Answers to Nothing

TMG says titles to movies can often be telling. Answers to Nothing? Yeah? Well let me tell you. When I see a film, I want answers to at least one thing—like why I spent my time and money suffering through it. If you are too happy for the holidays and just feel good about life in general, then go see this film. It will turn you around quick. If I want to be this depressed, I can take a handful of Valium and watch reruns of Nancy Pelosi speeches.

Why so many movie producers and screen writers are just dying to load us all up with piles of depression, cynicism and angst is beyond me. It is the same affliction that hits many country western singers. If you are among the three, whacked out northern Vermonters who were inspired by Melancholia, by all means, take your friends at the Jack Kevorkian Society to see this film.

For starters, there is no plot or storyline. You simply have a depressed guy named Ryan (Cook) in a loathsome affair trying to gather sperm for his wife Kate (Mitchell) to have a baby and deal with her own, tragic inadequacies. All around him are vignettes of people with atrocious insecurities, hangups and severe mental illness. Worse, you later learn Ryan is a mental health therapist treating one of them. You pretty much have a pyromaniac tending the fire department here. The most pointed line of the film is Ryan's estranged Dad advising him "In human relations, kindness and lies are worth a thousand truths." I think he was quoting the Bible according to Tammy Faye & Jim Baker.

There was some hope because their is one subplot of a guy who kidnapped a young girl and an interesting twist that resolves that situation. There is one funny scene of Allegra (not allergy medicine, thought this young black gal is sort of allergic to everyone for awhile) doing an obsessive-compulsive thing trying to sugar her ice tea through a straw. But that is about it. There is a guy pretending to be a cop woven in here, but it makes no sense.

At the end, nothing is resolved and nothing is really answered. The writers should have stayed with the kidnapped little girl theme more. It had some promise. Nothing else did. I bet you anything a lot of mentally unstable people and a few manic, tree huggers around Boulder, Colorado or tripping down State Street in Madison, Wisconsin will proclaim this to be a great and inspirational film. Hence, my analysis will be proved correct.

The trailer says this film is about "choices that define us." Indeed. One might be choose to see a better film this holiday season.

This is kind of an answer to another review... I voted 10, to increase the score of the movie, although I think is a clear 8.

If you think movies about real people, real problems and damaged people are not your thing, please don't watch this movie.

This movie is amazing in characterizing several kinds of people, is so replete of so many different styles and personalities. All of them has a different role and all of them is extremely important.

I would not like to say much, because I will spoil the movie, but maybe the reason the movie is so hateful, is because people see them in some of the character and hate themselves...

Just pay attention to the details and you will have the answer to EVERYTHING.

I was blown away at how raw and honest this film was. It dealt with real, difficult issues that most, if not all people can relate to. There are affairs, disabilities, prejudice, and a kidnapping. Each main character is likable yet broken, and each are changed by how their lives intertwine. Each actor does a fantastic job, with the exception of Dane Cook, who I think had a calculated somewhat forced performance. Overall, this film is touching and convicting. It challenges the audience to look at their own lives and to take action where it is needed to end injustice. I highly recommend it to anyone, especially if you feel like your life is stagnant and needs some motivation.

This movie surprised me. There were some really great performances from people I didn't expect, namely Dane Cook. He seems to be a very divisive person in pop culture and I found his performance emotional and honest. It was a sort of a slow story that was all building to the twists at the end. It felt like Crash or other movies where all of these random stories collide in dramatic ways.

Some parts I sort of got bored with the pacing of the story. But there were also some really nice moments. Like when the amazing Elizabeth Mitchell buys baby clothes and stuffed animals and can't tell the check out lady she doesn't have a child. And then she has the box in her trunk full of baby clothes. That was beautiful acted and very emotional.

I also thought all of the scenes with the paralyzed brother and the recovering alcoholic sister. It just felt real and raw and I like it.

Good movie if you want something a bit on the dark side.

Writer/director Matthew Leutwyler manages to challenge the concentration and intellect and attention span of the viewer in this non-linear and ultimately satisfying intertwining of stories that examine the bad in the best of us and the good in the worst of us. Against the backdrop of a child abduction case (person of interest is next door neighbor Beckworth (Greg Germann) we follow five days in the life of Frankie, a single parent detective (Julie Benz) assigned to the case, her best friend Kate (Elizabeth Mitchell) whose determination to get pregnant keeps her from confronting Ryan (Dane Cook) her psychologist husband's infidelity with rock singer Tara (Aja Volkman) while he is attempting to reconcile his parents (his fragile mother played by Barbara Hershey) long separation, an on-line video game addicted school teacher Carter (Mark Kelly) and his obsession with the missing child that pushes him to the edge of vigilantism, a beat cop Jerry (Erik Palladino) grieving over the violent death of his wife, Drew (Miranda Bailey) recovering addict and her wheel chair bound brother Erik (Vincent Vinteresca)preparing for the LA marathon, and Allegra (Kali Hawk), a self-loathing African American TV writer's search for love who happens to be a patient of Ryan's (and who is on the brink of a mixed courtships with a shy and likely virginal Evan played by Zack Gifford). The string of stories asks us to look at their lives (and ours!) and to take action where it is needed to end injustice.

The cast of characters is so strong that despite the rather confusing progress o the story we get to know each character very well. The ending is exceptionally well handled. This is one o those surprise films that appears on the surface to be one of those shallow/too much too fast director's egomaniacal art films, but by film's end the audience simply cannot fail to be touched in many different positive ways.

Grady Harp