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IMDbPro

Harishchandrachi Factory

  • 2009
  • Not Rated
  • 1h 36min
NOTE IMDb
8,4/10
3,2 k
MA NOTE
Harishchandrachi Factory (2009)
In 1913 India's cinema industry is born from Dadasaheb Phalke's efforts to make Raja Harishchandra (1913), India's first feature-length B&W silent film.
Lire trailer2:48
1 Video
1 photo
BiographieComédieDrame

Ajouter une intrigue dans votre langueIn 1913 India's cinema industry is born from Dadasaheb Phalke's efforts to make Raja Harishchandra (1913), India's first feature-length B&W silent film.In 1913 India's cinema industry is born from Dadasaheb Phalke's efforts to make Raja Harishchandra (1913), India's first feature-length B&W silent film.In 1913 India's cinema industry is born from Dadasaheb Phalke's efforts to make Raja Harishchandra (1913), India's first feature-length B&W silent film.

  • Réalisation
    • Paresh Mokashi
  • Scénario
    • Paresh Mokashi
  • Casting principal
    • Nandu Madhav
    • Vibhawari Deshpande
    • Atharva Karve
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,4/10
    3,2 k
    MA NOTE
    • Réalisation
      • Paresh Mokashi
    • Scénario
      • Paresh Mokashi
    • Casting principal
      • Nandu Madhav
      • Vibhawari Deshpande
      • Atharva Karve
    • 26avis d'utilisateurs
    • 11avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 2 nominations au total

    Vidéos1

    Harishchandrachi Factory (2009) Trailer
    Trailer 2:48
    Harishchandrachi Factory (2009) Trailer

    Photos

    Rôles principaux35

    Modifier
    Nandu Madhav
    Nandu Madhav
    • Dadasaheb Phalke
    Vibhawari Deshpande
    Vibhawari Deshpande
    • Saraswati Phalke
    Atharva Karve
    • Mahadev Phalke
    Mohit Gokhale
    • Bhalachandra Phalke
    Ketan Karande
    Ketan Karande
    • Deshmukh
    Sandeep Mehta
    Sandeep Mehta
    • Parikh
    Hrishikesh Joshi
    Hrishikesh Joshi
    • Pahila Bandhu
    Uday Lagoo
    • Dusara Bandhu
    Shrirang Godbole
    Shrirang Godbole
    • Pahila Sanatani
    Dharmakirti Sumant
    • Dusara Sanatani
    Lee Macsween
    • British Inspector
    Hemu Adhikari
    • Saraswati's Father
    Hemu Adhikari
    Hemu Adhikari
    Siddarth Beninger
    • English Projectionist
    Anil Bhagwat
    • Tatya
    Mangesh Bhide
    • Abdulla
    Pratibha Date
    • Saraswati's Mother
    Ambarish Deshpande
    • Sane
    • Réalisation
      • Paresh Mokashi
    • Scénario
      • Paresh Mokashi
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs26

    8,43.1K
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    Avis à la une

    AvinashPatalay

    And he said "Let there be light.... camera.... action!!!"

    "Harishchandrachi Factory" is Indian Cinema's official entry into the Academy Awards and the million-dollar question is - does it justify? Yep, you bet! Maybe not soul-stirring, not a tear-jerker either, sans social message and not even magnum-opus.... yet "Harishchandrachi Factory" lingers in your head like a sweet aroma.

    Biopics generally tend to have a format which demonstrate the hardships and struggle of an individuals to realise the dream. It is exactly here "Harishchandrachi Factory" truly standouts by adopting an untrodden path. It depicts Mr. Phalke's journey of creating the first celluloid on Indian Cinema without getting over-bearing, in the light-hearted way possible ensuring the essence is not lost. I am sure the truth is far from it and should not discount the pains Mr. Phalke underwent to plant the seeds of germination for Indian Cinema.

    Performances are spot-on, especially Nandhu Madhav who portrays Mr. Phalke. Nicely complimenting him is Vibhwari Deshpande as Mrs. Phalke to extent the audience would feel that marriages are indeed made in heaven. If Mr. Phalke is depicted as an eccentric genius, his better-half is no less crazy.

    There are a few emotional moments in the movie like for instance when Phalke loses his eye-sight or when his son falls ill but what is commendable is that either its depicted humorously or the narrative moves on to the next part. The screenplay and editing should be complimented. Of course, the writer/ director truly deserves standing ovation for choosing Dadasaheb Phalke as his subject. And last but not the least UTV for backing this deserving project.

    Let me not comment on the chances of "Harishchandrachi Factory" garnering statuettes at Academy awards, however I am confident that you will google and read about Dadasaheb Phalke after watching this movie.
    10Shaitaaan

    Marathi cinema at its best

    I watched 3 movies last weekend: Up in the Air, Invictus and Harishchandrachi Factory, in that order. And Harishchandrachi Factory really touched my heart. If you ask a South African, he might say Invictus. But I, for one, love Marathi movies for their humor.

    HF (I cannot type Harischandrachi Factory all the time) is about how Dadasaheb Phalke, i think he is called Father of Indian cinema, made the first movie in India, "Raja Harishchandra". He must've gone through a lot while making the movie. But the portrayal of the events is damn funny. My roommate, who does not understand Marathi was literally on the floor laughing! Excellent acting, direction, attention to detail and did I mention funny? And it does teach you to follow your heart and don't care about results. Loved the way his family supports him.

    Must watch for all movie fans and non movie fans too!
    9VirginiaK_NYC

    How the World's Bggest Film Industry Got Its Start!

    I love movies about the movies, and this one is a standout.

    Often I've thought about the dawn of cinema - that first heady round, the rush of making a picture that moved. Here's an appropriately joyful - and funny! - glimpse of that moment in India, home of the world's biggest movie business, the story of the making of India's first full-length film.

    It starts when the man known as Dadasaheb Phalke sees a film for the first time -- British, short, Jesus dying and rising from dead, in a no-frills sort of way -- and gets the idea of making a movie like this for Indians, about Indian culture. It ends with the completion and recognition of the full-length Rajah Harishchandra, an historical film of a virtuous long-ago king. (The present film's title means "Harishchandra's Factory": in India in about 1913, if you've got a job on a film, what do you tell your neighbors who've never seen one? Phalke's advice -- say you work at a "factory" -- the foreign word will impress them and keep them out of your hair.)

    The character of Phalke, as played with warmth and charm by Nandu Madhav, would be optimistic "to a fault," except that his persistence is so right, even when he goes to London alone and unannounced to get the advice and equipment he needs. He is in some ways the preoccupied technician/professor type, and in a pitch-perfect decision, director/writer Paresh Mokashi gives us a larger world that meets his somewhat blinkered but brilliant obsession with more or less unfailing appreciation and support. Local appreciation may be slower in coming, but of course we know that it did.

    The story, all very solidly researched, is carried more by our itch to see his film get made and shown than by any manufactured tension about too many bad things happening. And by our anticipation of the next comic moment - expect special delight once casting problems arise where no woman will go near the camera, and mustache-retention problems arise when compromise casting for ladies' roles is accomplished.

    The husband-wife partnership shines, Vishawai Deshpande's lovely and grounded Mrs P learns to develop film, and whatever is in her heart lets her survive furniture sales and big risks without resorting to nagging. Especially elegant, the matter-of-fact cooperation between Phalke and British film guys, who "get" him more or less right away, the way artists worldwide have pretty much always loved each other and their work in fellowship, irrespective of national tensions and problems.

    Finally - production values are high, this looks as beautiful as it should and - for any worried western viewer - this is not a musical!! it's a "regular movie."
    9vranwikar

    Tribute to First Novie Maker

    Hi everyone,

    as i have mentioned i love watching movies more than i love programming...so i have decided to write a kind of review of movies which i see....after 3-4 days finally today i got time to watch "Harishchandrachi Factory"... when i started it i was hoping to see a very serious kind of movie which will depict life "Dadasaheb Phalke-- Father of Indian Cinema"..but it turned out to be a very pleasant, gentle movie....

    well the movie starts with a maverick man who has left his good printing business and is working as magician doing street shows....he happens to see a "motion picture"..well normally you wont give a damn about this word...but this movie will surely tell u what it really represents......after watching this cinema..he decides to do his own motion picture or "a drama on screen" as people first used to call motion pictures....

    movie then goes through his efforts to make his dream real...the best thing about movie is not actually the story but the way it is presented on the screen.... there are few scenes which are truly remarkable ..specially where Phalke sells his cupboard to buy books and people started making a big deal out of it..as if someone has died... part where phalke is looking for women actors to portray Taramati and mustache saga....

    Nandu Madhav has played character extremely well but one thing i couldn't stop noticing about his acting was..it kind of looked like Chalie Chaplin...i dnt know if its true...but u have to c it yourself.... another beautiful aspect of movie was how relation between phalke and his wife is handled...its shear pleasure watching the couple together....Vibhavari Deshpande who enacted Saraswati Phalke has done well job too....

    Director Paresh Mokashi has done beautiful job in writing as well as directing... portraying a life a man in 97 min is really a tough job.... so in all a nice movie... and a nice tribute to the originator of Indian Cinema which currenlty is biggest film industry in the world....
    8Lord_Aragon

    Must watch, if you appreciate good cinema.

    This movie was the official entry for the Oscars 2010 in the best foreign language film category from India. Though the movie is in Marathi,it actually transcends that minor barrier. It is a winner all the way , well written and directed by Paresh Mokashi.Even though Indian film industry is dominated by Bollywood (Personally I hate that word) such movies like Harishchandrachi Factory are entertaining as well as intelligent. Thanks to the multiplexes such movies no longer have a restricted regional release.Throughout the movie there is a feel good element and one does not feel like being taken for a fool.

    It depicts the journey of the pioneer Dada Saheb Phalke as he faces hardships while making his magnum opus and how he overcomes them. Without giving away much, I will say watch out for the way the director has recreated that era.The performances by the actors are refreshing and believable.

    Never give up on your dreams, work wholeheartedly and you will win.This message is underlined throughout with out playing up to the galleries.

    I gave it 9/10.

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    Centres d’intérêt connexes

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    Biographie
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    Comédie
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      India's official submission for Best Foreign Language Film Oscar consideration.
    • Citations

      Dadasaheb Phalke: [subtitled version]

      [brandishing a sword]

      Dadasaheb Phalke: Mustaches will go. Or heads will roll!

    • Connexions
      Referenced in The Beginning of Indian Cinema: Part Two - The Vision of Dadasaheb Phalke (2024)

    Meilleurs choix

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    FAQ16

    • How long is Harishchandrachi Factory?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 29 janvier 2010 (Inde)
    • Pays d’origine
      • Inde
    • Site officiel
      • Official site
    • Langue
      • Marathi
    • Aussi connu sous le nom de
      • Cennet Sineması Hindistan
    • Sociétés de production
      • Mayasabha Productions
      • Paprika Media
      • UTV Motion Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 36min(96 min)
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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