Alors qu'il travaille dans une station spatiale, un père doit sauver sa fille de 15 ans après qu'une pluie de météorites s'est écrasée sur la Terre.Alors qu'il travaille dans une station spatiale, un père doit sauver sa fille de 15 ans après qu'une pluie de météorites s'est écrasée sur la Terre.Alors qu'il travaille dans une station spatiale, un père doit sauver sa fille de 15 ans après qu'une pluie de météorites s'est écrasée sur la Terre.
- Réalisation
- Scénario
- Casting principal
Anatoliy Beliy
- Arabov
- (as Anatoliy Belyy)
Darya Blokhina
- Mira
- (voix)
Avis à la une
Directed by Dmitry Kiselyov, Mira is a 2022 sci-fi disaster film centered around the themes of family and survival.
The Story The film follows Lera, a young girl who must find a way to connect with her father, a cosmonaut aboard the space station Mira, after a meteor shower devastates Earth.
What Works Mira is praised for its impressive CGI, particularly in the destruction sequence depicting the meteor shower's impact. The film also features strong performances from its cast, particularly the young actress who portrays Lera.
Overall While not breaking new ground narratively, Mira is a visually stunning sci-fi disaster film with strong performances and exciting action sequences. It's a good option for fans of the genre looking for a thrilling cinematic experience.
The Story The film follows Lera, a young girl who must find a way to connect with her father, a cosmonaut aboard the space station Mira, after a meteor shower devastates Earth.
What Works Mira is praised for its impressive CGI, particularly in the destruction sequence depicting the meteor shower's impact. The film also features strong performances from its cast, particularly the young actress who portrays Lera.
Overall While not breaking new ground narratively, Mira is a visually stunning sci-fi disaster film with strong performances and exciting action sequences. It's a good option for fans of the genre looking for a thrilling cinematic experience.
Mira/The Last Signal has the best special effects I have seen.
C. G. I. was never detectable to me.
Almost the whole movie was special effects made from the viewer perspective such that you felt involved yourself when there was action.
The attention to detail was high.
Scene after scene appeared at a breathtaking rate during action segments, and it was astounding how they could make so many scenes with such difference, detail, and quality.
The plot, although done before, was saved by an original idea about communication.
One must wonder if politics can be used to explain the omission of Oscar nomination.
C. G. I. was never detectable to me.
Almost the whole movie was special effects made from the viewer perspective such that you felt involved yourself when there was action.
The attention to detail was high.
Scene after scene appeared at a breathtaking rate during action segments, and it was astounding how they could make so many scenes with such difference, detail, and quality.
The plot, although done before, was saved by an original idea about communication.
One must wonder if politics can be used to explain the omission of Oscar nomination.
A disaster movie yes, but certainly not a disaster to watch with unexpected plot twists and emotional panic as you think the end is nigh.
Special effects are perfectly created in the background, and they are good! It all merges around the cast. A cast of unknown actors who really are good enough so the disaster doesn't steal the screen.
As someone obsessed by space travel, I found the space station sequences so realistic I had to check to see if the ISS was still in orbit.
Well at a cost of nearly £6million it's production has a much sharper edge and excitement than most of those released in Hollywood and Korea.
Special effects are perfectly created in the background, and they are good! It all merges around the cast. A cast of unknown actors who really are good enough so the disaster doesn't steal the screen.
As someone obsessed by space travel, I found the space station sequences so realistic I had to check to see if the ISS was still in orbit.
Well at a cost of nearly £6million it's production has a much sharper edge and excitement than most of those released in Hollywood and Korea.
MIRA is somewhat of an unexpected thing to behold. While the story is a bit of a knockoff of the Emmerich formula (family, drama, calamity, spectacle, and family), the attention to detail and overall execution is something else, indeed.
There are sequences in this film that are truly remarkable in every aspect, rivalling some of the best Hollywood has ever brought forth. The camera work, the production design, the acting (including the extras) and the VFX in the impact sequence are quite extraordinary, and the more realistic approach results in a fresh new way of witnessing a terrifying disaster.
I really have to stress again how amazing many of the visual effects really are: not flashy and rubbery like so many things we get to see from much bigger films, but seamless and believable. I really wonder how they pulled of a lot of shots that seem like practical effects, which of course they can't be.
Don't expect a perfect film, though. Especially in the third act, the film loses much of its realism and also goes into full cheese mode, but the good aspects easily prevail, at least for me. And so the verdict comes easy: if you're a sci-fi buff like me, you need to watch this.
There are sequences in this film that are truly remarkable in every aspect, rivalling some of the best Hollywood has ever brought forth. The camera work, the production design, the acting (including the extras) and the VFX in the impact sequence are quite extraordinary, and the more realistic approach results in a fresh new way of witnessing a terrifying disaster.
I really have to stress again how amazing many of the visual effects really are: not flashy and rubbery like so many things we get to see from much bigger films, but seamless and believable. I really wonder how they pulled of a lot of shots that seem like practical effects, which of course they can't be.
Don't expect a perfect film, though. Especially in the third act, the film loses much of its realism and also goes into full cheese mode, but the good aspects easily prevail, at least for me. And so the verdict comes easy: if you're a sci-fi buff like me, you need to watch this.
Plot: 5/10. Cheesy and unrealistic, a mix between Deep Impact and Geostorm, yet entertaining, although the third act is a bit weak.
Direction and photography: 9/10. Very well made film, with beautiful photography and superb one-shot scenes.
CGI: 9/10. Better than some recent Marvel/DC movies. Close to Gravity. Not a CGI-fest where the plot is driven by special effects.
Acting: 7/10? I've seen the spanish dub, which I think is pretty good. I can't tell about the russian or english dub, so...
In conclusion, a Hollywood's Sci-Fi blockbuster made in Russia, with little to no patriotism. Definitely I recommend it.
Direction and photography: 9/10. Very well made film, with beautiful photography and superb one-shot scenes.
CGI: 9/10. Better than some recent Marvel/DC movies. Close to Gravity. Not a CGI-fest where the plot is driven by special effects.
Acting: 7/10? I've seen the spanish dub, which I think is pretty good. I can't tell about the russian or english dub, so...
In conclusion, a Hollywood's Sci-Fi blockbuster made in Russia, with little to no patriotism. Definitely I recommend it.
Le saviez-vous
- AnecdotesThe star Mira, mentioned in the film, is the real binary red giant/white dwarf star in the constellation Cetus.
- Bandes originalesVladivostok 2000
Written and performed by Ilya Lagutenko
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- How long is Mira?Alimenté par Alexa
Détails
Box-office
- Budget
- 500 000 000 RUR (estimé)
- Montant brut mondial
- 5 494 204 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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