This was probably not as good as her previous effort, Write Before Christmas, but she is not to blame: she is excellent in this too.

The chemistry between leads, while not terrible, is not that strong. The plot was totally predictable, but it's a Hallmark movie, so that's not unusual. Strong performances by supporting cast, and some genuinely fun moments.

If you like Hallmark Christmas movies, you'll probably like this one too.

I like it's not the same-o Hallmark Christmas movie set up. Trying for a little more drama, less fluff. But felt so lack luster, no real feelings. The actors were ok, just zero connection to them. Sorry doesn't make my yearly watch list.