Benvenuti al sud

This is a curiously lame re-versioning of a French film, which was much more successful on many levels, the most important being the direction. WTTS is an awkward experience for this audience member; it's full of good farcical ideas and nice, broad characters, but it never really comes to life, because the staging, the timing and the acting all miss the mark. You can see how good it could have been, how many of the scenes, played differently would have worked. Alas it's mostly flat, overly sentimental but cheerful. The only actor in the cast with whom I'm familiar is Angela Finocchiaro, whom I very much admired in "Don't Tell" - in which she gave a funny and moving performance. Here she's not given much to do beyond acting out the demands of of her caricatured character and the unlikely turns of the plot. I kept expecting her to be funny, but I was always disappointed. I attribute this to poor writing and even poorer direction. It's often extraordinary how certain scenes are staged - as though the director is anti-comedy.

Welcome to the South The final installment of the Metro-Detroit Italian Film Festival (2012) featured director Luca Minero's Benvenuti al sud, Welcome to the South (2011). The venue of Royal Oak's new Emagine Theatre was filled to capacity and resulted in the always unfortunate scenario of turning away hundreds of would be patrons. The film begins with Alberto Colombo (Claudio Bisso) as a civil servant of the Italian-Postale. Alberto has been passed up for promotion to a coveted Milan position and following a comical yet ill-fated attempt to secure another such opening is assigned to two years postale purgatory in Italy's southern region. Alberto's wife Silvia (Angela Finocchiaro) chooses to remain in the civilized north while Alberto is subjected to his penance. The ensuing journey is a farcical romp through social stereotypes and false assumptions which leads Alberto to re-evaluate his own system of beliefs. Steeped in Italian cinemas rich history of neo-realism and romanticism it seems that amore' is the parallel undercurrent to the film. Love reigns supreme beneath the comical veneer, as southern mama's boy Mattia Volpe (Alessandro Siani) garners courage to express his affections for local bellissima Maria (Valentina Lodovini). Alberto and Silvia teeter on the brink of their faltering relationship and her brave trip to the south will either break them or change them forever. A wonderful introspective on pre-conceived notions that prove false wrong when people understand one another combined with breathtaking scenery of Italy's southern coastal regions make this a film for all the world to enjoy. The sequel Welcome to the North (2012) should prove to be equally entertaining as the noteworthy cast of Alberto's friends invade the northern regions. Caio!

As another person already remarked this is a remake of another french movie that I have viewed and liked it very much. Both are as good because send a strong message against prejudice and the aim in my opinion is well achieved. I think both deserve to be seen because apart from the hilarious script which made me laugh from beginning to end, it's at moments touching and in others so true that one wouldn't doubt a second this could have even been a real story.

I have seen it in Italian and although I know it's translated also in other languages (i.e. German) I can't imagine whether the movie translated makes laugh as the Italian version.

Very nice and funny movie that manages to disassemble some stereotypes of the south keeping others in a very funny way. A film that makes everyone laugh and teaches great values such as friendship.

I consider this comedy even better than the original "Bienvens Chez les Ch'tis". But, in order to totally grasp the humour of this movie, you have to watch it in Italian and know the antagonism between the north of Italy and the south. This is so overwhelming funny and respects the cultural identity of the Italian people.

I absolutely enjoyed it.