The Greatest Showman
- 2017
- Tous publics
- 1h 45min
Célèbre la naissance du show-business et raconte l'histoire d'un visionnaire parti de rien qui créa un spectacle au succès international.Célèbre la naissance du show-business et raconte l'histoire d'un visionnaire parti de rien qui créa un spectacle au succès international.Célèbre la naissance du show-business et raconte l'histoire d'un visionnaire parti de rien qui créa un spectacle au succès international.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 17 victoires et 32 nominations au total
Avis à la une
It's hard to come up with something that hasn't already been said. Are critics are wrong? Yes. Does it have great music? Absolutely. Will you want to watch it again and again? Almost certainly. The entire cast does phenomenally well singing and dancing and for many, this achievement will be the first line in their biographies. It's a musical that is generally inspiring and evokes good feelings, but still takes you on an emotional journey. It's far from a documentary on P.T. Barnum, but that's not it's purpose. As someone obsessed with Hamilton to the point where I listened to the soundtrack everyday for 2 years before seeing it live on Broadway, I avoided watching this one because I just assumed it couldn't even come close. I was wrong. I'm not saying it's better than Hamilton or even as good because I don't think anything will ever be, but The Greatest Showman is definitely a modern classic that earns a place on the list of must-see musicals. Despite its 19th century setting, the songs are fresh, modern, up-beat numbers that can only be described as instant classics. Just try NOT singing along, I dare you. This is not an old school musical like West Side Story or The Sound of Music; it's very modern in the best sense of the word. The choreography and dancing are also first rate and the movie engages you and sweeps you along so well that by the end, you won't even believe it's been an hour and forty-five minutes. I could watch this weekly and never tire of it. Rather than the critics, trust the viewer reviews, the box office numbers, and the fact that it stayed popular in theaters for so long, they had to forcibly pull it before it's popularity waned because the DVD was about to drop and the streaming deals were about to kick in. If you've ever seen a single musical you liked, you're sure to love this one. If you've never enjoyed a musical before, the. this may be the one to bring you into the fold.
I have watched this film approximately twenty or more times. That is in no way an exaggeration and I may be low-calling it. Sometimes, I just have it on in the background while I work out or in the morning or while getting ready for work or I play it while cooking in the evening.
On a couple of occasions, I've even caught my boyfriend humming the tunes. To say the songs stick with you, is an understatement.
In fact, we've listened and watched it so much, that on every 20th Century Fox Movie "opening" sequence on any and all other subsequent 20th Century Fox movies we've watched, I automatically think of this one, and I am half expecting to see and hear the "Ah, ah, ahhh, ahh ..." and Hugh Jackman with his low "Ladies and Gents . . . ". Besides having a catchy and moving soundtrack, the film itself is a wonder to look at. The cinematography is beautiful, the costumes are well-done, and again, come on: HUGH JACKMAN singing and dancing. What could be better?
Well, for one, not better, but almost as great, is Rebecca Ferguson as Jenny Lind. The lady is gorgeous, and while she actually doesn't sing her rendition of "Never Enough" (Loren Allred does), the passion and zeal she brings to her onstage performance, is one for the books. I could literally (and have) replay that one scene over and over. Zac Efron and Hugh Jackman also have a duet which is fun and witty and very creatively done.
The only reason I did not give it a "10", is probably an unpopular view, and I know I will amass a hugh (not a typo :)) number of thumbs down, but oh well: I did not care for Zendaya AT ALL. I think she was so very miscast. I do not think she looked pretty in the film (although after filming, I saw her giving a couple of interviews and she looked beautiful); I thought she had absolutely zero chemistry with Zac Efron; and lastly, both her acting and her voice are like chalk grating on a blackboard to me. I think Logan Browning would have been cuter in the role. That's just me though, although it did affect my thoughts on the film and my score.
All in all, WATCH IT if you have not yet done so. It is beautiful to look at and a (modern) masterpiece to the ears.
On a couple of occasions, I've even caught my boyfriend humming the tunes. To say the songs stick with you, is an understatement.
In fact, we've listened and watched it so much, that on every 20th Century Fox Movie "opening" sequence on any and all other subsequent 20th Century Fox movies we've watched, I automatically think of this one, and I am half expecting to see and hear the "Ah, ah, ahhh, ahh ..." and Hugh Jackman with his low "Ladies and Gents . . . ". Besides having a catchy and moving soundtrack, the film itself is a wonder to look at. The cinematography is beautiful, the costumes are well-done, and again, come on: HUGH JACKMAN singing and dancing. What could be better?
Well, for one, not better, but almost as great, is Rebecca Ferguson as Jenny Lind. The lady is gorgeous, and while she actually doesn't sing her rendition of "Never Enough" (Loren Allred does), the passion and zeal she brings to her onstage performance, is one for the books. I could literally (and have) replay that one scene over and over. Zac Efron and Hugh Jackman also have a duet which is fun and witty and very creatively done.
The only reason I did not give it a "10", is probably an unpopular view, and I know I will amass a hugh (not a typo :)) number of thumbs down, but oh well: I did not care for Zendaya AT ALL. I think she was so very miscast. I do not think she looked pretty in the film (although after filming, I saw her giving a couple of interviews and she looked beautiful); I thought she had absolutely zero chemistry with Zac Efron; and lastly, both her acting and her voice are like chalk grating on a blackboard to me. I think Logan Browning would have been cuter in the role. That's just me though, although it did affect my thoughts on the film and my score.
All in all, WATCH IT if you have not yet done so. It is beautiful to look at and a (modern) masterpiece to the ears.
This was the perfect family night movie. I loved the music although at first I thought it would be annoying. I enjoyed the scenes and the costumes and everything about this magical film. I would definitely watch it again.
10hertl
I love the circus. I love quality cinema. Not since Billy Rose's Jumbo (1962) has a motion picture so successfully combined these two elements. I wouldn't be surprised if it won the same awards as Cecil B. DeMille's The Greatest Show on Earth (1952). Michael Gracey skillfully brought together the best music, choreography, cast, cinematography, visual effects, costumes, and set decoration I have seen in recent years, all fresh and original, and integrated them into nothing short of a masterpiece.
I'm not a fan of musicals in general. Really I mostly can't see their appeal, but from time to time, I do find myself really enjoying one of them, especially if they are as well done as this. And the mid piece/song "This is me" is so good .. excellent! Superb! Any other great word you can think of. I had goosebumps listening to it.
Every song has its purpose (still of course you can question the why people would start just sing and dance as if they had choreographed it in advance - well they have, but you know what I mean) and it works. Be it the comedy numbers (Hugh and Zac in one instance in a bar just to name one example) or as dramatic pieces. Hugh has so much fun it transcends the screen ... if you are way worse with Musicals than me, maybe don't watch it .. otherwise give it a shot! But most definitely do listen to the song "This is me" ... phenomenal!
Every song has its purpose (still of course you can question the why people would start just sing and dance as if they had choreographed it in advance - well they have, but you know what I mean) and it works. Be it the comedy numbers (Hugh and Zac in one instance in a bar just to name one example) or as dramatic pieces. Hugh has so much fun it transcends the screen ... if you are way worse with Musicals than me, maybe don't watch it .. otherwise give it a shot! But most definitely do listen to the song "This is me" ... phenomenal!
Le saviez-vous
- AnecdotesRebecca Ferguson's voice was dubbed by Loren Allred. Ferguson had studied music and admitted that she can carry a tune but since Jenny Lind, her character, is considered the best singer in the world, dubbing her voice would be in service of the movie. However, in order to get into the role, Ferguson insisted on singing the song in front of the extras while filming.
- GaffesBarnum and Charity dance on the rooftops early in the film, depicting the start of their lives together in New York. This would haven been in the 1830s, yet the Brooklyn Bridge is seen under construction in the background. Construction on the Brooklyn Bridge did not start until 1869.
- Citations
P.T. Barnum: [from trailer] No one ever made a difference by being like everyone else.
- Crédits fousAn old-fashioned 20th Century Fox logo is shown before the modern one. It was from a 4K digital scan of Les feux de l'été (1958).
- Versions alternativesABC broadcasts speed up the audio at only 2%.
- ConnexionsEdited from Les feux de l'été (1958)
- Bandes originalesThe Greatest Show
Music and Lyrics by Benj Pasek & Justin Paul, Ryan Lewis
Performed by Hugh Jackman, Keala Settle, Zac Efron, Zendaya & The Greatest Showman Ensemble
Produced by Greg Wells, Justin Paul, Alex Lacamoire, Jake Sinclair, Ryan Lewis
Mixed by Greg Wells
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- El gran showman
- Lieux de tournage
- 1 E 78th St, Ville de New York, New York, États-Unis(James B. Duke House)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 84 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 174 340 174 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 805 843 $US
- 24 déc. 2017
- Montant brut mondial
- 471 871 490 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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