The Wild Hunt

I checked this out after I read some good reports from festival screenings. I really can't see the appeal of Live Action role-playing, so the film's greatest achievement is that it held my interest at all. I enjoyed the initial comedy of the absurd situations the non-playing lead character finds himself in, once he has barged his way into this make-believe environment. The plot shift and changes in tone from then on, which keeps it unpredictable.

The film is extremely well put together, especially for having been made on such a low budget. The cinematography and the unusual soundtrack are first class. There is some genuinely beautiful and haunting imagery, especially once the hunt gets underway.

For me the biggest problem with The Wild Hunt is that at its heart this is supposed to be a love story, but we never really learn much about the characters or their relationships. It's about a guy on a 'quest' to win back his girlfriend but she remains a cypher from the beginning to the end. I never understood her motivations at all, she just came across as unstable and selfish and therefore I never invested in what's at stake for him.

The other characters are underdeveloped as well and as someone who can't relate to the idea of LARP I would have liked to know more about what draws people to it other than the obvious implication that some do it to escape their real life problems.

this film is out of whack, but that is where it is supposed to be.

you have a real viking, rescuing a fake princess from a fake celt, and throughout, all become something they really didn't want to be when the game started.

they are nerds playing at fantasy violence without realizing that their modern skins mask a real violence hidden in their real history, and it just waiting for the right catalyst to prompt its release.

and then there is the ending. it is a mixture and manifestation of both fantasy and reality.

and that is the truth that surrounds us all. we all live in a mix of fiction and the other. and it is up to us which wins out and when.

when we give ourselves up to the impetus of a group, we also relinquish individual immunity from the crimes of that group--just ask albert speer.

The Wild Hunt is dark. The LARPers for the most part come across as craven, reminiscent of Vikings, nordic warriors and pub-dwellers alike.

The lovers are morose throughout. The actors in the background were largely mute. The real gems of acting come from the King, the Viking leader and Shaman. But these were inconsistent.

The film stood out because it evoked emotion and worry throughout, the soundtrack created mood and the well delivered tirades of screaming and begging encompassed tangible fear. The question of, "How far will they go?" really carried the film for me. Not wanting to have the dark side of humanity revealed but far too intrigued to stop watching.

The cinematography was realistic, with the tone and music really pinpointing the despair of being locked in a false reality at the behest of others.

There were moments where the film lulled to a crawl but this same failure, that of dragging time, really allowed the dramatic moments longevity.

While I didn't enjoy all of the movie, I give it 7/10 for the innovation and emotions it evoked.

Larpers (more properly L.A.R.P.ers, i.e. Live-Action Role Players, i.e. folks that dress up like goblins and wizards and engage in foam-sword combat in the woods) have been one side of a cinematic love affair, of late. Documentaries like Darkon and Monster Camp try and peel back the fake fur and face paint to see the real people beneath, while comedies like Role Models see in the admittedly nerdy hobby a wellspring of both laughs and weirdly noble self-realization.

In director Alexandre Franchi's debut film The Wild Hunt, larping is something altogether more serious, and much more sinister. Erik Magnusson (Ricky Mabe), a Canadian born to an Icelandic father whom he now reluctantly cares for, is bothered by repeated dreams of a banging door and the sound of his girlfriend Evelyn (Tiio Horn) crying out in fear. Evelyn has left him for the weekend, to role play a princess in Erik's older brother Bjorn's larp-group, a viking and troll setting Bjorn (Mark A. Krupa) has all but disappeared into. To win her back, Erik must navigate the confusing, threatening larp world, where he discovers that some of the players aren't just escaping workaday responsibilities but are instead building a framework to work out some of their darker, more violent fantasies.

It's an enjoyable film, troubled by a difficult script. On the one hand it's enjoyably novel: setting a murder-and-revenge story amongst the assumedly meek, awkward foam-sword and teva-sandals crowd is an entertaining twist, and Franchi, helped enormously by good Gothic set dec and often beautiful cinematography by Claudine Sauvé is able to wring surprisingly high drama out of the whole thing. On the other hand, in building up to the grand guignol finale the film strains and struggles, testing credulity both in terms of character motivation and in terms of basic emotional mathematics: it's hard at points to understand why Erik doesn't just dismiss the whole mess and go home. That said, there's rather more of the former dark beauty than the latter character weirdness, and the film (especially as a Canadian film artifact) is massively enjoyable on its merits, of which there are plenty. Missteps along a very original path are easily excused. 8/10

This is very much a low budget indie film. When I saw it in 2010, I was actually floored by how good of a movie it was for a very limited release indie film. My only complaint about the movie is really style and characters being a little too unbelievable, but only the unbelievability because the movie starts off trying to establish realism vs fantasy but seems to lose realism in later forms of the movie.

This movie is essentially a retelling of a Shakespeare tragedy involving the LARP scene community. The build up could have truly been a lot better but the later half of the movie is very well done in terms of the Shakespearean tragedy. I cannot say much because this movie is a need-to-watch basis to see it although it is difficult to get your hands on.

If you ever do find this movie, I would recommend watching it with a group of friends. It is a dark and emotional movie that is a good watch for the first time.