NOTE IMDb
5,9/10
18 k
MA NOTE
Une jeune femme sous calmants tente de s'échapper de l'Institut Arboria, une commune isolée quasi-futuriste.Une jeune femme sous calmants tente de s'échapper de l'Institut Arboria, une commune isolée quasi-futuriste.Une jeune femme sous calmants tente de s'échapper de l'Institut Arboria, une commune isolée quasi-futuriste.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires au total
Eva Bourne
- Elena
- (as Eva Allan)
Michael J Rogers
- Barry Nyle
- (as Michael Rogers)
Ryley Zinger
- Unmasked Sentionaut
- (as Riley Zinger)
Ronald Reagan
- Self
- (images d'archives)
Avis à la une
This movie was written by directed by Panos Cosmatos, creator of Mandy, which I love. Similarly to Mandy, the dialogue was slow and surreal, but this movie just wasn't as engaging and special as Mandy. I cannot ignore the absolutely beautiful visuals and cinematography, but at the same time they were really the only thing that kept me invested in the movie. The movie was basically plotless and it was just so damn slow, it almost felt like a chore to watch. It's really not a bad movie, the only things wrong with this movie are the (very) slow pacing, and the lack of plot. Still maybe worth a watch, but you don't have to give your full attention.
I went into this with no expectation whatsoever, so the first 40-50 minutes were amazing and original with bags of style conjuring an eager anticipation for what lay ahead for what appeared to be a low budgeter Sci-Fi/thriller that could definitely compete. However, the style soon became monotonous and predictable, ultimately undoing everything that had come before with its lack of progression. Editing was also exceptionally poor, where long drawn out episodes that worked so well in, say, the original version of "Solaris" or "2001", overstepped its original boldness by becoming irritating in the tiresome second half. But what appeared to be original and innovative was to become it's worst enemy - with so many options made available in the first half - the second half was a miserable let down. Any notion of this being a cerebral thriller utterly forsaken for....well....not a lot at the end of the day....with a its only goal to meet its mildly intriguing final shot.
I so want to recommend this for its brave and fresh (if derivative) approach, but - as a movie in its complete format - it was a very poor.
I so want to recommend this for its brave and fresh (if derivative) approach, but - as a movie in its complete format - it was a very poor.
I heard about this title mid 2011 and has been near the top of my list ever since, not sure what the delay was in distribution but it's been quite a wait, which fuelled my desire to see this film. The instant I saw the trailer I was certain this was my kind of film, vague dialogue hinting a hidden depths, long drawn out scenes with sinister undertones and beautifully crafted futurism styled sets (maybe a little to Kubrick-esk) but still great looking. Everything was in place for a successful romp around a mercurial world spawned and brought to life in nightmarish vision by Panos Cosmatos.
But, for all it's promise and as much as I really wanted to love this film it did fall a little flat. The set design is beautifully crafted, and the high photography levels of some of the scenes is something to be admired, but on occasion a little arbitrary as some scenes did not drive character or narrative forwards nor did it express or emphasis emotions.
The narrative is overly grand which I like (keep it simple) and is deliberately slow and off-paced, which will definitely separate the film lovers from the average watcher that may have stumbled across this film, as you will need to invest a little concentration. There was a downfall to the film as mysterious and menacing atmosphere that it postured at the start did dissipate throughout the film.
This is a first attempt by a director who clearly has a cinematic eye with a good understanding of film taking inspiration from some great directors. Unfortunately he didn't quite create the level of intrigue found in a Kubrick film or a deliver the ruptured reality of a Lynch film and missed the overall depth of a Tarkovskiy film, but it wasn't without it's own moments.
Definitely worth your time - A steady start from a new director but it's worth remembering art house isn't an exact science, hopefully he will get the chance to produce more in the future.
But, for all it's promise and as much as I really wanted to love this film it did fall a little flat. The set design is beautifully crafted, and the high photography levels of some of the scenes is something to be admired, but on occasion a little arbitrary as some scenes did not drive character or narrative forwards nor did it express or emphasis emotions.
The narrative is overly grand which I like (keep it simple) and is deliberately slow and off-paced, which will definitely separate the film lovers from the average watcher that may have stumbled across this film, as you will need to invest a little concentration. There was a downfall to the film as mysterious and menacing atmosphere that it postured at the start did dissipate throughout the film.
This is a first attempt by a director who clearly has a cinematic eye with a good understanding of film taking inspiration from some great directors. Unfortunately he didn't quite create the level of intrigue found in a Kubrick film or a deliver the ruptured reality of a Lynch film and missed the overall depth of a Tarkovskiy film, but it wasn't without it's own moments.
Definitely worth your time - A steady start from a new director but it's worth remembering art house isn't an exact science, hopefully he will get the chance to produce more in the future.
If you enjoyed Tarkovsky's Solaris, Kubrick's 2001: A Space Odyssey or Godard's Alphaville then this might be up your alley. It's a slow paced surreal sci fi film, with warbling, droning synth music, 80's film colouring and the occasional blurred visuals as if you are sedated. Which if fitting as it tells the story of a powerful young girl being held captive and under sedation by a mysterious and futuristic cult, that seems to be conducting some kind of scientific experimentation.
Very little really happens in most of the film, just striking visuals, long stares, pulsing lights (matched by a pulsing synth soundtrack), and slow shots of the kind of things that people thought to be futuristic back in the 80's.
If you like the sound of any of this then check it out, if not then definitely give it a miss and save yourself the time.
Does this summary says enough? If you don't know what I mean let me explain. If you will have 100 geeks well I guess maybe 5 will like this kind of flick. It do has the feeling of 2001 A Space Odyssey. It is extremely slow and a pure throwback to Sci-Fy from the seventies without aliens.
The score used is also back to the eighties or late seventies, the colour grading on the other hand did remind me of Begotten (1990). Extra saturated moments and editing that also makes you go insane.
The story itself is simple as it could be, captured and trying to escape, as simple as that.
If you like your movies very weird this is your thing. If you like stories full of questions, pick it up. It do has a horror feeling here and there what makes it more weird. But I can agree with most reviewers, bad ending.
Gore 0/5 Nudity 0/5 Effects 3/5 Story 2,5/5 Comedy 0/5
The score used is also back to the eighties or late seventies, the colour grading on the other hand did remind me of Begotten (1990). Extra saturated moments and editing that also makes you go insane.
The story itself is simple as it could be, captured and trying to escape, as simple as that.
If you like your movies very weird this is your thing. If you like stories full of questions, pick it up. It do has a horror feeling here and there what makes it more weird. But I can agree with most reviewers, bad ending.
Gore 0/5 Nudity 0/5 Effects 3/5 Story 2,5/5 Comedy 0/5
Le saviez-vous
- AnecdotesBarry Nyle's pills are from Benway's Pharmacy. Dr. Benway is a recurring character in the works of William S. Burroughs.
- GaffesIn the Arboria Institute's promo film, dated MCMLXVII (1967), the Arboria logo is set in the Avant Garde font. This font was based on the logo of Avant Garde magazine, created in 1968, and wasn't available as a full typeface until 1970.
- Citations
Mercurio Arboria: Bring home the mother lode, Barry.
- Crédits fousFinal end credit: "'No matter where you go, there you are.' - B. Banzai"
- ConnexionsFeatured in Renegade Cut: Beyond the Black Rainbow (2016)
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Détails
Box-office
- Budget
- 1 100 000 $CA (estimé)
- Montant brut aux États-Unis et au Canada
- 56 491 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 957 $US
- 20 mai 2012
- Montant brut mondial
- 56 491 $US
- Durée
- 1h 50min(110 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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