La Disparue de Lørenskog

A Norwegian thriller based on true events.

This kidnapping story could have been packed in one movie and not divided in seven hours episodes. Too long because it couldn't keep enough my attention with suspense or intriguing elements. At the end of the second part I switched off. Okay, in the first part these ingredients were shown but the longer it run the more I was bored to continue watching these seven part limited series. Yes, luckily only limited. Watch instead the top Hollywood kidnapping movies Trapped, Cellular with Kim Basinger, Panic Room with Julianne Moore or The Call with Halle Berry.

This is my first IMDb review, and I feel compelled to write after looking at the less positive reviews here. The Scandanavian dramas on Netflix have been among my favorite of all of their programs, and this one is near the top. The performances are consistently compelling, natural and believable, the directing taut, and, in the best sense, drama-free. The viewer really feels like s/he is in the middle of this complex drama. The story holds a mirror up to issues of class, sexism, police and journalistic bias without providing any easy answers. I was a bit taken aback at the end of Episode 5 that there was no Episode 6, but after some reflection, thought the ambiguous ending suited the series; however, seeing a note from other reviewer about it being missing, I"m sure that if it exists, it will do justice to what preceded it. If you're looking for something fast-paced, easy and prone to putting its thumb on the scale for the topics it covers, this show isn't for you, but if you want something superbly made and thought-provoking, I think you'll find this series well worth your time, whether 5 episodes or 6.

I stayed with this unusual mystery drama from Norway right to the end, but really rather wish I hadn't. It's claimed that the story was based on real-life events, but if that really was the case, then truth must indeed be stranger than fiction.

A middle-aged woman is forcibly kidnapped from her home while her billionaire husband is away. But no ransom note is immediately forthcoming and as home truths emerge about the state of the couple's marriage and in particular the elderly husband's extra-marital life, the mystery grows with every passing day, the latter documented by periodic datelines coming up on screen.

The two main cops assigned to the case are a woman and man team, she, a white woman, the dogged proceedural type, he, a younger black man, willing to think and work outside the box to try to crack the case, even if it means engaging with the criminal fraternity. The woman, as is commonplace in dramas like this, has family issues, in the form of her father who suffers from Alzheimer's Disease.

Also on the case is a determined crime reporter from a daily national newspaper who finally gets a break which takes him to Sweden, but unfortunately for him he's identified and gets badly beaten up for his trouble. It all goes down or so you're led to believe, to a climactic conclusion which at least from where I was sitting, seemed to leave the viewer high and dry.

Up until that point, it was just about okay as these Scandi-noir series go. With each episode coming at the story from a different angle, I found it too difficult to join the dots in the narrative which may have contributed to my disillusionment and dissatisfaction with the ending.

I appreciate that the original and unusual prismatic format adopted here may have been an attempt to freshen up the genre, but for me, it just felt like I was led up the path and in the end left absolutely nowhere by an over-enigmatic ending.

Vaguely remember the case on which this series is based. It was also relatively well reported here in Finland. The series follows events from different angles and perspectives. The series is followed episode by episode from the point of view of the police, lawyers, journalists and relatives.

I used to be in favour of a non-linear and multi-perspective series. Over time, however, the problem has become that these elements have become a way of prolonging the series without adding any value to the story itself or depth to the characters. I like slow-burning series, but there has to be a reason for that slow-burning. Nowadays, many series should just be a 1,5h movie because there is no true content for many episodes.

Fortunately, however, this series was different. Five episodes of guaranteed quality. I found that I actually liked almost every character in the series. I could relate to their perspectives and attitudes. The series illustrates well how easily our history and temperament can affect our ability to look at things objectively.

I also liked the fact that the personal lives of the main characters were referred and shown, but mostly in a condensed form. Glimpses. Everyone can then draw their own conclusions. For example, many police series stray far too much from the plot itself to deal with family traumas and other relationship issues. Of course, human being is a whole, but often too much emphasis is placed on these subplots.

Many people seem to be annoyed by the end of the series. The series is largely based on real events, including the names. In such cases, you cannot make your own artistic decisions. Personally, I liked the ending of the series. The way it affected the lives of the people involved.

It also reminded me of a case we had here in Finland. It was the case of Anneli Auer. She supposedly murdered her husband. However, the director of the investigation forbid the investigators of investigating Anneli Auer, even though she was the wife of the murdered and was present when the murder took place. Anneli Auer is an obvious psychopath and she was very good at manipulation. Anneli Auer was not taken as a suspect until two years after the murder, at which point no proper investigation could be carried out. The court acquitted Anneli Auer, even though she is very probably behind the murder of her husband. It really reminded this case in many ways.

A police procedural/investigative journalism series set in 2018 and following in Lørenskog, Norway. It's based on an actual case concerning a wealthy entrepreneur and the mysterious disappearance of his wife.

Each 50-minute episode looks at a different facet of the investigation, though the flow is chronological. Anne-Elisabeth Hagen is kidnapped at the beginning of the first episode. Her husband, Tom (Terje Strømdahl), is a wealthy billionaire. The kidnappers make ransom demands.

Jorunn Lakke (Yngvild Støen Grotmol) leads the police investigation along with her partner, Micael Delvir (Kidane Gjølme Dalva). Erlend Moe Riise (Christian Rubeck) is the lead journalist for the local paper; he appears to have informants within the police department that give him tips to influence the coverage. Aleks Zaretski (Victoria Ose) is another journalist who thinks the newspaper should pursue more theories.

The investigation stretches over two years as police and journalists encounter deadends, unconfirmed circumstantial evidence, questionable procedures, and unreliable sources. In addition, they encounter many potential villains, including Tom Hagen. Nevertheless, the story's final resolution is realistic.

This movie was fascinating to watch in the context of the "She said" film I recently watched that touted the necessity and doggedness of good investigative journalism. "The Lørenskog Disappearance" is more ambiguous, raising questions about the relationship between the press and the police and the possibility of tunnel vision hindering both investigations. I thought it was well done, though several storylines were left undeveloped, and a relatively large array of bad guys made following things difficult.