Harishchandrachi Factory

Prakash Mokashi's 'Harishchandrachi Factory' is a breath of fresh air. Of late, when the Indian film industry has mostly been churning one stale product after another with minimal positive quality, Mokashi gives the viewer this Marathi gem. Now this isn't your traditional biopic that starts from birth and ends in death. Nor is it the depressive kind. 'Harishchandrachi Factory' is a movie that is both funny and poignant. It tells how India's first film director made the first Indian movie and this is done with heart and humour.

The film starts off with Phalke skipping his job to work as a magician as he finds his passion in entertaining people. On impulse, he and his son decide to go to the theatre and they watch a short silent film about the 'Passion of Christ'. Phalke is moved by the experience and he keeps returning to the theatre. He decides to make a movie. The man just about makes enough to support his family, but his passion, determination and support of his family, especially his wife, allows him to pursue his destiny.

Mokashi has chosen a unique way of storytelling that has barely been done with biopics. His humour is both satirical, situational, witty and even understated at times. At the same time he does not derail from the focus of the film and its characters. The characters are very real. Phalke may appear larger then life but at the same time he is the common man who lives his life with hope and a little sugar. His wife is far from the caricature wife who nags about her husband's risky attempts. She supports him all the way and does not hesitate to sell off their furniture to make her husband's dream come true. The comedic sequences work excellently. They had me laughing out loud.

Nandu Madhav passionately plays who is today known as the father of Indian cinema. His spirited performance along with Vishawai Deshpande's natural portrayal as Mrs. Phalke are a delight to watch. The supporting cast do a commendable job too.

'Harishchandrachi Factory' is a beautiful little film. The execution is first rate. The cinematography, score, editing and lighting are superb. Mokashi's charming gem is one of a kind and I am sure to revisit this just to feel this film-viewing experience once again.

I was one of the lucky persons to catch this movie in sept 09, well in advance of its release, in International Film Festval Nagpur, and even more delighted when it was selected for the Academy awards. Once again Marathi cinema has one more feather on its cap for this extraordinary piece of art. Its more of a tribute to Late Dadasaheb Phalke and a token of appreciation for initiating a movement that went on to create the second largest movie industry in the world. The movie begins with a simple scenario of a unemployed man who gets inspired from a British motion picture theater( in a tent). The movie showcases very truly how people used to look up to cinema in earlier days, paying ticket to watch blurry b&w moving images without audio. Not only it was difficult to think of making something like a motion picture but rather impossible as there were no sources to explore the possibility of such a thing. The approach of Dadasaheb Phalke towards making a motion picture and that too beginning from less than a scratch has been beautifully shown to the finest detail. What the catchy part of the movie is that you are taken into a pleasant trance mood right from the initial scene, maybe because of the humor tinge given to the film in almost every scene. Every scene, even the emotional ones does have a funny element of character attached to it to keep you laughing all the way. It must be the first drama film to have a tinge of humor attached to go for Oscars. Or maybe its selected at the first place as the film is based on the life of Father of Indian Cinema. But it doesn't take away any credit by the makers of this film for creating a masterpiece. Hope its in the top five at the academy awards and hope it wins it too.

"Harishchandrachi Factory" is Indian Cinema's official entry into the Academy Awards and the million-dollar question is - does it justify? Yep, you bet! Maybe not soul-stirring, not a tear-jerker either, sans social message and not even magnum-opus.... yet "Harishchandrachi Factory" lingers in your head like a sweet aroma.

Biopics generally tend to have a format which demonstrate the hardships and struggle of an individuals to realise the dream. It is exactly here "Harishchandrachi Factory" truly standouts by adopting an untrodden path. It depicts Mr. Phalke's journey of creating the first celluloid on Indian Cinema without getting over-bearing, in the light-hearted way possible ensuring the essence is not lost. I am sure the truth is far from it and should not discount the pains Mr. Phalke underwent to plant the seeds of germination for Indian Cinema.

Performances are spot-on, especially Nandhu Madhav who portrays Mr. Phalke. Nicely complimenting him is Vibhwari Deshpande as Mrs. Phalke to extent the audience would feel that marriages are indeed made in heaven. If Mr. Phalke is depicted as an eccentric genius, his better-half is no less crazy.

There are a few emotional moments in the movie like for instance when Phalke loses his eye-sight or when his son falls ill but what is commendable is that either its depicted humorously or the narrative moves on to the next part. The screenplay and editing should be complimented. Of course, the writer/ director truly deserves standing ovation for choosing Dadasaheb Phalke as his subject. And last but not the least UTV for backing this deserving project.

Let me not comment on the chances of "Harishchandrachi Factory" garnering statuettes at Academy awards, however I am confident that you will google and read about Dadasaheb Phalke after watching this movie.

Hi everyone,

as i have mentioned i love watching movies more than i love programming...so i have decided to write a kind of review of movies which i see....after 3-4 days finally today i got time to watch "Harishchandrachi Factory"... when i started it i was hoping to see a very serious kind of movie which will depict life "Dadasaheb Phalke-- Father of Indian Cinema"..but it turned out to be a very pleasant, gentle movie....

well the movie starts with a maverick man who has left his good printing business and is working as magician doing street shows....he happens to see a "motion picture"..well normally you wont give a damn about this word...but this movie will surely tell u what it really represents......after watching this cinema..he decides to do his own motion picture or "a drama on screen" as people first used to call motion pictures....

movie then goes through his efforts to make his dream real...the best thing about movie is not actually the story but the way it is presented on the screen.... there are few scenes which are truly remarkable ..specially where Phalke sells his cupboard to buy books and people started making a big deal out of it..as if someone has died... part where phalke is looking for women actors to portray Taramati and mustache saga....

Nandu Madhav has played character extremely well but one thing i couldn't stop noticing about his acting was..it kind of looked like Chalie Chaplin...i dnt know if its true...but u have to c it yourself.... another beautiful aspect of movie was how relation between phalke and his wife is handled...its shear pleasure watching the couple together....Vibhavari Deshpande who enacted Saraswati Phalke has done well job too....

Director Paresh Mokashi has done beautiful job in writing as well as directing... portraying a life a man in 97 min is really a tough job.... so in all a nice movie... and a nice tribute to the originator of Indian Cinema which currenlty is biggest film industry in the world....

The film is about the first motion picture for the Indian movie industry. Being the biggest movie industry now with an annual release of over 1000 films, India has the profitable movie industry across the nation. The credit goes to Dr. Phalke who started it over 100 years before. The history of making the first movie is portrayed in this film.

A good background on the country's struggle to freedom is also dealt (with reference to Tilakji). The best thing I loved about this film is the reflection on the long-lost culture of India (something like women not looking at other men and having their heads covered with their Saree when someone enters the house). Contrary, these days young women are half-naked even in churches. I found no negatives in this movie except there ain't any sad/tragic moments in any part of the movie. No wonder the movie was awarded. A good and must watch with the family on a weekend.