Manodrome

I'm sorry, Jesse Eisenberg was the wrong person to play this part. He ain't hard enough for it! Shia LaBeouf would have knocked this out of the park! Perfect guy for a film like this. This does have a sharp message in it, although, it's almost too real for the times we are in now. Our leaders have become toxic and their followers manic and frothing at the mouth for acceptance, no matter where it comes from. This film, although creepy but is still a good representation of some of the pressure our young people are under these days, sprinkle Mascagni, and a sparse of mental illness, and you have a bomb looking for a reason to explode!

Manodrome is a wild ride where we follow the subtlies of a quiet "average" man who meets the wrong people at the right time causing a pressure cooker situation. People saying the film was null of meaning may need some self reflection, the movie clearly nods at what is to come early on and the leads erratic behaviour shows how the pressure guides his choices. The film is the sad, violent and lonely story of a man who because of his upbringing was never able to express himself and now he's invited to open up and influenced into taking matters into his own hands, but his emotions have boiled over in ways he cannot understand nor control before it's too late.

John Trengrove's "Manodrome" is an incel-era update of "Fight Club," a story of an average guy whose inner demons are unleashed when he meets a group of men trying to reclaim their perceived place in the world. "Manodrome" weaves modern themes like the emergence of toxic incels across the internet into a tale of a loner who becomes emboldened by the wrong people, echoing "Taxi Driver" as much as the Chuck Palahniuk classic but failing to tie any of its hot-button issues into a coherent statement or character study. It's a hollow provocation with about as much to say about the human condition as an internet troll who learned a few buzzwords this morning and wants to spew them at somebody to feel superior. The cast gives their all, but the film ultimately has nothing to offer.

Jesse Eisenberg at his most physical preformens. Adrien Brody is really an actor of a generation, and for me Odessa Young is a Revelation. But alongside some powerful scenes and well crafted disturbing imagery, it seems that the creator of the film hasn't quite decided where to take the story. And here it falls short of similar masterpieces like Gone Girl or Power of the Dog.

I saw the film at the Haifa Film festival. It was interesting to see the reaction of the audience, including one husband who, ironically, how couldn't stand the film any longer and informed his wife that he would meet her outside. You'll see which scene it happened in.

It has the feel of Fight Club but by far has lost itself in a film that you wait for a punch but it never comes. There was no surprise at the ending, the acting could be a ten but the storyline spares none of the performances , I'm a huge fan of both Jesse Eisenberg and Adrian Brody that brought about the most disappointing of all. I even wish I could say the film had any kind of potential but no go. Brody's performance as god was a stick man with a soft guy with nothing else overcomes the soft guy personality. If you watch this prepare yourself for a let down and maybe spare yourself the disappointment and watch something more promising!