Ajouter une intrigue dans votre langueA medieval reenactment game turns into a Shakespearean tragedy when a non-player crashes the event to win back his girlfriend.A medieval reenactment game turns into a Shakespearean tragedy when a non-player crashes the event to win back his girlfriend.A medieval reenactment game turns into a Shakespearean tragedy when a non-player crashes the event to win back his girlfriend.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 5 nominations au total
Kaniehtiio Horn
- Princess Evlynia - Lyn
- (as Tiio Horn)
Mark Antony Krupa
- Bjorn Magnusson
- (as Mark A. Krupa)
Victor Andres Turgeon-Trelles
- Miguel
- (as Victor Trelles)
Holly Uloth
- Ambrosia
- (as Holly O'Brien)
Örn Árnason
- Icelandic Voice
- (voix)
- (as Orn Arnason)
Avis à la une
I wasn't sure what to expect when i started this film. I really wnjoyed the fact that it combined several genres without coming off as farce. Incredible dialog, great acting, perfect production.
The Wild Hunt is dark. The LARPers for the most part come across as craven, reminiscent of Vikings, nordic warriors and pub-dwellers alike.
The lovers are morose throughout. The actors in the background were largely mute. The real gems of acting come from the King, the Viking leader and Shaman. But these were inconsistent.
The film stood out because it evoked emotion and worry throughout, the soundtrack created mood and the well delivered tirades of screaming and begging encompassed tangible fear. The question of, "How far will they go?" really carried the film for me. Not wanting to have the dark side of humanity revealed but far too intrigued to stop watching.
The cinematography was realistic, with the tone and music really pinpointing the despair of being locked in a false reality at the behest of others.
There were moments where the film lulled to a crawl but this same failure, that of dragging time, really allowed the dramatic moments longevity.
While I didn't enjoy all of the movie, I give it 7/10 for the innovation and emotions it evoked.
The lovers are morose throughout. The actors in the background were largely mute. The real gems of acting come from the King, the Viking leader and Shaman. But these were inconsistent.
The film stood out because it evoked emotion and worry throughout, the soundtrack created mood and the well delivered tirades of screaming and begging encompassed tangible fear. The question of, "How far will they go?" really carried the film for me. Not wanting to have the dark side of humanity revealed but far too intrigued to stop watching.
The cinematography was realistic, with the tone and music really pinpointing the despair of being locked in a false reality at the behest of others.
There were moments where the film lulled to a crawl but this same failure, that of dragging time, really allowed the dramatic moments longevity.
While I didn't enjoy all of the movie, I give it 7/10 for the innovation and emotions it evoked.
this film is out of whack, but that is where it is supposed to be.
you have a real viking, rescuing a fake princess from a fake celt, and throughout, all become something they really didn't want to be when the game started.
they are nerds playing at fantasy violence without realizing that their modern skins mask a real violence hidden in their real history, and it just waiting for the right catalyst to prompt its release.
and then there is the ending. it is a mixture and manifestation of both fantasy and reality.
and that is the truth that surrounds us all. we all live in a mix of fiction and the other. and it is up to us which wins out and when.
when we give ourselves up to the impetus of a group, we also relinquish individual immunity from the crimes of that group--just ask albert speer.
you have a real viking, rescuing a fake princess from a fake celt, and throughout, all become something they really didn't want to be when the game started.
they are nerds playing at fantasy violence without realizing that their modern skins mask a real violence hidden in their real history, and it just waiting for the right catalyst to prompt its release.
and then there is the ending. it is a mixture and manifestation of both fantasy and reality.
and that is the truth that surrounds us all. we all live in a mix of fiction and the other. and it is up to us which wins out and when.
when we give ourselves up to the impetus of a group, we also relinquish individual immunity from the crimes of that group--just ask albert speer.
This is very much a low budget indie film. When I saw it in 2010, I was actually floored by how good of a movie it was for a very limited release indie film. My only complaint about the movie is really style and characters being a little too unbelievable, but only the unbelievability because the movie starts off trying to establish realism vs fantasy but seems to lose realism in later forms of the movie.
This movie is essentially a retelling of a Shakespeare tragedy involving the LARP scene community. The build up could have truly been a lot better but the later half of the movie is very well done in terms of the Shakespearean tragedy. I cannot say much because this movie is a need-to-watch basis to see it although it is difficult to get your hands on.
If you ever do find this movie, I would recommend watching it with a group of friends. It is a dark and emotional movie that is a good watch for the first time.
This movie is essentially a retelling of a Shakespeare tragedy involving the LARP scene community. The build up could have truly been a lot better but the later half of the movie is very well done in terms of the Shakespearean tragedy. I cannot say much because this movie is a need-to-watch basis to see it although it is difficult to get your hands on.
If you ever do find this movie, I would recommend watching it with a group of friends. It is a dark and emotional movie that is a good watch for the first time.
I had the chance to see The Wild Hunt at TIFF in 2009. It was no surprise to later hear it had won the Best Canadian First Feature Film prize- it was one of the best and most surprising films I saw at the festival.
The Wild Hunt's premise is a young man naively entering a live-action role play (LARP) weekend in pursuit of his wayward girlfriend. There's some initial comedy in the fish-out-of-water concept, but real-life LARP aficionados needn't fear ridicule; the comedy is in the clash, not at the expense of players. The film in many ways actually celebrates this type of gaming and in more than a few instances defends it from common taunts.
From a simple beginning the story grows to a climax of epic proportions, bringing to mind Shakespearean levels of drama and tragedy. The Wild Hunt is an intelligent and impassioned exploration of fantasy and escapism, desire and obsession. Yet through all of this the film remains grounded in it's characters. One of the great strengths of the film is the realism and complexity at the heart of each role. You won't find any one-dimensional characters here. Instead we have very real people struggling with an escalating series of events, and the games quickly lose their innocence as people lose control.
The Wild Hunt is a truly remarkable film. The exploration of a blurring line between fantasy and reality is chilling, the performances are excellent, and from a technical standpoint it's equally well done. This is a film that will stay with you long after you leave the theatre- not only is it engaging to watch, but it leaves you with much to contemplate.
The Wild Hunt's premise is a young man naively entering a live-action role play (LARP) weekend in pursuit of his wayward girlfriend. There's some initial comedy in the fish-out-of-water concept, but real-life LARP aficionados needn't fear ridicule; the comedy is in the clash, not at the expense of players. The film in many ways actually celebrates this type of gaming and in more than a few instances defends it from common taunts.
From a simple beginning the story grows to a climax of epic proportions, bringing to mind Shakespearean levels of drama and tragedy. The Wild Hunt is an intelligent and impassioned exploration of fantasy and escapism, desire and obsession. Yet through all of this the film remains grounded in it's characters. One of the great strengths of the film is the realism and complexity at the heart of each role. You won't find any one-dimensional characters here. Instead we have very real people struggling with an escalating series of events, and the games quickly lose their innocence as people lose control.
The Wild Hunt is a truly remarkable film. The exploration of a blurring line between fantasy and reality is chilling, the performances are excellent, and from a technical standpoint it's equally well done. This is a film that will stay with you long after you leave the theatre- not only is it engaging to watch, but it leaves you with much to contemplate.
Le saviez-vous
- AnecdotesRicky Mabe and Kaniehtiio Horn, who play Erik and Princess Evlynia, respectively, have roles in another Montreal-based film: The Trotsky (2009).
- Bandes originalesThes habet er ubar woroltring
Music composed by Benjamin Bagby
Based on a 9th-century text by the Alsatian monk Otfrid von Weissenburg
Performed by SEQUENTIA
Benjamin Bagby, voice & medieval harp
Norbert Rodenkirchen, medieval wooden flute
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Wild Hunt?Alimenté par Alexa
Détails
Box-office
- Budget
- 300 000 $CA (estimé)
- Durée
- 1h 36min(96 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant