Ajouter une intrigue dans votre langueSinger Peter Marshall hosts a look back at the bands and singers of the big band era of the 1930s-1950s.Singer Peter Marshall hosts a look back at the bands and singers of the big band era of the 1930s-1950s.Singer Peter Marshall hosts a look back at the bands and singers of the big band era of the 1930s-1950s.
Photos
The Andrews Sisters
- Themselves in 'Buck Privates'
- (images d'archives)
Ray Anthony
- Self
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Charlie Barnet
- Self
- (images d'archives)
Tex Beneke
- Self
- (images d'archives)
Cab Calloway
- Self
- (images d'archives)
Larry Clinton
- Self
- (images d'archives)
Tommy Dorsey
- Self
- (images d'archives)
Ray Eberle
- Self
- (images d'archives)
Bob Eberly
- Self
- (images d'archives)
Benny Goodman and His Orchestra
- Themselves
- (images d'archives)
Benny Goodman
- Self
- (images d'archives)
Marion Hutton
- Self
- (images d'archives)
Harry James
- Self
- (images d'archives)
Sammy Kaye
- Self
- (images d'archives)
Paula Kelly
- Self
- (images d'archives)
Guy Lombardo
- Self
- (images d'archives)
Glenn Miller
- Self
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Avis à la une
The reason I gave this 10 stars out of 10 is because of the sound. Accolades to the audio engineer that equalized all the music in this video.
If you try to find recordings of all these songs, there'd be huuuge variations in bass, trebles, and volume. But in this show, the audio quality doesn't vary at all from song to song. And any analog hiss or whatever noise must exist in some of the songs, but not after they were transferred into this video. I didn't notice any distortion, so I guess the audio engineer had a way of minimizing that, also. Just smooth as silk. I turned on the bass-boost on my hi-fi to hear bass like no one could in 1940, and there was plenty of treble available; thanks. This music never sounded better.
Regarding the image quality, the gray scale, for some songs, provides little more than "black and white," and I mean ONLY black and white -- lacking any grays in between, which is how it was recorded 85 years ago. It was the resolution of the technology back then. It was probably a visual spectacle back then to have any video at all. I'm sure some gray could have been synthesized for this video, but I'll bet the artistic decision was made to leave it alone, a decision respectful of antiques, no offense to seniors intended.
The image quality would certainly explain some of the low ratings. But I think it would be a little thoughtless to give a low rating for 85 year old image quality. I prefer appreciating that you can sit back and listen to all of the different songs without having to keep messing with your volume/treble/bass controls -- all the work was done for us.
One thing I don't understand. My local PBS station says this video fills a two hour time slot. I came to IMDb assuming to find the actual running time, but IMDb says the video is two hours old. That means there is no measure of the video's length without the fundraising interruptions. It could be just-a-dream to expect this video to exist as a DVD without the fundraising breaks. It's a shame it doesn't exist, because the music is provided so sweetly.
If you try to find recordings of all these songs, there'd be huuuge variations in bass, trebles, and volume. But in this show, the audio quality doesn't vary at all from song to song. And any analog hiss or whatever noise must exist in some of the songs, but not after they were transferred into this video. I didn't notice any distortion, so I guess the audio engineer had a way of minimizing that, also. Just smooth as silk. I turned on the bass-boost on my hi-fi to hear bass like no one could in 1940, and there was plenty of treble available; thanks. This music never sounded better.
Regarding the image quality, the gray scale, for some songs, provides little more than "black and white," and I mean ONLY black and white -- lacking any grays in between, which is how it was recorded 85 years ago. It was the resolution of the technology back then. It was probably a visual spectacle back then to have any video at all. I'm sure some gray could have been synthesized for this video, but I'll bet the artistic decision was made to leave it alone, a decision respectful of antiques, no offense to seniors intended.
The image quality would certainly explain some of the low ratings. But I think it would be a little thoughtless to give a low rating for 85 year old image quality. I prefer appreciating that you can sit back and listen to all of the different songs without having to keep messing with your volume/treble/bass controls -- all the work was done for us.
One thing I don't understand. My local PBS station says this video fills a two hour time slot. I came to IMDb assuming to find the actual running time, but IMDb says the video is two hours old. That means there is no measure of the video's length without the fundraising interruptions. It could be just-a-dream to expect this video to exist as a DVD without the fundraising breaks. It's a shame it doesn't exist, because the music is provided so sweetly.
Le saviez-vous
- Crédits fousAvalon Casino Ballroom courtesy The Santa Catalina Island Company.
- ConnexionsFeatures Hollywood Hotel (1937)
- Bandes originalesIn the Mood
Music by Joe Garland
Performed by Glenn Miller and His Orchestra
From Tu seras mon mari (1941)
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Lieux de tournage
- Catalina Casino - 1 Casino Way, Avalon, Santa Catalina Island, Channel Islands, Californie, États-Unis(Peter Marshall's introductory segments filmed in the so-called "Avalon Casino Ballroom")
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
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