La Disparue de Lørenskog
Titre original : Forsvinningen - Lørenskog 31. oktober 2018
NOTE IMDb
6,0/10
3,2 k
MA NOTE
Lorsque la femme d'un millionnaire disparaît, la police doit faire face à la frénésie des médias et à des indics véreux pour découvrir la vérité. Inspiré de faits réels.Lorsque la femme d'un millionnaire disparaît, la police doit faire face à la frénésie des médias et à des indics véreux pour découvrir la vérité. Inspiré de faits réels.Lorsque la femme d'un millionnaire disparaît, la police doit faire face à la frénésie des médias et à des indics véreux pour découvrir la vérité. Inspiré de faits réels.
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Vaguely remember the case on which this series is based. It was also relatively well reported here in Finland. The series follows events from different angles and perspectives. The series is followed episode by episode from the point of view of the police, lawyers, journalists and relatives.
I used to be in favour of a non-linear and multi-perspective series. Over time, however, the problem has become that these elements have become a way of prolonging the series without adding any value to the story itself or depth to the characters. I like slow-burning series, but there has to be a reason for that slow-burning. Nowadays, many series should just be a 1,5h movie because there is no true content for many episodes.
Fortunately, however, this series was different. Five episodes of guaranteed quality. I found that I actually liked almost every character in the series. I could relate to their perspectives and attitudes. The series illustrates well how easily our history and temperament can affect our ability to look at things objectively.
I also liked the fact that the personal lives of the main characters were referred and shown, but mostly in a condensed form. Glimpses. Everyone can then draw their own conclusions. For example, many police series stray far too much from the plot itself to deal with family traumas and other relationship issues. Of course, human being is a whole, but often too much emphasis is placed on these subplots.
Many people seem to be annoyed by the end of the series. The series is largely based on real events, including the names. In such cases, you cannot make your own artistic decisions. Personally, I liked the ending of the series. The way it affected the lives of the people involved.
It also reminded me of a case we had here in Finland. It was the case of Anneli Auer. She supposedly murdered her husband. However, the director of the investigation forbid the investigators of investigating Anneli Auer, even though she was the wife of the murdered and was present when the murder took place. Anneli Auer is an obvious psychopath and she was very good at manipulation. Anneli Auer was not taken as a suspect until two years after the murder, at which point no proper investigation could be carried out. The court acquitted Anneli Auer, even though she is very probably behind the murder of her husband. It really reminded this case in many ways.
I used to be in favour of a non-linear and multi-perspective series. Over time, however, the problem has become that these elements have become a way of prolonging the series without adding any value to the story itself or depth to the characters. I like slow-burning series, but there has to be a reason for that slow-burning. Nowadays, many series should just be a 1,5h movie because there is no true content for many episodes.
Fortunately, however, this series was different. Five episodes of guaranteed quality. I found that I actually liked almost every character in the series. I could relate to their perspectives and attitudes. The series illustrates well how easily our history and temperament can affect our ability to look at things objectively.
I also liked the fact that the personal lives of the main characters were referred and shown, but mostly in a condensed form. Glimpses. Everyone can then draw their own conclusions. For example, many police series stray far too much from the plot itself to deal with family traumas and other relationship issues. Of course, human being is a whole, but often too much emphasis is placed on these subplots.
Many people seem to be annoyed by the end of the series. The series is largely based on real events, including the names. In such cases, you cannot make your own artistic decisions. Personally, I liked the ending of the series. The way it affected the lives of the people involved.
It also reminded me of a case we had here in Finland. It was the case of Anneli Auer. She supposedly murdered her husband. However, the director of the investigation forbid the investigators of investigating Anneli Auer, even though she was the wife of the murdered and was present when the murder took place. Anneli Auer is an obvious psychopath and she was very good at manipulation. Anneli Auer was not taken as a suspect until two years after the murder, at which point no proper investigation could be carried out. The court acquitted Anneli Auer, even though she is very probably behind the murder of her husband. It really reminded this case in many ways.
8rbod
I don't know how this could be made unless it is explicitly sanctioned by both the authority that investigates and charges crime AND the people that make up the persons of interest. I can't imagine why anyone would agree to it.
Not what I would call a documentary.
Anyway, aside from that I did enjoy it as an entertainment, which I think is problematic as a "true" story.
Now my problem with the presentation in one crucial aspect of "evidence" as presented. The language as we know is Norwegian. I watched it dubbed in English with English captions. As is often the case, the spoken dialogue does not match the captions. Normally this is not a problem, but: Tom Hagen is about 70 and has been married for 49 years to his disappeared wife.
The film has the prenuptial agreement signed in 1993 I believe, which would have put their wedding at around 1973.
1993 is 29 years ago, not 49. Giving more weight to this observation, the dialogue says prenup, the caption says marital agreement. Ordinarily one would not make a fuss over this language discrepancy, except, you cannot have a prenuptial agreement when you've already been married for 20 years.
So, this was not a prenup but an agreement made after 20 years of marriage. It casts an entirely different light on the story, because although it was clear an error was made, what the error was was not clear. Was the year of the agreement 1973 and therefore a prenup (no, I don't think so) or was it not a prenup but a marital agreement made after 20 years of marriage (yes, I think) Although I figured it out I was not 100 percent sure and thought about it the whole time I was watching which was a distraction I could have done without.
It is not evidence of a crime, however, but changes the idea of motive.
If one were not paying close attention to do the math, and not having captions on they saw a different film from me.
I am very disappointed.
Not what I would call a documentary.
Anyway, aside from that I did enjoy it as an entertainment, which I think is problematic as a "true" story.
Now my problem with the presentation in one crucial aspect of "evidence" as presented. The language as we know is Norwegian. I watched it dubbed in English with English captions. As is often the case, the spoken dialogue does not match the captions. Normally this is not a problem, but: Tom Hagen is about 70 and has been married for 49 years to his disappeared wife.
The film has the prenuptial agreement signed in 1993 I believe, which would have put their wedding at around 1973.
1993 is 29 years ago, not 49. Giving more weight to this observation, the dialogue says prenup, the caption says marital agreement. Ordinarily one would not make a fuss over this language discrepancy, except, you cannot have a prenuptial agreement when you've already been married for 20 years.
So, this was not a prenup but an agreement made after 20 years of marriage. It casts an entirely different light on the story, because although it was clear an error was made, what the error was was not clear. Was the year of the agreement 1973 and therefore a prenup (no, I don't think so) or was it not a prenup but a marital agreement made after 20 years of marriage (yes, I think) Although I figured it out I was not 100 percent sure and thought about it the whole time I was watching which was a distraction I could have done without.
It is not evidence of a crime, however, but changes the idea of motive.
If one were not paying close attention to do the math, and not having captions on they saw a different film from me.
I am very disappointed.
Summary
The novelty of this cold and intelligent Norwegian series based on a real case is that each chapter focuses on one of the sectors involved in the case and as the investigation progresses.
Review
This Norwegian mini-series based on a true case recounts the investigation of the disappearance of the wife of a Norwegian billionaire, in what appears to be a kidnapping.
The novelty of this series lies in the fact that each chapter focuses on one of the groups involved in the case and as the investigation progresses, for example: the first focuses on the police and prosecutors, the next on the journalists who investigate the case, and so on. The change of point of view then does not imply flashbacks that return to certain events, in general, nor the absence of the other protagonists, who circumstantially pass into the background. I must add that there would be some important stratum missing as the protagonist of some chapter...
The tone of the series is cold but its notes on how these groups are related and how prejudices and personal stories work in their working hypotheses are very interesting (particularly in the case of the press) as well as on the role of cryptocurrencies in kidnapping for ransom.
Needless to say, the ending is disappointing, and for more than one reason (which I can't reveal).
The novelty of this cold and intelligent Norwegian series based on a real case is that each chapter focuses on one of the sectors involved in the case and as the investigation progresses.
Review
This Norwegian mini-series based on a true case recounts the investigation of the disappearance of the wife of a Norwegian billionaire, in what appears to be a kidnapping.
The novelty of this series lies in the fact that each chapter focuses on one of the groups involved in the case and as the investigation progresses, for example: the first focuses on the police and prosecutors, the next on the journalists who investigate the case, and so on. The change of point of view then does not imply flashbacks that return to certain events, in general, nor the absence of the other protagonists, who circumstantially pass into the background. I must add that there would be some important stratum missing as the protagonist of some chapter...
The tone of the series is cold but its notes on how these groups are related and how prejudices and personal stories work in their working hypotheses are very interesting (particularly in the case of the press) as well as on the role of cryptocurrencies in kidnapping for ransom.
Needless to say, the ending is disappointing, and for more than one reason (which I can't reveal).
This series frustrated me, although I watched it until the end. I found it extremely difficult to follow. But I wanted to know what was going to happen, since after all, this is based on a true story. With none of the characters I could sympathise, since they are all distant and dark. Moreover, and worst of all, I lost the thread of the story. At a certain point I did not even know anymore if I had seen already several characters that were shown. This is really a pity because the story in itself seems intriguing; the media parroting the police and one police officer even feeding deliberately the media with information. The female journalist that was courageous and probably right, hence different from her colleagues, lost her job and we did not see her anymore. There is absolutely nothing beautiful or interesting in the way this has been filmed, neither in the dialogues, nor in the scenery and definitely not in the way the story is told. The Danish series "The Investigation", on the contrary, tells in a magnificent way also a horrible true story and the actors are all fabulous.
10pf-00173
This is my first IMDb review, and I feel compelled to write after looking at the less positive reviews here. The Scandanavian dramas on Netflix have been among my favorite of all of their programs, and this one is near the top. The performances are consistently compelling, natural and believable, the directing taut, and, in the best sense, drama-free. The viewer really feels like s/he is in the middle of this complex drama. The story holds a mirror up to issues of class, sexism, police and journalistic bias without providing any easy answers. I was a bit taken aback at the end of Episode 5 that there was no Episode 6, but after some reflection, thought the ambiguous ending suited the series; however, seeing a note from other reviewer about it being missing, I"m sure that if it exists, it will do justice to what preceded it. If you're looking for something fast-paced, easy and prone to putting its thumb on the scale for the topics it covers, this show isn't for you, but if you want something superbly made and thought-provoking, I think you'll find this series well worth your time, whether 5 episodes or 6.
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- The Lørenskog Disappearance
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- Durée52 minutes
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