Restless

A Febiofest screening, nothing signposts that 3 years after multi-Ocsar nominated (including 2 wins) MILK (2008), Gus Van Sant will cook such a cancer-ridden romantic flick grappling with a soul-healing recovery of a parents-bereaved boy after his short relationship with a dying girl although death has been a persistent topic all through his omnibus.

The over-simplified structure may impede Gus from a more spacious platform to perform his mastery, and precipitating an out-and-out snub from all sorts of awards consideration and the disastrous box-office turnover is fatal to destroy its investor's confidence, a total domestic grosses of $164,000 versus its $8 million production budget, which is a far cry not only from MILK, but also much lesser than its indie-alike PARANOID PARK ($490,000), signals that only Van Sant's loyal zealots showed their precious appearances in the cinema. Although smaller the scale, the film still holds steady its stunning visual mode, with bountiful layers of spiritual remedies to cure any scarred heart.

Plot-wise, there are nothing really popped-out, only the Japanese ghost-friend deployment has its exquisite enchantment and exotic luster, but is far from sheer original, which also coincides the film's suffering from the paucity of a one-of-a-kind uniqueness once one can notice among Van Sant's better works (say, ELEPHANT 2003, GOOD WILL HUNTING 1997, and MY OWN PRIVATE IDAHO 1991), the story tends to be more lachrymose while marching on the unavoidable finale.

The two leads are basically serviceable, the tenderfoot Henry Hopper, who had just lost his father Dennis Hopper (1936-2010), is inappropriately in time for the role, handsome boys are never amiss in Van Sant's work. By contrast, a burgeoning Mia Wasikowska is the main magnetism on-screen, a product only cannot be stemmed from fiction as it's too ideal to be real.

Personally the film pleased me in a gently soothing method, but it is Van Sant in its very comfort zone without challenging too much of himself.

This underrated film was released just before Christmas in Tokyo. As a long time fun of the director, I enjoyed very much this beautiful film. It appears to be an ordinary boy-meets-girl story with somewhat quirky atmosphere, but inside I found the film is filled with homage to the Nouvellevague cinema.

Among them, I remember the film "Cleo de 5 a 7" by Agnes Varda (1962), which includes discussions of mortality, despair and the meaning of life. I also felt the airs of Jean-Luc Godard and François Truffaut. If you love the French films in 60s, I believe you will enjoy and appreciate it more.

The line by Hiroshi (the Ghost) summarizes the theme of this film.

"We have so little time to say any of the things we mean. We have so little time for any of it."

Enoch Brae (Henry Hopper) is a morbid teenager that enjoys attending funerals. He meets the teenager Annabel Cotton (Mia Wasikowska) in a memorial service and they start to see each other. Enoch has lost his parents in a car accident and lives with his aunt Mabel (Jane Adams). His best and only friend is the ghost of the Japanese kamikaze pilot Hiroshi Takahashi (Ryo Kase) and Enoch neither goes to school nor has a car. Annabel is terminal with brain tumor and lives with her sister Elizabeth (Schuyler Fisk) and her mother Rachel (Lusia Strus). She loves to read about birds, especially the water birds. Soon the unlikely couple falls in love with each other improving their lives.

"Restless" is a beautiful, romantic and sad movie about love, life and death. Enoch Brae recalls Harold, from "Harold and Maude", a teenager with a trauma attracted by memorial services. Mia Wasikowska is wonderful in the role of the sweet Annabel, a teenager terminally ill that loves life. The story is sensitive and their romance is heartbreaking. My vote is eight.

Title (Brazil): "Inquietos" ("Restless")

Gus Van Sant probably understands the minds of youngsters better than any director around and he proves it again in this rhapsodic film about loss and love and loss again. His cast is so well selected that they seem to be an ensemble from a stage company, so well integrated are their relationships in this beautiful film written by Jason Lew.

Enoch Brae (Henry Hopper, son of Dennis Hopper, and a very fine actor) survived a car accident in which his parents were killed: he remained in a coma and missed their funeral and the chance to in some way say goodbye. Living with his Aunt Mabel (Jane Adams), he now spends his days not attending school but instead going to strangers' funerals. One funeral organizer (Christopher D. Harder) notices his repeated appearances and tries to have him arrested for trespassing but he is saved by a strange girl named Annabel (Mia Wasikowska in a brilliant performance). Annabel also attends funerals: she tells Enoch that she works with children with cancer at a hospital. Enoch is wary of making friends - his only ally being a Japanese kamikaze pilot ghost Hiroshi Takahashi (Ryo Kase) with whom he talks about everything. But gradually Enoch and Annabel bond and Annabel reveals to Enoch that she doesn't work with 'cancer kids', she is one - she has brain cancer and is on short-term time. Annabel's sister Elizabeth (Schyler Fisk) and mother Rachel (Luisa Strus) accept Enoch's growing supportive love for Annabel. As Enoch grows form his experience with Annabel he no longer needs the presence of his ghost or his need for attending funerals and instead spends his time giving Annabel the best three months (remaining) of her life. How the story draws to an end is so enchanting that to share it would deprive the viewer of the magic of this film.

This is one of those perfect little films that glow in the heart. Mia Wasikowska and Henry Hopper create such memorable characters that once seen they will never be forgotten. Highly Recommended. Grady Harp

The type of film my good friend the Professor calls a "necromance". A touching, but never sentimental little love story produced by, among others, Ron Howard and his daughter Bryce Dallas Howard, "Restless" is beautifully costumed, designed and photographed (Harris Savides), and gently, expertly steered by Gus Van Sant. Set in Portland - which feels like a character in this film. Nice score by Danny Elfman too.

Love and loss loom large in the story of Enoch Brae (Henry - son of Dennis - Hopper), a lonely teenager haunted not only by the death of his parents in a car crash, but also that they were buried while he was in a coma. So he never had closure. He lives with Mabel (Jane Adams: his bedraggled but caring Aunt who bemoans the fact that Enoch calls him Mabel rather than Auntie) and no longer attends school after being expelled for beating up someone who dissed his deceased parents. So he spends his days attending the funerals of strangers and chatting with his imaginary friend Hiroshi (Ryo Kase) - the ghost of a WWII Kamikaze pilot.

One day he meets a beautiful, free spirited young girl named Annabel Cotton (Mia Wasikowska) at a funeral. She loves birds and the great outdoors, the two become friends and fall in love while sharing their secrets. Annebel, however, is dying of cancer and has only a few short months to live.

"Restless" probably won't work for everyone, but it charmed and moved me and it it is still floating gently around in my head a week after watching it. Jane Adams' straggly hairstyle is worth the price of admission alone, and the marvelous Mia Wasikowska (whose wonderful offbeat outfits are a credit to Oscar nominated costume designer Danny Glicker) is terrific as Annabel. Ms Wasikowska is rapidly becoming one of my favorite young actresses.

Ron Howard is one of the most successful mainstream directors in America and the lovely Bryce Dallas Howard is, after appearing with distinction in "Hereafter", " 50/50" and the box office hits "The Help" and "The Twilight Saga: Eclipse" - a successful young actress on the cusp of major stardom, yet they find the time to make a small, relatively low budget ($8 million) non commercial film like this happen. Kudos to them.