Un musicien aide une jeune chanteuse et actrice à se faire connaître, alors même que l'âge et l'alcoolisme envoient sa propre carrière dans une spirale infernale.Un musicien aide une jeune chanteuse et actrice à se faire connaître, alors même que l'âge et l'alcoolisme envoient sa propre carrière dans une spirale infernale.Un musicien aide une jeune chanteuse et actrice à se faire connaître, alors même que l'âge et l'alcoolisme envoient sa propre carrière dans une spirale infernale.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 99 victoires et 288 nominations au total
Michael Harney
- Wolfie
- (as Michael J. Harney)
Résumé
Reviewers say 'A Star Is Born' delivers strong performances, especially from Lady Gaga and Bradley Cooper, and a compelling soundtrack. The film's exploration of fame, addiction, and the music industry resonates deeply, though some find the story predictable and pacing uneven. The chemistry between the leads is widely appreciated, yet Cooper's direction garners mixed reviews. Despite its flaws, the movie's emotional depth and musical score captivate many viewers, making it an engaging yet imperfect experience.
Avis à la une
The storyline of "A Star Is Born" is great with the story of the rise of a new star and the fall of the old one, who is her beloved alcoholic man that discovered and promoted her career. This 2018 version and fourth famous remake has the excellent Bradley Cooper not only singing but also directing and a surprising Lady Gaga in the lead role. Sam Elliott completes the magnificent cast. In addition, great screenplay, music score, cinematography and edition that make this romance one of the favorites to the Oscar. My vote is eight.
Title (Brazil): "Nasce uma Estrela" ("A Star Is Born")
Title (Brazil): "Nasce uma Estrela" ("A Star Is Born")
I did not want to watch this movie but took my wife to see it, because we both saw the one with Kris Kristofferson and Barbra Streisand, growing up. The crowd was a lot older than we were(we are almost 50) it was the biggest screen they had at our theater and seats a lot but it was maybe half full on Sunday afternoon. Not one dry eye in the place, it had a great tempo and didn't drag on or have any lulls in the story. We were both very pleased and are still engaging in conversations about the movie. It's my opinion to highly recommend to everyone go out and watch a great movie and a heartfelt movie that redefines love in this time and age we live in. That is my two cents, hope you enjoy as much as we have.
This is the 4th version of A Star Is Born I've seen - 5th if you count What Price Hollywood - each version had a life of their own and reflected the times of the time in which it was made. The 2018 version is no exception. For me represented also the revelation of Lady Gaga as a phenomenal film presence. She is, quite simply, superb. Moving, powerful and real. Janet Gaynor had brought a form of overwhelming innocence, Judy Garland exploded in heartbreak in a Hollywood that doesn't exist anymore and she was, unquestionably, memorable. Barbara Streisand was tough with a strong sense of self even during her tribulations. Lady Gaga brings a little of each of them as well as something profoundly personal. Kudos to Bradley Cooper. His Norman Maine has a new name and a totally new presence. At times this version seems more about him than about her. In any case, I loved them both - Bravo!
Had heard nothing but great things about this latest 'A Star is Born' film, with even my own sister saying it was a must see. There was also the interest to see how Lady Gaga would fare in her acting debut and how Bradley Cooper would fare as first-time director. Decided to see it when taking a break from practise with nothing else better to do, going in with very high expectations, as part of my "seeing as many 2018 films as possible" quest.
This is not the only, or first, 'A Star is Born' film. There is one from 1937 with Mitzi Gaynor and Fredric March, my personal favourite. There is one from 1954, the most famous, which is overlong but does contain Judy Garland's best ever performance and terrific songs (especially the heart-wrenching "The Man That Got Away"), love James Mason in it too. There is the 1976 film with Barbra Streisand, personally don't care for it but Streisand sings beautifully and "Evergreen" is to die for.
As far as the versions of 'A Star is Born' goes, this one from 2018 compares extremely favourably. Not quite as good as the 1937 film, but on the same level as 1954 and better than 1976. May not love it as much as others, but the appeal is justified and the acclaim is deserved from my personal perspective. In terms of films from 2018, 'A Star is Born' is among the better ones.
It's not perfect. A few story elements are a touch rushed and lack credibility, like Ally getting stage spotlight in such a short space of time, and occasionally it's a little on-the-nose like the making Ally glitzier advice from Rez.
The final act also could have been tightened, slightly too padded and dragged out.
What 'A Star is Born' does so well is taking a familiar story and making it still fresh and relatable. It's always entertaining and glamorous yet the love story is every bit as important, and even more so, and is both charming and emotionally impactful. Everything about 'A Star is Born' is slick, endlessly entertaining and with lots of heart and surprising poignancy, also had the experience of not a dry eye being in the auditorium with tears silently rolling with me.
Visually, it's very eye catching and sumptuously made, beautifully shot with lots of glitzy glamour and style. Loved the songs, none are quite on the same level as "The Man That Got Away" and "Evergreen" but they are extremely well written, easy to remember, have a wide range of emotions, are very well sung and staged, are integrated beautifully integrated into the story, some moving the story forward or telling it through the song rather than being a grinding things to a halt distraction. "I'll Never Love Again" and "Shallow" stand out.
Dialogue has wit and heart and the story shines particularly in the first third. Cannot say anything bad about the performances, with Lady Gaga providing a contender for the most surprising performances of the year in a quite outstanding acting debut (her singing is also absolutely great of course), a star is born indeed. Bradley Cooper gives one of his best performances as a charismatic and charming yet conflicted leading man, do not associate him with musicals and worried as to whether he would fit but it fits him like a glove. He too directs for the first time, and it is hard to believe that a directing job this slick and audacious was only his debut, really do disagree about his contributions being a vanity project with so much effort being put into everything. There is fine support from particularly Sam Elliott and the chemistry between the two leads is wholly believable.
Altogether, very, very good and often splendid. 8/10 Bethany Cox
This is not the only, or first, 'A Star is Born' film. There is one from 1937 with Mitzi Gaynor and Fredric March, my personal favourite. There is one from 1954, the most famous, which is overlong but does contain Judy Garland's best ever performance and terrific songs (especially the heart-wrenching "The Man That Got Away"), love James Mason in it too. There is the 1976 film with Barbra Streisand, personally don't care for it but Streisand sings beautifully and "Evergreen" is to die for.
As far as the versions of 'A Star is Born' goes, this one from 2018 compares extremely favourably. Not quite as good as the 1937 film, but on the same level as 1954 and better than 1976. May not love it as much as others, but the appeal is justified and the acclaim is deserved from my personal perspective. In terms of films from 2018, 'A Star is Born' is among the better ones.
It's not perfect. A few story elements are a touch rushed and lack credibility, like Ally getting stage spotlight in such a short space of time, and occasionally it's a little on-the-nose like the making Ally glitzier advice from Rez.
The final act also could have been tightened, slightly too padded and dragged out.
What 'A Star is Born' does so well is taking a familiar story and making it still fresh and relatable. It's always entertaining and glamorous yet the love story is every bit as important, and even more so, and is both charming and emotionally impactful. Everything about 'A Star is Born' is slick, endlessly entertaining and with lots of heart and surprising poignancy, also had the experience of not a dry eye being in the auditorium with tears silently rolling with me.
Visually, it's very eye catching and sumptuously made, beautifully shot with lots of glitzy glamour and style. Loved the songs, none are quite on the same level as "The Man That Got Away" and "Evergreen" but they are extremely well written, easy to remember, have a wide range of emotions, are very well sung and staged, are integrated beautifully integrated into the story, some moving the story forward or telling it through the song rather than being a grinding things to a halt distraction. "I'll Never Love Again" and "Shallow" stand out.
Dialogue has wit and heart and the story shines particularly in the first third. Cannot say anything bad about the performances, with Lady Gaga providing a contender for the most surprising performances of the year in a quite outstanding acting debut (her singing is also absolutely great of course), a star is born indeed. Bradley Cooper gives one of his best performances as a charismatic and charming yet conflicted leading man, do not associate him with musicals and worried as to whether he would fit but it fits him like a glove. He too directs for the first time, and it is hard to believe that a directing job this slick and audacious was only his debut, really do disagree about his contributions being a vanity project with so much effort being put into everything. There is fine support from particularly Sam Elliott and the chemistry between the two leads is wholly believable.
Altogether, very, very good and often splendid. 8/10 Bethany Cox
I know some will say this is a manipulative film. Perhaps, to some extent. When Lady Gaga began performing, I couldn't stand her. My old fogieness caused me to find her pretentious and doing anything for attention. Over the last couple years I have grown to really enjoy what she does. At an advanced age, I would love to see her in concert. Being able to here her great range and depth in this movie was a very pleasant experience. Also, the chops of Bradley Cooper were quite amazing. We all know the plot. I've seen all but one of the previous incarnations, so the big picture stuff was no an issue. There were a few slow moments but I think it worked very well.
30 Celebs Who Passed On 'A Star Is Born'
30 Celebs Who Passed On 'A Star Is Born'
Lady Gaga wasn't the first pop star considered for A Star Is Born, and Bradley Cooper wasn't the first actor. Let's look back at what could have been a very different film.
Le saviez-vous
- AnecdotesBradley Cooper said that Lady Gaga was the one who convinced him they should sing live. Gaga said she hated watching movies where the actors were not lip-syncing correctly to the songs, and to avoid this and get it right they needed to sing live for the film. This caused Cooper to get more extensive vocal training.
- GaffesWhen Jack and Bobby are driving to Jack's house the car is obviously getting pulled along on a trailer as all the dashboard dials (including the speedometer) are on zero.
- Crédits fousThe first couple of seconds of the Warner Bros Pictures logo are cut out.
- Versions alternativesAn extended version of the film, dubbed the "Encore Edition" with an additional 12 minutes of new footage, was released on March 1, 2019 for a limited one-week engagement. The material consists of longer takes of musical numbers, as well as a brand-new, never-before-seen song "Clover", by Ally and Jackson.
- ConnexionsFeatured in CTV News at Six Toronto: Épisode datant du 5 septembre 2018 (2018)
- Bandes originalesBlack Eyes
Written by Bradley Cooper and Lukas Nelson
Performed by Bradley Cooper
Produced by Bradley Cooper and Lukas Nelson
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- A Star Is Born
- Lieux de tournage
- Glastonbury Festival, Pilton, Somerset, Angleterre, Royaume-Uni(festival scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 36 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 215 333 122 $US
- Week-end de sortie aux États-Unis et au Canada
- 42 908 051 $US
- 7 oct. 2018
- Montant brut mondial
- 439 943 006 $US
- Durée
- 2h 16min(136 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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