History of the Sitcom

This is an excellent and thorough examination of many of the most popular sit-coms and how the medium - unique in its widespread influence - interacts with society. The episodes are watchable and light, due to the presentation consisting of quickly interspersed clips of the sitcoms themselves, news clips showing life outside the TV, and interviews with people who have devoted their entire lives to the industry (sometimes from childhood).

I appreciate how it looks at the whole history within each episode, focusing on a particular facet of society (family, work, sex, race, etc.). The viewer is able to join actors, writers, producers, and critics of the shows we've all grown up with and hear stories explaining how the paths of shows were forged and how current entertainment is related to the very different earliest shows of 70 years ago.

People who don't like the diversity being explored in society today - and therefore within up-to-date popular culture - might not appreciate the value of this. This documentary series is acknowledging the ways our world has changed, not politicizing (unlike many of the reviews listed here). It's a valuable contribution to the history of popular culture.

A pathetic, scary footnote for 2021 - So many of these comedians, notably Jerry Seinfeld et al, refuse to perform at any of today's college campuses because the students have lost their sense of humor. With so many social agendas, there are too many people that are sitting on the edge of the seat ready to be offended and attack.

Scary.

With a series like this they could have done a marvelous job talking about society, the business, the actors, the networks, etc. Instead they do a half-based job on everything. Why do it?

This series follows the formula that most History Channel docs follow: Snippet, actor/critic comment, repeat, commercial. It's nice to see some of the old shows represented, as well as the grown up actors comment. We watched these shows because they were funny, that's it. Never gave two sh#ts if the actors were white or black. Those were the good times!!!!

What should have been a fun and light hearted look back, with minimal social commentary sadly turned into a cringeworthy and often irrelevant , inaccurate over analysis that took all the air out of the balloon.

Rather too many people attempting to apply their on rather faulty and false social ethics to history that often simply made comedy for what it as, something to laugh at and with.

Many of these people had little or no direct involvement in the actual comedy creation process.

It seems as if CNN management sat round a table with a white board full of all the latest terms and words that had to be included in order to fulfil some false sense of diversity and wokeness.

But in the end, it delivered too much that made the viewer roll eyes, tut and sigh.

I tried so hard to look past the faux commentary and.enjoy reliving some moments from my past but the final straw came when Margaret Cho spoke of cultural appropriation and misogyny, not having a clue what each actually means and with such an airy tone that looked down upon the audience.

It is so ironic that what should be a celebration of comedy was too often used as an excuse to over analyse, make wholly subjective assumptions, presented as fact and completely forget the whole point of the exercise.

One of the frequent contributors was the editor in chief of the A. V. Club, that has a tagline 'Pop culture obsessives writing for the pop culture obsessed'.

Obsessed is correct but sadly, all the obsession has clouded the brain so much that the neurons cannot be seen for the grey matter.