The Story of Film: A New Generation

It's always nice seeing montages of film clips, if only to discover new treats. I watched a third of this on 1.5x speed, which made Cousins' monotonous, slow narration sound vaguely more normal. But then the clips were too fast. Cousins really is a pompous dousche. He describes the opening credits of Deadpool as if we need to be told that they're somehow edgy or different. He explains that they 'pushed the boundaries of comedy' or something. And on it goes. He seems to think he's some appointed superiority on the real poetry of cinema, here to hold your hand through stuff that never would have occured to you before. Even explaining how 'passion' drives cinema. Yet his own narration is so passionless, so pretentiously lofty in its delivery, he commits a huge sin in boring you rather than exciting you about cinema. I prefer Scorsese or Tarantino riffing on their observations anyday. Cousins should really be making hypnotherapy CDs.

I found this documentary interesting, BUT as others have said it's touted as " a new generation 21 century " but he spends far too much time relating stuff back 50-60 years ago.

Also this guy's narration and style would put even a Crystal meth doper to sleep.

It's a constant droll monotone with no punctuation, no gap, pause , breath nothing.

I watched 30 minutes or so and turned it off.

I think he was trying to be too clever or art for arts sake.

Just film a documentary and get Mark Kermode to narrate ! At leader he has some enthusiasm.

This was read with a style as weak as dish water . 5/5 for program 1/5 for narration and that for turning up zzzzzzzzzzzzzzzzz !!!

An insight into how cinema across the world has changed in recent years and it's impact upon us.

Those who go to the pictures at their local multiplex once a week, may wish to look elsewhere for a documentary about the movies, as this is probably not it. Cousins takes cinema very very seriously and shares with us through probably over 100 clips precisely in his view what are the clever life changing pieces of cinema that the world should be impressed by and why. Ok, it's a point of view like any criticism and he clearly knows his stuff, but overall it's a hard slog unless you're a cineaste or a film critic reliving the films you've reviewed so carefully, that probably few others watching this on Netflix will have seen. Coupled with Cousins' slow, whispering Irish drawl that could easily send you to sleep, I suggest you avoid watching this late at night and have 'Carry on Up the Khyber' on standby.

This is an interesting documentary about modern film from around the world.

There are a lot of films mentioned here that I had not heard of and are now added to my list on IMDb, so it was worth watching just to find some films you may not have discovered otherwise.

However due to the narrator having the most monotone voice I have heard I had to watch this in three parts, I'm sure he knows his stuff but he sounds very uninterested in his on own project which makes it hard to concentrate.

Perhaps this would have been better as a three part series rather then a 165 minute documentary to make it more digestible?

This film is really an essay by Mark Cousins, on the films he has watched in the last 20 years and what he thinks about them. There is little in the way of actual insight. I found it useful to find new films which look interesting, films that either passed me by or I did not hear of. In that way I am grateful to be introduced to The Kidnappers, Cemetery of Splendour, Theorem, November, It Follows, Norte, An Elephant Sitting Still, About Leila and The Pearl Button.

For an analysis of 21st Century films released this essay was very wanting. There was no rhyme or rhythm to the structure. Many times it was a case of Cousins saying "look at this", "look at that", "isn't that smart". That kind of investigation can only go so far until you realise it is just a collage of film snippets that look great.

For a better analysis of film, I recommend the BritBox exclusive Reel Britannia which looks into British films by decade between the 1960s and 1990s. That is a clever concept as the stop gaps are the decade themselves and the TV show elaborately picks a subject or genre and discusses with more depth than this film.

A lot of people have criticised Cousins dry delivery in his narration. Personally, I did not mind it, although it does put into mind it is not so much what he says, which is actually not that interesting, but the way he says it. Some people may confuse slow delivery with deftness. I came away with the impression this film is limited by what Cousins saw and he has not seen.

It is really a love note to himself.

This is a documentary that taught me next to nothing.