NOTE IMDb
5,5/10
35 k
MA NOTE
En 1963, dans le Michigan, les sociétés Kellogg's et Post, rivales en affaires, s'affrontent pour créer un gâteau qui pourrait changer le petit-déjeuner pour toujours.En 1963, dans le Michigan, les sociétés Kellogg's et Post, rivales en affaires, s'affrontent pour créer un gâteau qui pourrait changer le petit-déjeuner pour toujours.En 1963, dans le Michigan, les sociétés Kellogg's et Post, rivales en affaires, s'affrontent pour créer un gâteau qui pourrait changer le petit-déjeuner pour toujours.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Primetime Emmy
- 3 victoires et 6 nominations au total
Avis à la une
I thought "Seinfeld" was incredibly funny and so it probably isn't surprising that I thought this was funny as well.
It is a comedy but you need to suspend disbelief, eh?
I had a couple of laugh out loud moments and for most of the movie I sat there and smiled.
That's saying a lot for me as I have a hard life. I don't watch a lot of comedies because they hurt rather than make me laugh.
But a friend recommended this and I'm glad she did. Despite the fact that Jerry has gotten some bad press recently, I found watching him in this was great.
I loved that Hugh Grant is in it, and Christian Slater. The fact that they have a scene together is a bonus.
There's some really great political humor here (Hugh Grant near the end wearing a costume like the Doofus in the horns who stormed the Capitol on January 6). That for me was a laugh out loud moment. I was just so happy Hugh was able to pull this off. And then after the joke about stopping at Woolworths to get the horns... haha.
This is silly and goofy and as I said, you need to just suspend disbelief. Kind of like Jerry's "Seinfeld" series, right?
It is a comedy but you need to suspend disbelief, eh?
I had a couple of laugh out loud moments and for most of the movie I sat there and smiled.
That's saying a lot for me as I have a hard life. I don't watch a lot of comedies because they hurt rather than make me laugh.
But a friend recommended this and I'm glad she did. Despite the fact that Jerry has gotten some bad press recently, I found watching him in this was great.
I loved that Hugh Grant is in it, and Christian Slater. The fact that they have a scene together is a bonus.
There's some really great political humor here (Hugh Grant near the end wearing a costume like the Doofus in the horns who stormed the Capitol on January 6). That for me was a laugh out loud moment. I was just so happy Hugh was able to pull this off. And then after the joke about stopping at Woolworths to get the horns... haha.
This is silly and goofy and as I said, you need to just suspend disbelief. Kind of like Jerry's "Seinfeld" series, right?
This is like a movie made to include all the banter in the writers' room for a sitcom. Like, "Hey, what if the Seinfeld character gets out of his car and he's rolling it barefoot like Fred Flintstone's car," one writer would say, and another writer would say, "and he's got a big rock in the back for a brake like an anchor." And the room chuckles and instead of just moving on, they put it in the show. The cameos of actors and comics are fun. The old brand names are cool, except no one under 60 will understand many of them. It's silly, cartoonish, and basically pointless. See it as a lark that got produced because Seinfeld is Seinfeld. Throw your critical standards to the wind and guess who's playing the Walter Cronkite character.
This a really funny film but the drawback is that the references are all so specific to the early 60's (with a few anachronisms) that a lot of younger reviewers will have their hair parted by the sheer volume of jokes going over their heads. They can however enjoy the stacked cast (loved Bill Burr as JFK) and I dare I say that it manages to redeem some actors like Amy Schumer and Melissa McCarthy who have been in the cultural doghouse for quite some time. The script is packed with all sorts of wild ideas and sometimes even gives some food for thought. What at first seemed like a silly idea for a story reminded me that that's what comedies are and the script had so much detail that I was reminded of all sorts of movies from Blake Edwards to Willy Wonka. Thanks Jerry for making an actual comedic movie - something I haven't seen in a long while.
This feels like that Dick Turpin series on Apple TV: proof that no matter how talented the cast of comedians, if the script ain't funny, it ain't funny. It starts off like a weird but charming mix of Willy Wonka and Airplane, but then descends into a big budget car crash.
I imagine Jerry Seinfeld went to Netflix and said "I'd like to make a film about my love of cereal and I can get my mates to act in it" and at no point during production did anyone tell him that maybe it's not working.
It does have a couple of funny bits but outstays it's welcome by 90 mins. Enough here to fill a wacky sketch. But when 30 mins of jokes rely on them misnaming Pop Tarts "Trat Pop", you know you're in trouble. Avoid.
I imagine Jerry Seinfeld went to Netflix and said "I'd like to make a film about my love of cereal and I can get my mates to act in it" and at no point during production did anyone tell him that maybe it's not working.
It does have a couple of funny bits but outstays it's welcome by 90 mins. Enough here to fill a wacky sketch. But when 30 mins of jokes rely on them misnaming Pop Tarts "Trat Pop", you know you're in trouble. Avoid.
This has a lot of funny references, it's definitely entertaining. I don't know why it's rated so low. It simply does not deserve that. The acting is great, the cast outstanding, the story is fun to follow.
The big actor names keep coming, and it certainly makes the movie! It's cute! I suppose, if you're looking for a realistic documentary on the birth of the pop tart, you'll probably be better off reading up on Kellogg's and Post but I don't think that's the intent of this movie. I watched this by myself and laughed out loud several times, I think that's a pretty good sign. Give it a try, I think you will enjoy it. Unless you're a super grumpy person.
The big actor names keep coming, and it certainly makes the movie! It's cute! I suppose, if you're looking for a realistic documentary on the birth of the pop tart, you'll probably be better off reading up on Kellogg's and Post but I don't think that's the intent of this movie. I watched this by myself and laughed out loud several times, I think that's a pretty good sign. Give it a try, I think you will enjoy it. Unless you're a super grumpy person.
Le saviez-vous
- AnecdotesElements in the opening diner scene matching Norman Rockwell's famous September 20, 1958 Saturday Evening Post cover illustration "Runaway" include the red hobo pack, the white-clad counter man, the white vertically ribbed wall, the Specials chalk board, the chrome bar stools with green cushions, the coffee maker on right, the pie case on left, and the wall mounted radio. Appropriately added for the film is a Kellogg's display. In the Rockwell painting, Seinfeld's place is taken by a police officer who suspiciously eyes the little runaway.
- GaffesWhen Post opens the Top Secret dingus case for the two kids to taste, there is a row of three. Two are burnt up in the toaster, leaving one. Then Miss Post removes two more to be tasted without being toasted.
- Citations
Thurl Ravenscroft: Beware of entrance to a quarrel. But once in it... beware of me.
- ConnexionsFeatured in Half in the Bag: 2024 Mid-year Catch-up (part 1 of 2) (2024)
- Bandes originalesIt Was a Very Good Year
Written by Ervin Drake
Performed by Frank Sinatra
Courtesy of Frank Sinatra Enterprises, LLC
Under license from Universal Music Enterprises
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- How long is Unfrosted?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Sin glasear
- Lieux de tournage
- UC Irvine, Aldrich Hall, Irvine, Californie, États-Unis(UCI Administration Building as Kellog's headquarters)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 200 000 $US (estimé)
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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