Mammuth

Lets just concentrate on one small matter The knowingness of the filmmakers is apparent with there choice of bike. At the time Serge would have been a biker this would have been an aspiration for a European working man that was possible of fulfilment. In his comatose state the world moved on and his icon becomes a forgotten relic as many of the Mammuths did. Out of touch he would be unaware that the bike has now become a cult and consequently recently accrued great value. I have also had my Sidcup moments and in a sort of way also been redeemed by art so I understand that sector of the film, although perhaps in this film is slightly unbalances the structure And then Yolande Moreau can make shaving an armpits so moving that I cried.

If another user is right and the bike Depardieu is riding in this movie (a Mammuth) is worth a lot of money, you should start wondering what he is on about. But then again, I don't think it matters that much, because it is about a system and its flaws. And while it mixes funny situations with very serious matters, it does not get the combination of them both does not always work in favor of the movie.

Still Depardieu tries hard and there are quite a few good scenes, with very good points. Like when Depardieus character tries to "communicate" with a service over a phone. The pacing seemed to be a problem too (all over the place). But then again, there are a lot of people who liked it as it is. It kind of reminded me of the movie "Broken Flowers". Though I think this one is (a little bit) better

Strange and beautiful road movie, and for me that was best role of GD ever. It reminds me about Amelie with it's French beautiful romantic and absurd humor, while grainy filming, "real life" attitude, and Depardieu with long hair remind me of The Wrestler with Mickey Rourke.

If you can imagine how two of them would feel combined, I think you would get this movie as a result.

There was absolutely no weak acting here.

Recommended for people who liked movies like "Pierrot le fou", "Bernie", or anyone who wants to discover french humor - a bit dark, sad, cynical, but still romantic at the same time.

Perhaps if you're a devoté of what used to be called art-house films this movie might not seem so different to you. Otherwise, it is likely to strike the average mover-goer accustomed to average movies as very strange indeed. Much if the dialogue is delivered in a very dead-pan style. Some of the cinematography, however, is really both very original and very beautiful. These are not introspective characters. They sometimes aggravate us because they don't think about their situation and are constantly astounded by what happens. This leaves them the victim of government bureaucracies that are simply too complicated for them to understand. You are unlikely to identify with these characters. Often you wonder whether to take them as mocking caricatures or sympathetic portraits. Still, the movie almost always held me, which is more than I can say for many more "normal" movies.

there are ways and ways to tell a story. Here the two talented directors tried to prove to everyone that everyone's worth watching. like many movies, this one, depending mainly on your mood at the precise time you "encounter" it, will either disgust you or mesmerize you. I sort of loved it, from the beginning till the very end. Pathetics scenes are meant to be pathetic, showing us all of our lives are meaningless and ridiculous from time to time. Though I'm not much into Adjani, Yolande Moreau's acting, for instance is astounding, and unique, almost moving in its "uselessness". The thing is you have to throw away all your prejudices against "people of no importance" before watching this, because if you don't, you will be indeed disappointed and/or upset about losing your time and your money. gave it 8/10, because of its originality, nasty yet tender humor and Yolande Moreau's lines.