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Based on director Phil Allocco's own short movie from 2005, The Mirror.

5lbs of Pressure sinks under its own weight of unoriginality and a banal script.

Adam (Luke Evans) is out on parole after serving time for killing a youth. He has returned to his own neighbourhood to connect with his estranged wife and teenage son.

His parole officer is not happy about this especially as Adam has also got a job as a bartender at the Mirror Bar. It's a recipe for disaster and Adam will violate his parole conditions.

Eli is the brother of the youth that Adam killed 16 years earlier. When he learns that Adam is back, hr wrestles with his conscience as to whether to seek revenge.

Mike (Rory Culkin) is a dim young man living under the shadow of his drug dealing uncle Leff (Alex Pettyfer.) He has looked out for Mike since his mum died.

Now Mike wants to break out on his own and score a solo drug deal. Not realising that he is too naive and idiotic.

Mike also recognised Adam as a killer. He also has an idea to rob the Mirror Bar and pin the blame on Adam.

You just know these characters will collide one night. Cheaply made with the city of Manchester standing in for New York. It's not gritty or even that interesting.

This kind of film has been done scores of time before and mostly better.

Initially looking like another redemption story, and other secondary characters crossing paths. Possibly even hinting some upcoming action scene Unfortunately nothing happened. Almost 2 hours of characters struggling to tell their stories and how they want to get far from their demons, but as time passes by you start feeling it's goin to be a fraud. And it's exactly that. Could have skipped majority of the 2nd hour and just leave the last 5 minutes and would have been the same. Or even better as you would get one hour back. Acting is sort of ok but it's a shame they could not be used in a better way.

I dont mind watching B-movies, I watch them a lot actually, but this is a B-movie which pretends to be a serious crime drama and that didnt sit well with me.

The bad: average actors, lacking in charisma and talent, try to act seriously, while their performances constantly made me cringe by their lack of quality. You know that kind of feeling when the acting just doesnt look true to life and kinda fake? Well that's the feeling I got when watching these actors who all failed to impress me.

Labeled as a romance as well? Are they kiddin'? And it for sure as heck aint thrilling for a second. It is a crime story all right, but much more geared towards a personal portrait of criminals than towards a riveting thriller though. So beware all you fans of crime thrillers, this is probably not the movie you expect it to be.

Not any good then? Well, the "best" actor we get to see is Rory Culkin, but he never was a great actor to begin with and that qualification sums up this entire movie, which is not terrible, but quite average and lacking in everything you would wish for in a crime thriller.

Poor acting. I would say everyone in this film does some pretty bad acting except Luke Evans, but even his character had the stereotypical Brooklyn accent and solemn tone. Some cliché scenes like the AA meeting where someone speaks to the group, then guess who speaks next - Luke Evans. The son looks like he's 30 but plays a character that I think is supposed to be around 17. (His mom says he's "impressionable", so that makes me think teens.) In one scene Adam (Luke Evans) says to his son that he was his age when he committed a murder. We know he was in jail for 16 years, so that would put Adam at around 33 years old, however Luke Adams is 44, and to me he looks like he's in his 50s in this film.

The drug dealer uncle, sitting at his desk in an auto repair shop with a safe on the desk is pretty lame. All the dim lighting is cliché of the seedy drug underworld. The Jamaican accent of the female drug dealer isn't very good, not a genuine accent. I can never understand why casting can't cast actors with genuine accents, especially for accents that so many of us are familiar with.

The film takes a long time to get to the real story, it was probably in the last quarter of the film that I realized where it was going. I prefer to know in the first quarter what the film is about and let it unfold from there. I wanted to stop watching it many times but was too invested to stop so I let it play, probably skipped ahead a couple times.

A sad tale of small-world crime, drug, revenge, drama and father's love and redemption. From beginning to end, there's brutality, sadness, throat-clamping situations and some very intense moments whether emotional or heart-breaking in a brutal way.

The character of Luke Evans deserved better, and the way the movie finished just doubled the sadness that's scattered throughout like deadly white powders.

• Screenplay/storyline/plots: 5.5
• Development: 7
• Realism: 7
• Entertainment: 6
• Acting: 7.5
• Filming/photography/cinematography: 7
• VFX/CGI: 7.5
• Music/score/sound: 7
• Depth: 6
• Logic: 5
• Flow: 6
• Crime/romance/thriller/drama: 6
• Ending: 6.

Greetings again from the darkness. With a setting in the Red Hook neighborhood of Brooklyn (though filmed in Manchester, UK), writer-director Phil Allocco has adapted his own 2005 short film THE MIRROR into a gritty and violent feature length crime thriller. For fans of the genre, there is enough here to make it worth watching.

Luke Evans stars as Adam, recently paroled after committing murder 16 years prior. He is 5 years clean, and against all better judgment, he returns to his old neighborhood. Why would he make this choice? Well, he hopes to reconcile with his ex, Donna (Stephanie Leonidas, "American Gothic") and get to know his grown son, Jimmy (Rudy Pankow, who I also watched this week in ACCIDENTAL TEXAN). Donna not only rebuffs Adam's attempts to re-connect, but she begs him to stay away from Jimmy, who she desperately wants to prevent from falling into Adam's old ways. No one seems to believe Adam has turned over a new leaf, and the only job he can secure is as bartender at a dumpy pub called The Mirror.

Allocco begins the movie with an exterior shot of The Mirror Bar where we see and hear gunshots. We then flash back to four days earlier with Adam's parole. The question the opening scene leaves us with is - who is on the wrong end of those gunshots? Slowly (sometimes too slowly) the players in the hood come into focus. Mike (Rory Culkin, the underrated COLUMBUS, 2017) is a rocker wannabe spending his time running risky errands for his Uncle Leff (Alex Pettyfer, MAGIC MIKE, 2012), a drugs and gun dealer who, after his sister's OD, promised to look after her son despite having little faith in him. Mike's friend Eli (Zac Adams) was a witness to his older brother getting shot by Adam all those years ago ... and he remains filled with anger and bitterness. That bitterness shows in how he treats his girlfriend Lori (Savannah Steyn), who mostly just wants a change of locale. Other players here include bad guy ER (Gary McDonald) and Adam's PO played by Julee Cerda.

If you are thinking that's a lot of players in a story about an ex-con, you'd be right. Adam's story is at the center, but there are so many other things being affected by both his presence and the violent nature of street crime, that we feel like we are being introduced to loser after loser. The weight of the past is always hovering, and the themes of crime, revenge, forgiveness, and a desire for a fresh start, all lead to the vicious and endless cycle we've come to expect from these movies. We learn what the title refers to, and how art can act as a bonding agent if given a chance. Adam and Mike are the film's most interesting characters, yet most of the others get a bit shortchanged.

Opening in theaters, on digital and OnDemand beginning March 8, 2024.

While it doesn't quite get there 5lbs of Pressure uses a number of genres nicely to find a mix that should keep everyone interested.

A big problem I have with modern movies is the failure to world build successfully which makes a movie impossible to enjoy. Here Phil Allocco does his best but Manchester just isn't Brooklyn.

The cast contained some impressive young actors & to the very impressive Luke Evans. He's had a very interesting career so far but he never disappoints & 5lb of Pressure was perfect for him.

Not sure this will make it to streaming so unfortunately most people will miss out on this because this is exactly what you need to watch on a Friday night.

I like most of the actors in this which was my only reason for watching and across the film there are many fine performances. Problem is the actual plot, individual scenes and script that do not do the actors any favors. There are just way too many scenes that do not ring true. The type of scenes that only happen in bad movies. On top of it, how many times have stories like this been told ? There is nothing new here except that the story is completely implausible. It is well shot, someone did an excellent job on the cinematography but it's a shame that movies today are so bad that some fine actors are reduced to shoot a film that is nonsense. It's not a good thing to be watching a movie and thinking "Why would someone do or say that ?".

People reviewing this movie believe they were/are the intended audience, so they are disappointed. If you've "seen it all before", then by all means, pick another show. Others who don't live in a seedy underworld and who want to try a "gritty" movie rather than horrors or rom-coms should pick this one.

It's not slow, but it has a lot of moving parts. A main part is a middle-aged ex-con who did his time and came back home when he got out to try to see his son and work things out with the old lady. His job at the bar started his last day on parole, so he didn't break any real law, just a technical one, but he was making everyone nervous because his old life was right there--nobody wanted to go through it all again and you can't blame them.

Another moving part is rory culkin's character. One reviewer described him as 'dim' and that pretty much nails it. He is ridiculed a good bit initially and something in your head keeps giving him a back seat, like he's a secondary character, but he keeps turning up, he doesn't keep his place.

Since everyone is a bad guy or living in a bad area, the backdrop can't be the local burger joint with everyone the same age talking about strip malls & surfer girls. Big surprise then that some reviewers were shocked to see crooks, clerks, sharks, parks, drugs, dudes and, yes, AA meetings- this one for addicts, not alcoholics- but it was good to include it for the potential (and oft-proven) good it brings to a bad place. People always think it's fake at first. When they see someone is improving and taking it serious, they change their mind.

That's what i like about adam. His determination. He had to stay on folks to get basic simple things done. Everyone wanted to say no or put a foot out. That happens to everyone. Some people don't know how to handle it or what you do about it. Adam does it right, he persists, and he keeps his support (AA) because he wants to be successful. You have to be young and live long enough to get old before you can see how to navigate a path for yourself. Adam has the clear focus that comes with age and mistakes while the rest of the players are just trying to manipulate events.

There is truth and tenderness in a hard and violent place, springing up like dandelions in a cracked porch with this film. It's Hope-- for families, for futures, for justice, for travel or gun control maybe, it's whatever flower you see growing there.

Don't let these jerks talk you out of a good movie. See it for yourself. I'm not the intended audience and i liked it anyway, you might too.

No queen has nothing to do with this movie - nor Ice Ice Baby - Vanilla Ice! Ok so no pun intended to get this out of the way. This is a low budget action (thriller) movie. With some actors you may recognize - I am surprised Luke Evans needs to do these - but I am not complaining mind you. Just pointing out what is happening or rather what you will be served.

The action scenes are well shot overall - I have seen worse movies too. On the other hand it does feel like it is all over the place. And while it has it's advantages to have many characters - this may have a few too many ... losing focus and all that. But that will be up to you to decide.

The film *5lbs of Pressure* unfortunately falls flat on many fronts and does not live up to expectations. First of all, there is a distinct lack of a coherent thread, which makes the story feel fragmented and disjointed. The characters seem to act without clear motives and the various scenes do not connect properly, creating confusion rather than building tension or development in the plot.

The dialogues are often uninspired and shallow, and the film fails to create the depth or tension that could have made the plot more interesting. Furthermore, there are several scenes that seem randomly inserted and of no importance to the overall story. It feels like the movie tries to be complex and dramatic, but ends up being a collection of loosely connected scenes with no meaningful message.

Film technique disappoints *5lbs of Pressure* too. The director's choice of camera angles and lighting do little to elevate the film's aesthetics, and the editing only reinforces the sense of a disjointed narrative. In the end, the film leaves the audience with a sense of frustration as one constantly searches for a meaning or direction that never really emerges. *5lbs of Pressure* could have been a gripping story, but the lack of common thread and the weak characters make the film appear both unstructured and unengaging.

5lb of Pressure is captivating and draws you in slowly and brings it all together with deep character driven performances. You easily find yourself rooting for everyone to find their place.

Shot beautifully in tones that remind you of a past time of black & white or sepia, but the true colors of the grit of the 'any neighborhood' we all can remember shines through. It's so nostalgic of a Brooklyn I remember well, yet the neighborhood was not so recognizable. It kept me entranced and looking for a familiar place because the story was so real. Thank you Phil Allocco and your crew for your wonderful story and film.

First, Luke Evens is absolutely great as a father and ex-lover looking for another chance!

I understand the low ratings are probably from people who are not interested in human nature, what makes people do the things they do and how hard and tricky life can be but this movie kept me on edge the whole time as I was awaiting what directions the characters will take and where will that end them up because I could understand their struggles. I think all the plots were meaningful and the actors were good, especially Luke Evans.

Based on current ratings it looks like it's not for everyone but I enjoyed this movie quite a lot and recommend it to people who like drama movies.

This film is very reminiscent of William Faulkner's novels: the ones with crime fiction elements, but ultimately with depths and complexity that place them well beyond the usual genre fiction boundaries.

Adam is at the center of this very character-driven film. Adam (progenitor of original sin) returns after doing 15 years with a dream of pulling his family back together. Deeply wracked by guilt and remorse all these years, he has only survived by focussing on his even deeper sense of love and commitment to his family.

Meanwhile there are the stories of Mike and Eli -- a young dealer and his pal -- who are spiralling inexorably into canyons similar to the abyss Adam has been struggling to extricate himself from. And then there is Adam's son, Jimmy, who represents the promise and redemption that Adam ultimately seeks.

This film has depths and facets which deserve deeper analysis, but suffice to say, if you appreciate the mystery and power of William Faulkner's works, this is a film that won't disappoint.