Miranda's Victim

I guess Miranda's Victim had its heart in the right place and the acting was first rate for the most part but the movie tried to capture the 60's so hard it ended up coming off more like a 70's after school special.

The cinematography was excellent and some of the soundtrack worked but the story was an exercise in who cares-at least the way this writer told it. Could have been something special but the writer and director missed their opportunity in my opinion.

Maybe they delivered what they were trying to but for me it was overly dramatic way too much of the time and ended up feeling flat and falling flat on its face. Little suspense or drama. Sorry. So disappointed.

Greetings again from the darkness. "You have the right to remain silent." Whether you say it out loud or just finish it in your head, the vast majority of us know what follows, even if it's (hopefully) just from watching TV and movies. You likely also know that it's part of The Miranda Rights ... a list of rights that anyone being arrested is entitled to. If you are like me, you probably hadn't put any thought into the origin of those rights or the requirement for law enforcement to recite them in a timely manner. Director Michelle Danner (THE RUNNER, 2021) and co-writers George Kolber and J Craig Stiles are here to educate by bringing us the story of Trish Weir and Ernesto Miranda.

The film is based on the true story of Trish, an 18-year-old working at a local movie theater. After one late night bus ride home from work, she was abducted and raped. As Trish, Abigail Breslin proves yet again that she is a terrific actor, and fully grown up since her breakthrough performance in LITTLE MISS SUNSHINE (2006). What follows is gut-wrenching, and likely a scene that played out all too frequently fifty years ago, and still occurs today. Trish's mom (Mireille Enos, "The Killing") tries to dissuade her from going to the police by warning her that "they never believe the victim", and that she will then be considered "damaged goods." It's painful to watch this play out, despite knowing that mom thinks she is protecting her young daughter. Trish's sister Ann (Emily Van Camp, "Revenge") is very supportive and follows her to the doctor for the initial check-up, to the police station for filing the report, and ultimately to the courtroom.

There is much to consider in this story. How courageous was Trish for standing up and pursuing the case? How about the detectives (played by Enrique Murciano, Brent Sexton) who recognized that even though other victims had chosen not to come forward, Trish could help them stop a really bad guy? And then there is a legal system that was unfair to both Trish and Ernesto Miranda (Sebastian Quinn), as well as the attorney, judges, and jurors involved with the cases. Fittingly, a clip of the 1962 classic TO KILL A MOCKINGBIRD is shown, emphasizing the wheels of justice turn slowly. We see that the ACLU attorney (Ryan Phillippe) gets involved when he believes Mr. Miranda was coerced into a confession. This is the case that changes everything.

Supporting work comes from Luke Wilson as Trish's attorney, Lawrence Turoff; Andy Garcia as Miranda's first defense attorney, Alvin Moore; Donald Sutherland as a judge in the case; Taryn Manning ("Orange is the New Black") as a key witness; Dan Lauria as the examining doctor; and Kyle MacLachlan as Chief Justice Earl Warren, who is excited for a rare public reading of the Supreme Court's landmark ruling in 1966. It should be noted that the film is very well acted, with the notable exception of Ryan Phillippe, who tries oh-so-hard to steal his scenes, failing painfully.

Michelle Danner's work as director here is exceptional, given how many facets to the story must be juggled and given proper due. Even the re-trial of Miranda is handled well, as Trish is put through another round of emotional turmoil, this time involving her spouse. The film ends with a startling statistic: only 5 of every 1000 sexual assaults result in a conviction. Those are today's figures, so we are left to wonder just how much has changed over the past 60 years.

The film is currently playing the Film Festival circuit.

"Miranda's Victim" is a true story and is about the landmark case which brought the so-called 'Miranda Rights' to the forefront. I should mention that the case involving Mr. Miranda was a tough one to watch and talk about, as he kidnapped and sexually assaulted a poor lady. I mention this because it's important to know about this before you watch. If you've been a victim yourself, you might want to think twice about seeing the film. You also might want to have a loved one watch it with you.

Now I am not saying the film handles the subject matter poorly. I was actually VERY impressed that they didn't show much of the assault and it was clear to show how terrible doctors can be when they examine patients who have been attacked. I also appreciated the inappropriate way some folks handled this...such as the victim's own mother. It was not glossed over and these scenes might be best to be seen with some Kleenex nearby.

The story begins in 1963. A young woman is kidnapped and assaulted. While her mother wants her to be quiet and not tell the police, her sister insists and Trish talks to a police detective about the incident. The film follows the police work...leading ultimately to the arrest of Ernesto Miranda. What happens next and how they now name the police 'Miranda' warning after him, you'll have to see for yourself.

This film is truly terrific...hard to watch...but terrific. I cried and yelled quite a few times during the movie...a testament to the impact of the movie. It also did something very few movies do which are based on true facts...it stuck to the facts and really told the story well. As a result, it's probably the best made film about sexual assault you can watch...tough watching, of course, because it is made so well. Terrific acting, direction and, well,...everything.

By the way, this was Donald Sutherland's final feature film. While he's not the star, he was terrific as a judge and it's a wonderful career ending movie.

This movie is an excellent dramatization of the impact of the Fifth Amendment which, among other things, seeks to protect an accused person from self-incrimination. It is hard to watch at times but covers an important aspect of the USA justice system.

Abigail Breslin is the victim, Trish Weir, starting when she was 18 in 1963 (coincidentally, I turned 18 in 1963) and going through her married, young adult life. She is excellent in what must have been a difficult role.

The criminal here is Ernesto Miranda (thus 'Miranda Rights' or 'Miranda Warning') who was only marginally educated and had been in troubles of various types starting when he was in grade school, his first conviction was when he was in the eight grade in Mesa, Arizona. This movie focuses on his kidnap and apparent rape of the 18 year old girl shortly after she got off the bus, coming home at midnight from her job at the movie house.

Interestingly the actual victim was Lois Ann Jameson but because it was agreed she would be protected went by the pseudo name Trisha Weir. Only later in life did she identified.

My wife and I watched it at home on DVD from our public library. As we both grew up and started college during that time it was nice hearing some old songs from the 1960s.

A beautiful tale of salvation and cultural evolution. A young lady's journey through a course of absurd unjustnesses to get the justice done for an obvious heinous crime. The revelation on the backwardness of toxic masculinity is sharply criticized also knocking off any remnants at present. Thought provoking crusade marking a mile stone of law and policing of a country. And the flawless performance by Abigail Breslin was a bonus and the rest of the cast were also putting up sincere performances. Great visuals capturing both emotions and changing imes. Great music saves the story from any dullness. Miranda's victim is a iconic docudrama that's uniquely interesting.