Un musicien aide une jeune chanteuse et actrice à se faire connaître, alors même que l'âge et l'alcoolisme envoient sa propre carrière dans une spirale infernale.Un musicien aide une jeune chanteuse et actrice à se faire connaître, alors même que l'âge et l'alcoolisme envoient sa propre carrière dans une spirale infernale.Un musicien aide une jeune chanteuse et actrice à se faire connaître, alors même que l'âge et l'alcoolisme envoient sa propre carrière dans une spirale infernale.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 99 victoires et 288 nominations au total
Michael Harney
- Wolfie
- (as Michael J. Harney)
Résumé
Reviewers say 'A Star Is Born' delivers strong performances, especially from Lady Gaga and Bradley Cooper, and a compelling soundtrack. The film's exploration of fame, addiction, and the music industry resonates deeply, though some find the story predictable and pacing uneven. The chemistry between the leads is widely appreciated, yet Cooper's direction garners mixed reviews. Despite its flaws, the movie's emotional depth and musical score captivate many viewers, making it an engaging yet imperfect experience.
Avis à la une
Let me start by saying that the performances are solid. Not mind blowing but solid. For her first film, Lady Gaga did very well but I can't say she blew my mind...but hey it's her first film and I like her, so good for her. That being said, the film seems to be getting WAY overblown by people. The first act is really great and the chemistry between Gaga and Cooper is phenomenal but after that it sort of devolves into a melodrama. The character development of Cooper's character is lacking. He is an alcoholic and we certainly see him drunk many times but I didn't see enough struggle to justify his character arc not was Cooper's performance powerful enough to convey the devastating agony of addiction. The film then goes through a few cliches as we see Gaga's character ascend to fame but again, we also don't see enough struggle from her character either. In all, the character conflicts are addressed but the film never fully dives into them in the way it certainly could have. I loved the first song of the film but the rest of the music was surprisingly bland and didn't captivate me at all. Lady Gaga obviously has an incredible voice and Cooper held his own surprisingly. Overall it was a good film, not great, just good.
I know some will say this is a manipulative film. Perhaps, to some extent. When Lady Gaga began performing, I couldn't stand her. My old fogieness caused me to find her pretentious and doing anything for attention. Over the last couple years I have grown to really enjoy what she does. At an advanced age, I would love to see her in concert. Being able to here her great range and depth in this movie was a very pleasant experience. Also, the chops of Bradley Cooper were quite amazing. We all know the plot. I've seen all but one of the previous incarnations, so the big picture stuff was no an issue. There were a few slow moments but I think it worked very well.
Had heard nothing but great things about this latest 'A Star is Born' film, with even my own sister saying it was a must see. There was also the interest to see how Lady Gaga would fare in her acting debut and how Bradley Cooper would fare as first-time director. Decided to see it when taking a break from practise with nothing else better to do, going in with very high expectations, as part of my "seeing as many 2018 films as possible" quest.
This is not the only, or first, 'A Star is Born' film. There is one from 1937 with Mitzi Gaynor and Fredric March, my personal favourite. There is one from 1954, the most famous, which is overlong but does contain Judy Garland's best ever performance and terrific songs (especially the heart-wrenching "The Man That Got Away"), love James Mason in it too. There is the 1976 film with Barbra Streisand, personally don't care for it but Streisand sings beautifully and "Evergreen" is to die for.
As far as the versions of 'A Star is Born' goes, this one from 2018 compares extremely favourably. Not quite as good as the 1937 film, but on the same level as 1954 and better than 1976. May not love it as much as others, but the appeal is justified and the acclaim is deserved from my personal perspective. In terms of films from 2018, 'A Star is Born' is among the better ones.
It's not perfect. A few story elements are a touch rushed and lack credibility, like Ally getting stage spotlight in such a short space of time, and occasionally it's a little on-the-nose like the making Ally glitzier advice from Rez.
The final act also could have been tightened, slightly too padded and dragged out.
What 'A Star is Born' does so well is taking a familiar story and making it still fresh and relatable. It's always entertaining and glamorous yet the love story is every bit as important, and even more so, and is both charming and emotionally impactful. Everything about 'A Star is Born' is slick, endlessly entertaining and with lots of heart and surprising poignancy, also had the experience of not a dry eye being in the auditorium with tears silently rolling with me.
Visually, it's very eye catching and sumptuously made, beautifully shot with lots of glitzy glamour and style. Loved the songs, none are quite on the same level as "The Man That Got Away" and "Evergreen" but they are extremely well written, easy to remember, have a wide range of emotions, are very well sung and staged, are integrated beautifully integrated into the story, some moving the story forward or telling it through the song rather than being a grinding things to a halt distraction. "I'll Never Love Again" and "Shallow" stand out.
Dialogue has wit and heart and the story shines particularly in the first third. Cannot say anything bad about the performances, with Lady Gaga providing a contender for the most surprising performances of the year in a quite outstanding acting debut (her singing is also absolutely great of course), a star is born indeed. Bradley Cooper gives one of his best performances as a charismatic and charming yet conflicted leading man, do not associate him with musicals and worried as to whether he would fit but it fits him like a glove. He too directs for the first time, and it is hard to believe that a directing job this slick and audacious was only his debut, really do disagree about his contributions being a vanity project with so much effort being put into everything. There is fine support from particularly Sam Elliott and the chemistry between the two leads is wholly believable.
Altogether, very, very good and often splendid. 8/10 Bethany Cox
This is not the only, or first, 'A Star is Born' film. There is one from 1937 with Mitzi Gaynor and Fredric March, my personal favourite. There is one from 1954, the most famous, which is overlong but does contain Judy Garland's best ever performance and terrific songs (especially the heart-wrenching "The Man That Got Away"), love James Mason in it too. There is the 1976 film with Barbra Streisand, personally don't care for it but Streisand sings beautifully and "Evergreen" is to die for.
As far as the versions of 'A Star is Born' goes, this one from 2018 compares extremely favourably. Not quite as good as the 1937 film, but on the same level as 1954 and better than 1976. May not love it as much as others, but the appeal is justified and the acclaim is deserved from my personal perspective. In terms of films from 2018, 'A Star is Born' is among the better ones.
It's not perfect. A few story elements are a touch rushed and lack credibility, like Ally getting stage spotlight in such a short space of time, and occasionally it's a little on-the-nose like the making Ally glitzier advice from Rez.
The final act also could have been tightened, slightly too padded and dragged out.
What 'A Star is Born' does so well is taking a familiar story and making it still fresh and relatable. It's always entertaining and glamorous yet the love story is every bit as important, and even more so, and is both charming and emotionally impactful. Everything about 'A Star is Born' is slick, endlessly entertaining and with lots of heart and surprising poignancy, also had the experience of not a dry eye being in the auditorium with tears silently rolling with me.
Visually, it's very eye catching and sumptuously made, beautifully shot with lots of glitzy glamour and style. Loved the songs, none are quite on the same level as "The Man That Got Away" and "Evergreen" but they are extremely well written, easy to remember, have a wide range of emotions, are very well sung and staged, are integrated beautifully integrated into the story, some moving the story forward or telling it through the song rather than being a grinding things to a halt distraction. "I'll Never Love Again" and "Shallow" stand out.
Dialogue has wit and heart and the story shines particularly in the first third. Cannot say anything bad about the performances, with Lady Gaga providing a contender for the most surprising performances of the year in a quite outstanding acting debut (her singing is also absolutely great of course), a star is born indeed. Bradley Cooper gives one of his best performances as a charismatic and charming yet conflicted leading man, do not associate him with musicals and worried as to whether he would fit but it fits him like a glove. He too directs for the first time, and it is hard to believe that a directing job this slick and audacious was only his debut, really do disagree about his contributions being a vanity project with so much effort being put into everything. There is fine support from particularly Sam Elliott and the chemistry between the two leads is wholly believable.
Altogether, very, very good and often splendid. 8/10 Bethany Cox
This is the 4th version of A Star Is Born I've seen - 5th if you count What Price Hollywood - each version had a life of their own and reflected the times of the time in which it was made. The 2018 version is no exception. For me represented also the revelation of Lady Gaga as a phenomenal film presence. She is, quite simply, superb. Moving, powerful and real. Janet Gaynor had brought a form of overwhelming innocence, Judy Garland exploded in heartbreak in a Hollywood that doesn't exist anymore and she was, unquestionably, memorable. Barbara Streisand was tough with a strong sense of self even during her tribulations. Lady Gaga brings a little of each of them as well as something profoundly personal. Kudos to Bradley Cooper. His Norman Maine has a new name and a totally new presence. At times this version seems more about him than about her. In any case, I loved them both - Bravo!
I must be on a streak with the amount of excellent films that I have been seeing lately, because A Star is Born is fantastic. If this film does not get nominated for Best Picture or Best Actor, Best Actress, or Best Original Song, then I will literally be stunned, because every single aspect found within the film was perfect. I would really love to see Lady Gaga win the Oscar for Best Actress because she totally nailed it here. She went from poking faces in 2007, to make the audience's heart sink in 2018.
Honestly, the one thing that I love the most about this film is the fact that the chemistry between Bradley Cooper and Lady Gaga is so genuine and authentic. Their relationship is so perfect, so real, and I honestly felt like I was getting a realistic perspective of a couple, with all of their happiness, struggles, and everything in between. It is so funny that I thought Bradley Cooper was absolutely awful in American Sniper, so I was incredibly shocked to see how well he did here. Like in American Sniper, Cooper is also suffering from an alcohol addiction and relationship, but in A Star is Born, it is handled much more brilliantly. You see, we actually get to feel for his character. He is such a likable guy, that even when he makes a horrible decision, we understand why he is doing it, and we sympathize with in throughout it all. I loved both his character and Lady Gaga's so much. They were so damn perfect together.
As for the music, on its own it may have not been my cup of tea, but in the context of the film, it was outstanding. From country, to pop, to a little bit of rock and roll, I was sold on every song. Even with the final song, which totally wrecked my heart, along with everybody else's in the theater (who was sobbing like I was), I was hooked all the way through. The music was so perfect and I loved the transition in the tone of the music from the one-man show of Bradley Cooper at the beginning of the film, the duo of Cooper and Lady Gaga towards the middle, and the one-woman show of Gaga at the end. It was just outstanding.
You know, as much as I love La La Land, I started to understand why some people disliked that film after watching this one. A Star is Born is far more realistic, grounded, has better chemistry, and is just much more powerful. I loved this film, not only more than La La Land, but more than any other movie I have seen this year. This was excellent, without flaws, and if anything, really started to make me feel that love might be real.
So many soundtracks to continue listening to: A Girl Walks Home Alone at Night, Mid90s, and now A Star is Born. I love it!
Honestly, the one thing that I love the most about this film is the fact that the chemistry between Bradley Cooper and Lady Gaga is so genuine and authentic. Their relationship is so perfect, so real, and I honestly felt like I was getting a realistic perspective of a couple, with all of their happiness, struggles, and everything in between. It is so funny that I thought Bradley Cooper was absolutely awful in American Sniper, so I was incredibly shocked to see how well he did here. Like in American Sniper, Cooper is also suffering from an alcohol addiction and relationship, but in A Star is Born, it is handled much more brilliantly. You see, we actually get to feel for his character. He is such a likable guy, that even when he makes a horrible decision, we understand why he is doing it, and we sympathize with in throughout it all. I loved both his character and Lady Gaga's so much. They were so damn perfect together.
As for the music, on its own it may have not been my cup of tea, but in the context of the film, it was outstanding. From country, to pop, to a little bit of rock and roll, I was sold on every song. Even with the final song, which totally wrecked my heart, along with everybody else's in the theater (who was sobbing like I was), I was hooked all the way through. The music was so perfect and I loved the transition in the tone of the music from the one-man show of Bradley Cooper at the beginning of the film, the duo of Cooper and Lady Gaga towards the middle, and the one-woman show of Gaga at the end. It was just outstanding.
You know, as much as I love La La Land, I started to understand why some people disliked that film after watching this one. A Star is Born is far more realistic, grounded, has better chemistry, and is just much more powerful. I loved this film, not only more than La La Land, but more than any other movie I have seen this year. This was excellent, without flaws, and if anything, really started to make me feel that love might be real.
So many soundtracks to continue listening to: A Girl Walks Home Alone at Night, Mid90s, and now A Star is Born. I love it!
30 Celebs Who Passed On 'A Star Is Born'
30 Celebs Who Passed On 'A Star Is Born'
Lady Gaga wasn't the first pop star considered for A Star Is Born, and Bradley Cooper wasn't the first actor. Let's look back at what could have been a very different film.
Le saviez-vous
- AnecdotesBradley Cooper said that Lady Gaga was the one who convinced him they should sing live. Gaga said she hated watching movies where the actors were not lip-syncing correctly to the songs, and to avoid this and get it right they needed to sing live for the film. This caused Cooper to get more extensive vocal training.
- GaffesWhen Jack and Bobby are driving to Jack's house the car is obviously getting pulled along on a trailer as all the dashboard dials (including the speedometer) are on zero.
- Crédits fousThe first couple of seconds of the Warner Bros Pictures logo are cut out.
- Versions alternativesAn extended version of the film, dubbed the "Encore Edition" with an additional 12 minutes of new footage, was released on March 1, 2019 for a limited one-week engagement. The material consists of longer takes of musical numbers, as well as a brand-new, never-before-seen song "Clover", by Ally and Jackson.
- ConnexionsFeatured in CTV News at Six Toronto: Épisode datant du 5 septembre 2018 (2018)
- Bandes originalesBlack Eyes
Written by Bradley Cooper and Lukas Nelson
Performed by Bradley Cooper
Produced by Bradley Cooper and Lukas Nelson
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- A Star Is Born
- Lieux de tournage
- Glastonbury Festival, Pilton, Somerset, Angleterre, Royaume-Uni(festival scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 36 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 215 333 122 $US
- Week-end de sortie aux États-Unis et au Canada
- 42 908 051 $US
- 7 oct. 2018
- Montant brut mondial
- 439 943 006 $US
- Durée
- 2h 16min(136 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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