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Trust

  • 2010
  • Tous publics
  • 1h 46min
NOTE IMDb
6,9/10
46 k
MA NOTE
Liana Liberato in Trust (2010)
A family is torn apart when 14-year-old Annie (Liana Liberato) meets her online boyfriend in person after months of chatting.
Lire trailer2:06
2 Videos
56 photos
Suspense et mystèreCriminalitéDrameMystèreThriller

Une adolescente est ciblée par un prédateur sexuel sur Internet.Une adolescente est ciblée par un prédateur sexuel sur Internet.Une adolescente est ciblée par un prédateur sexuel sur Internet.

  • Réalisation
    • David Schwimmer
  • Scénario
    • Andy Bellin
    • Robert Festinger
  • Casting principal
    • Clive Owen
    • Catherine Keener
    • Liana Liberato
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    46 k
    MA NOTE
    • Réalisation
      • David Schwimmer
    • Scénario
      • Andy Bellin
      • Robert Festinger
    • Casting principal
      • Clive Owen
      • Catherine Keener
      • Liana Liberato
    • 186avis d'utilisateurs
    • 106avis des critiques
    • 60Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 3 nominations au total

    Vidéos2

    Trust
    Trailer 2:06
    Trust
    Clive Owen, David Schwimmer, and Liana Liberato on Trust
    Interview 6:54
    Clive Owen, David Schwimmer, and Liana Liberato on Trust
    Clive Owen, David Schwimmer, and Liana Liberato on Trust
    Interview 6:54
    Clive Owen, David Schwimmer, and Liana Liberato on Trust

    Photos56

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
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    + 50
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    Rôles principaux76

    Modifier
    Clive Owen
    Clive Owen
    • Will
    Catherine Keener
    Catherine Keener
    • Lynn
    Liana Liberato
    Liana Liberato
    • Annie
    Jason Clarke
    Jason Clarke
    • Doug Tate
    Viola Davis
    Viola Davis
    • Gail Friedman
    Chris Henry Coffey
    Chris Henry Coffey
    • Graham Weston
    Spencer Curnutt
    Spencer Curnutt
    • Peter
    Aislinn DeButch
    Aislinn DeButch
    • Katie
    Noah Emmerich
    Noah Emmerich
    • Al Hart
    Olivia Wickline
    • Louise
    Zoe Levin
    Zoe Levin
    • Brittany
    Zanny Laird
    Zanny Laird
    • Serena Edmonds
    Yolanda Mendoza
    • Tanya
    Shenell Randall
    • Alexa
    Jordan Trovillion
    Jordan Trovillion
    • Waitress
    Brandon Molale
    Brandon Molale
    • Volleyball Coach
    Tristan Peach
    • Charlie
    Ruth Crawford
    • Grandma Susan
    • Réalisation
      • David Schwimmer
    • Scénario
      • Andy Bellin
      • Robert Festinger
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs186

    6,945.7K
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    10

    Avis à la une

    8amb-03131

    Needs to be seen by all girls

    Just like the other reviewers, this was a very hard watch. As a S. A. survivor, this was incredibly triggering. However, this needs to be shown to all girls starting at 7th grade, IMO. A friend of mine was groomed in this same way and this type of incident reverberates through the community and for a lifetime. I'm impressed that David Schwimmer took this on. This story felt so true and sadly, for many, this is so true. In movies about this subject, I feel they "Hollywood" up the victims and the assault. This movie is completely realistic to how a victim reacts and thus becomes a survivor. Thank you so all of those who created this film. It's heartbreaking, but we need to see it. The world needs to help young girls and protect them so much more than they know.
    gnostic21

    The Selling of Sex to Young Girls

    My issue is with how the 'crime' is framed - the words 'assault' and 'rape' are tossed about liberally. What is never mentioned is 'seduction', the enticement of naive young women /girls by appealing to their romantic fantasies, which has a long social and literary history. The need to feel 'loved' and 'special'. No violence is ever used. A plot point unnoticed or unmentioned by any of the posters is the father's profession. Advertising. Marketing stuff to 'tweens' using highly sexualized images. Tweens are children between the ages of 9 or 10 and 13. They're fed a constant diet of the ways to be 'desirable' and 'sexy, usually by buying stuff to make them look older and more sexually available . How can parents overcome this barrage of noxious merchandising - especially if that's what provides their good upper middle class life. It also provide the psychological conditions, along with the anonymity of the Internet, for the seduction of very young girls. Charlie is an utter creep, but he's aided and abetted by an economic order that will do anything to find new 'markets'.
    lpolin55

    A must see film

    This movie deserves nationwide distribution. It is a riveting story and although difficult to stomach at times, it's a MUST SEE for kids, parents and teachers.

    I saw this movie last night with my Cinema Society and was appalled to hear that the movie was pulled from distribution.

    Are we such a sick society that opts for violence and science fiction movies at the expense of a life altering film as Trust. David Schwimmer is to be applauded for tackling such a disturbing subject matter. The acting was superb- Clive Owen, Catherine Keener and Viola Davis did a superb job.

    The crime in this movie beyond the obvious is that such an important film will not be seen by all the people in this country that need to see it.
    supah79

    Half seriously good, half Hallmark movie-of-the-week

    David Schwimmer behind the lens of a movie with the synopsis of a movie-of-the-week about internetpredators. Wow, this could go either way I thought. And it did.

    The Good: This movie is carried by its young leading star. Liana Liberato is Annie and she makes us feel every emotion she has. Sometimes we just don't get her: her actions or what's she's saying. Then, and this is where the screenplay and direction comes in, there are a few lines of dialog or a well chosen shot and we get what's being said. That symmetry is what makes Trust good.

    It's never overly dramatic and definitely does not hold back in depicting the loss of innocence and broken trust within the family or the minds of the family members.

    This is B-movie with an A-list cast and the movie works because of the above average actors.

    The Less: It's still a little cliché. Dr. Phil would approve this film. The Hallmark-channel feeling is never shed off and although it's bold in depicting it's story: it's also very predictable. There's no grey here, only black and white. This goes also for the characters: the innocent teen, the understanding mother, the work oriented father etc.

    Overall: The screenplay mixes good dialog and a dramatic look at teens growing up in the information-age with clichés and predictability. Schwimmer passes his exam as a director, as opposed to a actor turned director. It's not bad and watchable alone for the Tour de Force by Liberato, but don't expect a masterpiece. Because that would be too much credit. I give it a 6 out of 10.
    8zep42

    Painful but necessary

    As a father to a teenage girl, and one soon to become one, this movie was hard to watch. Took me 3 days to finish it, it was simply to horrifying and disgusting to witness how those sick bastards do their thing.

    Now when that is said, I really value this movie. It is important and necessary. It is an eye-opener to all 'tweenie' and teen parents.

    This movie should be mandatory in the treatment of pedophiles, to make them realize what they really are doing to their victims.

    Finally I'd like to give full credit to the cast for outstanding acting, and to David Schwimmer for his courage to make this film. You did a good job David!

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    Centres d’intérêt connexes

    James Stewart in Fenêtre sur cour (1954)
    Suspense et mystère
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
    Criminalité
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The text exchange Will is having online is a transcript from a real conversation between "fleet_captain_jaime_wolfe" and "sadlilgrrl" and is fully available on the web page Perverted Justice.
    • Gaffes
      Will states that Annie's new Macbook Pro has a hard drive with a 4 GB capacity. Drive capacities vary from model to model, but at minimum it would be over 100 GB. 4 GB is a typical amount of RAM for a Macbook Pro.
    • Citations

      Gail Friedman: We can't control what happens to us or our loved ones. What happens when Annie goes to college?

      Will: What are you saying?

      Gail Friedman: People get hurt. There's only so much we can do to protect ourselves, our children. The only thing we can do is be there for each other when we do fall down to pick each other up.

    • Crédits fous
      Chris Henry Coffey, who plays "Charlie," is billed as Graham Weston, the character's real name. The pictures he posts in the chat room to make Annie think he's 16 years old are of actor Tristan Peach, who is billed as Charlie in the credits..
    • Connexions
      Featured in Ebert Presents: At the Movies: Épisode #1.13 (2011)
    • Bandes originales
      Give A Little
      Written by Isaac Hanson, Taylor Hanson, Zac Hanson (as Zachary Hanson)

      Performed by Hanson

      Courtesy of 3CG Records

    Meilleurs choix

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    FAQ20

    • How long is Trust?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 janvier 2012 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Pérdida de la inocencia
    • Lieux de tournage
      • University of Michigan Central Campus, Ann Arbor, Michigan, États-Unis
    • Sociétés de production
      • Millennium Films
      • Millennium Films
      • Dark Harbor Stories
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 4 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 120 016 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 58 214 $US
      • 3 avr. 2011
    • Montant brut mondial
      • 595 802 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 46min(106 min)
    • Couleur
      • Color
    • Mixage
      • Dolby
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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