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Late Night with the Devil

  • 2023
  • R
  • 1h 33min
NOTE IMDb
7,0/10
129 k
MA NOTE
POPULARITÉ
693
48
Late Night with the Devil (2023)
A live television broadcast in 1977 goes horribly wrong, unleashing evil into the nation's living rooms.
Lire trailer2:21
4 Videos
99+ photos
Found Footage HorrorSupernatural HorrorHorror

En 1977, une émission de télévision en direct tourne mal, libérant le mal dans les salons de la nation.En 1977, une émission de télévision en direct tourne mal, libérant le mal dans les salons de la nation.En 1977, une émission de télévision en direct tourne mal, libérant le mal dans les salons de la nation.

  • Réalisation
    • Cameron Cairnes
    • Colin Cairnes
  • Scénario
    • Colin Cairnes
    • Cameron Cairnes
  • Casting principal
    • David Dastmalchian
    • Laura Gordon
    • Ian Bliss
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    129 k
    MA NOTE
    POPULARITÉ
    693
    48
    • Réalisation
      • Cameron Cairnes
      • Colin Cairnes
    • Scénario
      • Colin Cairnes
      • Cameron Cairnes
    • Casting principal
      • David Dastmalchian
      • Laura Gordon
      • Ian Bliss
    • 599avis d'utilisateurs
    • 263avis des critiques
    • 72Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 11 victoires et 38 nominations au total

    Vidéos4

    Official Trailer
    Trailer 2:21
    Official Trailer
    Teaser Trailer
    Trailer 1:07
    Teaser Trailer
    Teaser Trailer
    Trailer 1:07
    Teaser Trailer
    Late Night with the Devil
    Trailer 2:15
    Late Night with the Devil
    Late Night with the Devil
    Trailer 2:21
    Late Night with the Devil

    Photos335

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 330
    Voir l'affiche

    Rôles principaux70

    Modifier
    David Dastmalchian
    David Dastmalchian
    • Jack Delroy
    Laura Gordon
    Laura Gordon
    • June Ross-Mitchell
    Ian Bliss
    Ian Bliss
    • Carmichael Haig
    Fayssal Bazzi
    Fayssal Bazzi
    • Christou
    Ingrid Torelli
    Ingrid Torelli
    • Lilly
    Rhys Auteri
    Rhys Auteri
    • Gus McConnell
    Georgina Haig
    Georgina Haig
    • Madeleine Piper
    Josh Quong Tart
    Josh Quong Tart
    • Leo Fiske
    Steve Mouzakis
    Steve Mouzakis
    • Szandor D'Abo
    Paula Arundell
    • Diane
    Tamala
    Tamala
    • Carol
    • (as Tamala Shelton)
    Christopher Kirby
    Christopher Kirby
    • Phil
    John Leary
    John Leary
    • Barry
    Gaby Seow
    Gaby Seow
    • Sammy
    Elise Jansen
    Elise Jansen
    • Cavewoman
    John O'May
    • Walker Bedford
    Clare Chihambakwe
    Clare Chihambakwe
    • Stacey the Wrangler
    Amelie Mendoza
    Amelie Mendoza
    • Christou's Assistant
    • (as Amelie Mendosa)
    • Réalisation
      • Cameron Cairnes
      • Colin Cairnes
    • Scénario
      • Colin Cairnes
      • Cameron Cairnes
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs599

    7,0129K
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    10

    Avis à la une

    6ryanpersaud-59415

    A Fun Time, But Certainly Not the Jaw Dropper the Internet is Saying

    There's a lot to like about Late Night with the Devil; the first being the absolutely fantastic performance of David Dasmalchian as Jack. He really nails the 1970s late night talk show host vibe perfectly and has a lot of wit and charisma, yet an underlying darkness that you know (or I guess hope) will come into play later on.

    I also really loved the aesthetic for most of the film, with the grainy, multi camera look, excellent period costuming and hairstyling, and amazing aesthetic touches that drew me in immediately. The film makes great use of practical effects and while it may look a bit silly, I thought it had a charm that was appropriate for the era.

    (Side note: The filmmakers opted to use AI for some of the transition cards in the film and it's caused a bit of a stir. To be honest, I don't think this is an application of the technology worth getting angry over. It's a low budget film, AI use is inevitable, and this was probably the least intrusive way to use it)

    I also felt really compelled by the story and the structure of the film, which felt longer and meatier (at least for most of it) than it would seem. It moved at a quick pace and I was never bored.

    However, I do think this movie wears its numerous flaws on its sleeve. The entire conceit - that this is an unaired episode - should've been stuck with. The movie confusingly switches between the gorgeous 70s talk show style to a baffling black-and-white handheld camera look, which I found necessary for the story, but ultimately confusing by the end of the film when it switches it up completely. Either this is supposed to be "found footage" or it isn't.

    I also felt a lot of the performances were pretty subpar, especially the girl playing Lily (Ingrid Torelli) and the woman playing June (Laura Gordon). Torelli just...didn't have the screen presence necessary for the role and her line delivery was baffling. I couldn't make heads or tails of her character and maybe there was stuff left on the cutting room floor, because her character's "journey" through this film was utterly confusing and disappointing. Gordon just did not deliver her lines well. I just didn't buy her at all.

    Then there's the ending...which...I can forgive to an extent for being "interpretable," but I can also totally understand feels incoherent. It's almost like when someone writes and essay and it's already 11 pages long so they rush the conclusion. There's no real satisfactory explanation for a lot of the questions you hope the film would answer, which made me wonder why they introduced some plot elements to begin with (i.e. Jack's backstory with the thinly veiled cult). It's not rocket science as to what happened; it's just not given the emotional weight it needs nor the explosive payoff you'd want.

    I think this is a fine and fun movie that I'm happy I saw and I'd probably show other people. One question I have is...why on Earth was this released in March and not Halloween, when the film is set? It's bizarre.
    9hgmzmrkq

    More proof that Dastmalchian is a leading man

    One of the most unique and entertaining horrors I've seen in a LONG time - I really didn't want it to end!

    Far from the tired Blumhouse cookie cutter approach to the genre, LNWTD is vibrant, entertaining, gripping and above all - creepy as hell.

    I particularly loved the old-school style practical effects and filmmaking. Apart from a few electrical sparks, there wasn't really any CGI - a huge relief, as I feel it's a real detriment to creepy, organic horror films.

    The cast were fantastic and had great chemistry, with David Dastmalchian once again proving he's a charming and compelling leading man.
    7martincolquhoun

    Unusually good

    Where to start with this movie, the acting from David dalmastchian is top drawer and for me he makes the movie, it has a uniqueness about it. The way the movie is very much just like watching a chat show on television and how it goes for the interval and we see backstage is freaking cool. I think the ending was very strange and as I said earlier unique to say the least. Dalmastchian does a grand job and hope this gets him some more unusual horror flicks. I always liked the way on the big screen it was just like an old 70's TV screen. I would like to rate the movie higher but the movie for me was too short.
    7moviemanmo973

    An enjoyable film with an ending that might not please everyone

    The opening narration does a great job at setting the tone for the rest of the film. It gives off that creepy mystery documentary vibe and it draws you into the story right away. The narration provides us with a quick summary about Jack Delroy (David Dastmalchian) without spending too much time building up his character. Usually that would be a negative but it does it in such an interesting way that we are automatically intrigued by the character. The narration also sets up the story perfectly by letting us know that we will be witnessing an episode from this late night talk show that goes horribly wrong.

    The episode begins and we are entranced into this 70's talk show. It does feel like we are watching this show at home. With each guest being interviewed and building upon this Halloween episode. The host makes jokes and interacts with the live audience members and even cuts to commercial breaks. But instead of commercials we get insight into the behind the scenes footage of this programing. All of this builds the story and is fun to watch.

    David Dastmalchian delivers a very believable performance as a 70's late night talk show host. All of the cast does a great job and their chemistry helps to sell this story. The production design and the wardrobes are also well done.

    Where the film fails is in its ending because the build up just didn't pay off. The ending feels rushed and the film could have benefited from a longer run time after it spent so much time building up this story. The ending isn't terrible but may seem confusing. Some might find the ending enjoyable but personally I thought the character Lily should have been explored more. The film seemed more terrifying when she was more of the focus. Instead the film downplays the horror elements and dishes out an overall theme of "the price of fame". Not to mention there are also some scenes with special effects that seem dated and diminished the films early efforts.

    I would still recommend this film but I expect many not to enjoy the ending.
    7davidwalker-94471

    A lot of fun

    I really enjoyed this.

    Sort of found footage, sort of faux documentary, I really loved how this movie was presented.

    David Dastmalchian is really very good. And the supporting cast are enjoyable, particularly Ingrid Torelli.

    This movie is pretty creepy, and there are tones of exorcist and of VHS 85. There's a kind of Faustian deal at the stories core that I really liked and I found myself smiling quite a lot during the third act.

    This movie may not be for everybody. It's obviously not big budget and the effects may not land with everyone but I thought it was a whole lot of creepy, campy fun.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The Carmichael character is very clearly based (including physically) on the real-life James Randi. Randi was a talented magician who became a famous psychic debunker and he started an institute that offered a large reward to anyone that could reproduce their supposed paranormal powers in controlled conditions. Over decades, nobody was able to win the money.
    • Gaffes
      Richie Brockelman, Private Eye (1978) is mentioned on the TV ratings list for the 1976-77 season. However, the series did not premiere until March 17, 1978.
    • Citations

      Jack Delroy: Ladies and gentlemen, please stay tuned for a live television first... as we attempt to commune with the devil.

    • Connexions
      Featured in Amanda the Jedi Show: 'BOTTOMS' is WILD | Kicked out of The Evil Dead Rise Premiere SXSW (2023)
    • Bandes originales
      Forever My Queen
      Written by Bobby Liebling (as Robert J. Liebling)

      Performed by Pentagram

      Published by Relapse Music

      Licensed by The Orchard

      Licensed courtesy of Relapse Records/Gaga Music Pty Ltd

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    FAQ18

    • How long is Late Night with the Devil?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 mars 2024 (États-Unis)
    • Pays d’origine
      • Australie
      • Émirats arabes unis
      • États-Unis
    • Sites officiels
      • Image Nation Official Site
      • Official Site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • De noche con el diablo
    • Lieux de tournage
      • Docklands Studios, Melbourne, Victoria, Australia(Studio)
    • Sociétés de production
      • Future Pictures
      • IFC Films
      • Shudder
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 10 001 000 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 2 834 867 $US
      • 24 mars 2024
    • Montant brut mondial
      • 15 469 415 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 33 minutes
    • Couleur
      • Black and White
      • Color
    • Rapport de forme
      • 1.78 : 1
      • 2.39 : 1

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