Le Guépard

Beautiful take on the book. The relationship between daughter and father as a metaphor of a world changing, whether we want it or not.

I feel like it's not something we see very often and yet father/daughter stories have so much to tell.

I loved to see parts of the book that are maybe only a few lines brought to life in such beautiful scenes.

In the series Sicily is a breathtaking view and Benedetta Porcaroli stuns with her performance... I hope to see her become a really important actress!

I really loved the costumes and the music as well (original soundtrack is on my Spotify playlist of favorites right now)

Happy to have watched it!

The Leopard is a breathtaking reimagining of Giuseppe Tomasi di Lampedusa's classic Italian novel Il Gattopardo. Set in 19th-century Sicily, the series masterfully captures the shifting tides of power and tradition during a time of political upheaval, blending sumptuous visuals with compelling storytelling. The production value is nothing short of stunning-every frame feels like a painting brought to life, with intricate period costumes, dazzling cinematography, and an authentic recreation of Sicily's landscapes. The performances, particularly from Kim Rossi Stuart, Benedetta Porcaroli, and Saul Nanni, bring a raw intensity to their roles, making the dynamics between their characters both poignant and memorable.

You do keep watching it, so it does engage one's interest, but those viewers who then read the book to the end will be wondering; where's the rest of it?

The small compact story loaded with detail has been expanded into a family and political epic. Many of the additions are good and add suspense, but the further we get from the source material, something is lost. Conchetta becomes the central character. The final episode was overlong , optimistic and unsatisfactorily missed the dual dumping of aristocracy and religious relics.

One can only imagine that episode was the result of an almighty clash between artistic integrity and 'money men' 's idea of a popular ending; and the money men won.

So, something different to Visconte/Lancaster/Cardinale production of 1963.

The Leopard Series - A Gripping Emotional Ride

The Leopard is not just a series; it's an emotional rollercoaster that grips you from the very first episode. With its intense storytelling, deep character development, and unexpected twists, it keeps you hooked till the very end.

One of the most remarkable aspects of the series is how it plays with emotions. It takes you on a journey filled with suspense, heartbreak, and psychological depth, making you feel every moment as if you're living it yourself. The cinematography and direction are outstanding, enhancing the immersive experience.

However, this series is not for the faint-hearted. It delves into heavy themes that can be mentally and emotionally overwhelming at times. It makes you think, feel, and sometimes even question your own emotions. But that's what makes it truly exceptional-it leaves a lasting impact.

Overall, The Leopard is a masterpiece that blends storytelling, emotions, and suspense flawlessly. If you enjoy thought-provoking and intense dramas, this series is a must-watch. Just be prepared for a journey that will stay with you long after the final episode.

The first temptation is , after the six episodes, to be very critic about this series.

But two excuses : it is a Netflix series for Netflix public. So, you know what can expect.

The second - the care for atmosphere, clothes and details. Indeed, this works as excuse for not brilliant historical films but , in this case, saves just a lot.

For acting - two names - Benedetta Porcaroli, Astrid Meloni, not ignoring the effort of Saul Nanni . Sure, subjective options.

The big problem , for me, was Kim Rossi Stuart. Behind see the first trailer, I considerated him too young for the role of Don Fabrizio Salina. After the first three episodes , I accepted a version like western character more than a Sicilian aristocrat. But he tries to propose his The Leopard, nod very faithful, for vulgar- brutal- cynical nuances by the hero of novel.

In fact, for many scenes, the book seems more an pretext, maybe an inspired option being for title The days of Concetta. The big sin - absence of nuances, reflected, in fair manner , by the version of Luchino Visconti.

Deva Cassel begins well and, the last episodes, becomes a beautiful doll.

But , sure, long time, I dreamed about a version in which Don Fabrizio was Alain Delon , the only , for me, with experience to explore, in wise manner, the role.

Sure, more than good intentions . And, maybe, after decades, possible in a 2058, at a century after publishing, another, better series inspired by this masterpiece.

Appreciation to Netflix for idea and for the kick to read ( again ) the novel writen by Giuseppe Tomasi di Lampedusa.