Dans les années 30, aux Etats-Unis, Mildred Pierce, séparée de son mari, lutte pour élever seule ses enfants.Dans les années 30, aux Etats-Unis, Mildred Pierce, séparée de son mari, lutte pour élever seule ses enfants.Dans les années 30, aux Etats-Unis, Mildred Pierce, séparée de son mari, lutte pour élever seule ses enfants.
- Récompensé par 5 Primetime Emmys
- 26 victoires et 44 nominations au total
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Although the performances of Kate Winslet, Guy Pearce and Evan Racel Wood were all top notch in this 2011 remake, I preferred the original 1945 film. I just found the updated version to be too long. And it really didn't explain things as well as the 1945 version, such as the real reason why Mr. Pierce left his family. I know they make it seem like it was because he had another woman. But in the 1945 movie, it explained why he sought companionship with another woman. He was getting into a lot of arguments with Mrs. Pierce spoiling their daughters--especially Veda. And that's another thing too. In the 2011 version, it really didn't explain why Veda was a spoiled brat. But in the 1945 version, Mrs. Pierce said that she wanted to give the best things for her daughters. Anyway, another reason I liked the 1945 version more was because it had more style. I liked the film-noirness of it. I found the 2011 version to be all so typical and common. Nothing special. I don't know why they even bothered remaking this movie since the original was so much better. 5/10
This is a good mini-series but has some flaws. But first I have to praise Kate Winslet and Evan Rachel Wood for their acting and chemistry (even if their characters nearly hate each other). But the thing is that the story gets sooooo stretched to fill the 5 episodes that from episode 3 on may feel a bit boring and kinda repetitive.
I get that we need to see Mildred's ups and downs but it just feels the same until the fifth episode. I haven't read the book yet but I think it wasn't structured to be adapted into a miniseries. Maybe a movie (I mean the one with Joan Crawford) but not a 5-hour series. Some dialogues are full of wit and deepness but, some feel very dull. Todd Haynes directed flawlessly but the scripts he co-wrote needed to be fixed or shortened.
Kate Winslet just nails every scene she's in and gives a powerful performance mostly in the scenes with young and adult Veda. The relationship between these feels so real even if it's a toxic one, a VERY toxic one. Kate gives us a character that has been beaten by life but, tries to go on and give her daughters a better life even if the world is falling down.
The sets and costumes are just brilliant. Anything you would expect coming from a period production.
It is a beautiful story and production, feminism at its best, but the writing needs some fixing.
I get that we need to see Mildred's ups and downs but it just feels the same until the fifth episode. I haven't read the book yet but I think it wasn't structured to be adapted into a miniseries. Maybe a movie (I mean the one with Joan Crawford) but not a 5-hour series. Some dialogues are full of wit and deepness but, some feel very dull. Todd Haynes directed flawlessly but the scripts he co-wrote needed to be fixed or shortened.
Kate Winslet just nails every scene she's in and gives a powerful performance mostly in the scenes with young and adult Veda. The relationship between these feels so real even if it's a toxic one, a VERY toxic one. Kate gives us a character that has been beaten by life but, tries to go on and give her daughters a better life even if the world is falling down.
The sets and costumes are just brilliant. Anything you would expect coming from a period production.
It is a beautiful story and production, feminism at its best, but the writing needs some fixing.
If you're one of the many people who read James M. Cain's novel Mildred Pierce and were utterly baffled by the changed made to the 1945 film adaptation, have no fear: the 2011 remake is so faithful to the book, it's as if someone's reading it aloud. Spread out in a 5-part miniseries, every detail of the long-suffering mother's journey is shown, from the dissolution of her marriage to her baby steps of adapting to the business world, to the sadness each of her daughters bring, and to her second chance at love with a young playboy. Kate Winslet takes the helm, and after her predecessor won a long-awaited Oscar for the original, Kate took quite a risk.
Since the two versions are so different, because of the story changes, Kate Winslet and Joan Crawford play two different women. Even if you love Joan Crawford, I think you'll still be able to appreciate Kate's interpretation and admit that she gives a heartfelt, exhausting performance. Kate modernizes the role, bringing her own brand of acting to Mildred's struggles, rather than trying to imitate Joan's stoic performance from the silver screen. She was rewarded, too, earning a Golden Globe for her work.
While in the original, the characters of Mildred's husband, friend, and suitor are stereotypes and rather boring, in the remake, Brian O'Byrne, Melissa Leo, and James Le Gros each bring realism into their respective roles. Mare Winningham joins the cast as a fellow waitress, and she's so realistic it's as if she's been slinging hash her entire life. Evan Rachel Wood takes on the villainous role of Mildred's oldest daughter, and while I am partial to Ann Blyth's original breakthrough performance, there are no flaws in Evan's. She does everything she's supposed to do and makes the audience hate her just as much as they're supposed to. Guy Pearce plays the handsome, spoiled playboy, and while he's always excellent in every role he takes on, if you watch this miniseries you might be too distracted to focus on his acting talents.
Since I've read the book, I thoroughly appreciated Todd Haynes' adaptation. This version is faithful from start to finish, and with several seasoned actors bringing the characters to life, it's very enjoyable to watch.
Kiddy Warning: Obviously, you have control over your own children. However, due to sex scenes and nudity, as well as upsetting scenes involving children, I wouldn't let my kids watch it.
Since the two versions are so different, because of the story changes, Kate Winslet and Joan Crawford play two different women. Even if you love Joan Crawford, I think you'll still be able to appreciate Kate's interpretation and admit that she gives a heartfelt, exhausting performance. Kate modernizes the role, bringing her own brand of acting to Mildred's struggles, rather than trying to imitate Joan's stoic performance from the silver screen. She was rewarded, too, earning a Golden Globe for her work.
While in the original, the characters of Mildred's husband, friend, and suitor are stereotypes and rather boring, in the remake, Brian O'Byrne, Melissa Leo, and James Le Gros each bring realism into their respective roles. Mare Winningham joins the cast as a fellow waitress, and she's so realistic it's as if she's been slinging hash her entire life. Evan Rachel Wood takes on the villainous role of Mildred's oldest daughter, and while I am partial to Ann Blyth's original breakthrough performance, there are no flaws in Evan's. She does everything she's supposed to do and makes the audience hate her just as much as they're supposed to. Guy Pearce plays the handsome, spoiled playboy, and while he's always excellent in every role he takes on, if you watch this miniseries you might be too distracted to focus on his acting talents.
Since I've read the book, I thoroughly appreciated Todd Haynes' adaptation. This version is faithful from start to finish, and with several seasoned actors bringing the characters to life, it's very enjoyable to watch.
Kiddy Warning: Obviously, you have control over your own children. However, due to sex scenes and nudity, as well as upsetting scenes involving children, I wouldn't let my kids watch it.
This movie, recently presented in separate airings, was highly addictive. At first you think how can a movie based around a woman who makes great pies be that good but, IT REALLY WAS! My husband was hooked as soon as he saw the first episode I had recorded. It was PERFECTLY cast and all the performances were awesome! The setting based in the 1930's was absolutely gorgeous as was the music from back then. It made you wish you could go back in time, before technology, when things were so much simpler! The main theme of the story is universal to this day. This is one of those that if you are just channel surfing and you see it on, you just keep watching it over and over again. There is some nudity; but that aside, this is a a must see!
An excellent drama. 5 episodes. Period detail flawless and captivating in its accuracy. An absorbing tale very well acted by a great ensemble cast who were all flawlessly placed by casting. I was sold on the first 4 episodes and couldn't wait to see the conclusion. Wow! Our lass from "Readin for beddin" was utterly brilliant. Miss Wood showed how very gifted she is as an actress. The two girls had three major scenes together and they were incredibly good, nay quite brilliant. Huge talents, seriously gifted performers. Speechless. Congratulations to everyone, Mr.Haynes well done. I am a bloke so I must admit to being huge fans of both actresses. It easy to fancy some girl on the screen I suppose, but that's not the thing here. A wonderful cast all around. Well done everyone. Well done Mr.Haynes bringing this cast together and thank you for the magic.
Le saviez-vous
- AnecdotesDirector and screenwriter Todd Haynes decided that every scene should be from Mildred's perspective, and so required Kate Winslet to be in every single scene of the five hour miniseries. Winslet has publicly stated that this was her hardest shoot (around 18 weeks on set) since Titanic (1997).
- ConnexionsFeatured in Ebert Presents: At the Movies: Épisode #1.12 (2011)
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- How many seasons does Mildred Pierce have?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Мілдред Пірс
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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