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Personnages invincibles, coups de foudre improbables, explosions au timing parfait... Des stars et experts du cinéma démontent ces lieux communs, et bien d'autres.Personnages invincibles, coups de foudre improbables, explosions au timing parfait... Des stars et experts du cinéma démontent ces lieux communs, et bien d'autres.Personnages invincibles, coups de foudre improbables, explosions au timing parfait... Des stars et experts du cinéma démontent ces lieux communs, et bien d'autres.
- Réalisation
- Scénario
- Casting principal
Photos
Keith Lucas
- Self - Screenwriter, Judas and the Black Messiah
- (as The Lucas Brothers)
Kenneth Lucas
- Self - Screenwriter, Judas and the Black Messiah
- (as The Lucas Brothers)
Avis à la une
Kinda like a live action version of TV Tropes. However tends to lean heavily into a very "woke" commentary. From denigrating everyone involved in the Hays Code to criticizing white people as being automatically bad.
Switched it off before it ended. An unnecessary, uninspired and unfunny list of clichés that despite some (semi-)stars showing up is not better than random lists one can find on Youtube, trying to get your views with the lowest investment.
As clichéd as the tropes it wants to highlight, sprinkled with obvious woke remarks that frustrate rather than inspire or give insight.
As clichéd as the tropes it wants to highlight, sprinkled with obvious woke remarks that frustrate rather than inspire or give insight.
The White Savior trope was discussed as a trope where a white person acts as a savior to black people. This is simply shameless and offensive appropriation, as that trope is strongly associated with native americans and other real or fictional cultures in movies such as Dances with Wolves, Last Samurai, Dune, Pocahontas and Avatar.
They ignore all the premiere examples to focus on a movie like The Green Book, where the trope is so weak that it might not even be worth discussing, but they just had to make it all about black people, of course. Cringe and tone deaf.
Bland and uninspired show, that doesn't even discuss the BWAAARP sound Nolan uses in every trailer.
They ignore all the premiere examples to focus on a movie like The Green Book, where the trope is so weak that it might not even be worth discussing, but they just had to make it all about black people, of course. Cringe and tone deaf.
Bland and uninspired show, that doesn't even discuss the BWAAARP sound Nolan uses in every trailer.
...That love whining about how unoriginal Hollywood, they can whine about this. It's short and I enjoyed it. It's definitely tongue in cheek.
This Netflix special has a great sense of purpose, but it's not as focused as it could be if it was. It's a bit like a Spit -Take or Montage mode, and it's full of all the crazy facts that come from a fake scare called the Luton Bus, as well as the story of Willem's screams. It's not as thoughtful as it could be, but since it's only an hour, you can probably still watch it on your free weekends and pass it along to your cinema-loving friends. The problem is that it's not as funny as it should be, and it's not as irreverent as it could be. It's got the same lazy familiarity of the Hollywood movies it's trying to mock.
~ P. X.
~ P. X.
Le saviez-vous
- GaffesIn the segment about actors eating apples, there was a scene of Chris Pine as Captain Kirk in "Star Trek (2009)" biting in to an apple. Mr. Lowe says something like "here is Captain Kirk eating an apple while saving the Enterprise." The scene shown is actually Captain Kirk attending the Starfleet Academy and once again taking the Kobayashi Maru test--this time sure he will "pass" the test and save the (mock) day.
- ConnexionsFeatures Le vol du grand rapide (1903)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Attack of the Hollywood Cliches!
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 58min
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD
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