Le bruit des glaçons

I sat through this entire film during the French Film Festival at the Director's Guild. Writer + Director Bertrand Blier was present during a Q&A after the movie and that's about the nicest I have to say about the experience. There might be snobs and movie critics who say this is art in its finest form, like brown nosing Jon Amiel who did the interview. Let me be the first to say it is NOT!! Symbolism is one thing, surrealism another and there's nothing wrong with either one. But using some silly actor to represent a person's cancer?? Wow, REALLY?? Besides a few giggles and the few people who left the theatre in pure anger, I sat there in the dark in disbelief.

and that is all because , in many scenes, it seems be a project who must be made but nothing more. the theme is very special and the scriptwriter/director has not courage to decide if it must be a comedy or a drama. so, the decision is the public problem. and entire work seems chaotic. that explains why Jean Dujardin is not the most inspired option for the role of lead character. his efforts to give credibility to story are full of good intentions but not more. because something important is missing. because all seems be an improvisation. and because the subject is out of movie team possibilities. result - French cold style and a lot of good intentions.

opening scene : "Hello" "who's ringing?" "I am your cancer, open the door"

the movie is handling very well a touchy subject (cancer and coming of the death). The dialog are original, and to represent its death by a character is a a very good idea. Nothing morbid at the same time. A few character (6 people all in all), very inti mist.

Many scenes/details are metaphoric, each one of us may a his interpretation. Very subtle, I liked it very much. Very well played, especially by jean dujardin and dupontel.

Movie's duration is fine (1h27) and the end is quick but it wasn't necessary to last Long.

A good movie, very original. worth to see it. I recommend ++.

As I was watching this movie, I couldn't help to think how better it would be if it were a play on a theater. It would not surprise me to learn that it started that way before becoming a movie script, but unlike "Closer" or "Doubt" it just does not translate well into a cinematic language. If it weren't for Anne Alvaro (Louise) this would be worse than what actually is. Dujardin doesn't save it with his charm at all and I think the director is the one to blame since it's not very clear whether it's a comedy or a drama with lighter tones. Don't get me wrong: I love movies that mix genres, but in this project it seems like actors perform as people "acting" instead of playing people under those circumstances that for us, as an audience, could be perceived as funny or tragic. I would blame the director/writer since the scenes where Charles is fighting with no one are the most painful to watch. It's not dreadful but I don't think I would have missed anything by not watching it.

Bertrand Blier is definitely always filming unconventional movies and this one is using love, sickness and somehow solitude as central topics with a good trio of actors (I want to put Anne Alvaro at the same level than Dujardin and Dupontel) putting the scene in a dramatic set up.