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First of all, I want to say these kind of movies are my favorite ones. I liked Domyana , the main actress so much , she has just a great talent although she's not a professional actress, But to be honest i didn't like or understand why the director aimed to present this ugly image of the poor people through this ugly family.

To be poor one doesn't have to be ugly and unclean.

Undoubtedly, this is one of the most unique cinematographic adventures one can witness, because it is not a just a story, and they are not just actors. Here, people are playing their real roles in their own lives. And ironically, even the evil are not some movie villains! They are the ones who refused to harm their eyes with seeing the truth and claimed that a winning movie is just a plot! Welcome to Feathers, where "Feathers" can weigh tons...

A very slow and disgusting film. Acting was terrible. Actress had same miserable facial expression all through. I wish I didn't waste my time watching it. I don't know how it got so many nominations and awards.

The movie is good But it's too slow paced movie I loved it overall as it's unique.

Thanks mohamed Hefzy for believing in cinema power.

I wish it would be more shorter.

I haven't watched a Egyptian movie before, and unfortunately my first experience was quite a disappointment. Constant presentation of dirt and unclean surfaces definitely disgusted me.

A short story in a two hour film just a bunch of scenes put together by a toddler and delivered to the audience. I cant find anything good in this movie it's just empty.

This movie is just a telling story about reality in Arab worlds.

Away from government and its fake media lies.

Thanks to the director for such excellent work in this movie.

What is that?, I don't know how did that movie get pass production, super lame from the very first second of the movie, performance is just awful, very slow paced acting, the idea is just horrible.

The movie doesn't deserve the time to write the review, it's just kind of a warning for other people to not see it. The movie took place in Egypt, I can tell you as an Egyptian man myself, I know there is poverty everywhere in Egypt, Yet people don't act this way at all, the way they talk, how they're very slow on every sentence, slow on even walking like they're zombies.

Overall, Seriously, one of the worst movies I've ever seen!

As for the accusation of "insulting Egypt", which i rejected, there is no film can do that, and that dealing with the lives of the poor is something that is likely to happen in all cinemas of the world.

We in Egypt have very great talents, and we all have to stand behind them, and whoever raises the name of Egypt we must love him ,so Egypt's Culture Ministry honours makers of 'Feathers' film after Cannes' triumph.

Very bad movie not recommended for any person to watch , not story , no actors .totally bad. I loss my time in watching this movie.

Also give bad idea about egypt .

Ahmed, Omar, ahhh-nooo, so many opportunities for Demyana Nassar to've had resigned-to-fate expressions, appealing to the gods for less ironic or cruel further-problems, and comparisons of him compared to when he was human, or stabs-at '1-adult' households in some cultures neglect of acting on men's obligations to their wives/household/children, etc,..

in soooo many moments, memories of cynical greek irony-comedies or latino/sth-american-neo-socialism states part-ambivalent cynicism-realism sitcoms, or french-absurdities of social-angst/awkwardness/mismatches, etc,.. where the women in absurd or difficult circumstances are more actively asking-the-universe-why, or talk themselves through further misfortunes with how-much? 'hands-thrown-uo-almost-giving-up' or 'why-persist-if-something-else-is-going-to-make-it-even-worse' sentiment, rather than as she was in this, being just passive, near-emotionless, accepting of choosing-between what was around her rather than seeking options form further-afar, friendless, and without any means of trading-with or working-for others, dependent on her husband... at all?

Trying to get work AFTER is one thing, but having no friend or networking-neighbours,.. we needed perhaps just a little more, to know-WHY she was so doomed in social-resourcelessness.

I.e. Even though it was easy to imagine why she felt like she was without options in terms of those she went to locally for help, the degree of, oppressed, 'don't-depend-on-others-other-than-your-husband' lack-of-social-skills / momentary chances suppressed initiative, is just too much a nondescript, passive, and bland, without-character character, to be following around in terms of all the things that happen to her.

Put differently, her being, 'just a mum' ... LIMITS how much you could DO, with her reactions - more of a aware of breadths-of-fate, and decrying cruel-ironies and trying a few things to get around the level of oppressive criminal and absurdly rule-based limitations on women / sole / without-husbands / whichever rules they are, like when the husband's "not dead",.. ugh.

I'm saying what was done with the degree of difficulties that she faced as things got worse and worse, could've been combined with more of a french-absurdity / comic scene-by-scene introduction, instead of such a constant oppressive bleak settings and extended scenes with long wide shots, and very little movement in & out of shots - almost all? Extended shots were still, and not 'following-the-character'.

Relegating the main character down to another character not-in-focus in the backgrounds of shots, limits how much you can use their facial expressions, or changing between close and long distance shots, smaller sound-spaces, and clearer emotion. If the main character's emotion is barely even noticeable and only imaginable from too far away, their reactions and progressions of emotion and development of character, remains-distant.

Kind of felt like that, even though i enjoyed some of the awful sitcom :D.

El Zohairy's Feathers is imbued in magical realism starting from his casting through the script and all the way into setting and visuals. It so cleverly twists a multitude of elements from deep within the Egyptian condition that the product is an unprecedented and shockingly moving portrayal.