Monsters

This was the film I was most looking forward to during my one day excursion to Frightfest and it was everything I hoped for. Monsters takes place several years after a NASA space probe that has collected alien micro-organisms has crashed in Mexico, turning much of the country into a walled in no-go zone. New life forms have developed there, among them gigantic, tentacled creatures who have devastated much of the country. A photo journalist who reports on the crisis takes on the job to get the newspaper publishers daughter back to the US. After their tickets for the last ferry out get stolen, they have to make their way across the "infected" zone. Many people will be expecting a Distric 9 or Cloverfield style sci-fi action film from the trailer, but this is more like Before Sunrise meets Godzilla, with the emphasis on the love story. The British director gave a Q&A after the screening and he said he was aiming to make an offbeat romantic indie film like Lost in Translation against an unusual backdrop. It's certainly an interesting genre-hybrid and I don't think I've ever seen anything quite like it. This was shot on a tiny budget by its director, who then did all the effects by himself at on a computer, and it looks like a gazillion bucks Hollywood movie. With effects technology having become so accessible, this maybe where the future of genre films lies as Hollywood blockbusters become ever more interchangeable. Monsters is a powerfully atmospheric, beautiful looking film with great locations and the effects are excellent, but this is primarily a road move and a love story. There isn't an awful lot of monster action in the film and only a couple of scenes that actively involve the creatures, though they feel ever present via the devastation visible everywhere. I could sense some of the more hardcore horror fans who were cheering during the gory I Spit On Your Grave remake that went before, getting restless. The writing is pretty good, if not quite in the same league as top indie film romances it aims for. The films only failing is that for an indie romance, the characters are never quite as well explored as they would be in a Lost in Translation or Before Sunrise. The two main characters could have been a little more memorable, though the two lead actors are likable enough and have the chemistry required that made me want them to get together (the director revealed he cast two actors who are a couple for real). In the end the thing that makes the film stand out is the fact that it takes such an unusual approach to the giant monster movie genre. By treating its genre trappings in an low key, almost subordinate way, it feels very real. The giant squid like monsters are very impressive in the few scenes where they do make an appearance and the characters and story were involving enough to draw me in. In the way it foregrounds the characters it's a genuinely unusual special effects film the, type Hollywood used to make in the 70s, when Close Encounters was as a much a film about a wrenching marriage break down as it was about UFOs. It has stayed with me unlike few films I've seen this year and I can't wait to see it again.

Not exactly what I expected, but a movie well worth watching nonetheless. It's a story about a journey through zone infected by alien organisms. Where it lacks action, it makes up by amazing scenery. As you follow the two main characters, you see the fight between humans and the aliens from their point of view – on the TV, in the radio, in the scenery all around them. Most of the destruction happened before the main protagonist get on the scene, which really draws you in and it gives you this eerie feeling it just might be real. While you don't see much of the monsters, you can always feel their presence. At the end you can only feel awe, respect and humility towards the huge octopus-like aliens.

The actors are good and you can relate to them. Whitney Able is stunning girl in a very natural way and she deserves to be cast in lead roles more often.

For such a low-budget movie it's amazing how well it came out. I give it solid 8/10 and hope we will see more movies like this.

Just saw this last night, and have to say, loved it. I can understand teen boys being offended by the lack of action. And I think a lot of people seeing this film might start with preconceptions about what a 'monster' movie should be, which won't do this film any favours. It's a road movie, a slow building drama, a mystery. I actually liked that the two leads were attractive and likable company, without acting in predictable Hollywood ways (you know, where they are unsure about each other, then have a huge fight and yell that they hate each other, then immediately jump into great sex – I am pretty sure in real life only couples who've been together for a while have good angry sex, surely?, I could be wrong, anyway…). But it was the mystery of the intriguing monsters that got me, and the absolutely perfect resolution. Unlike the current 3D CGI megafilms, where everything is boringly and loudly in your face, this film required the audience to join in and use some of it's own imagination, a bit like Alien you could say (without the blood & guts). And, that last scene was so great – easily one of the most perfectly orchestrated scenes I've seen in any film in the last year or two, and to a large degree because it had the sense to not knock the message over your head. And despite it's lack of gigantic special effects, I really think this is a film to see in a cinema, not on TV – to get in the mood, to wonder what's over the next hill, to peer into the darkness to see, wait, is that a tentacle? Like the main characters, the audience needs to be paying attention. Okay, so not a perfect masterpiece from beginning to end, but right now I can't think of many monster movie monsters I've loved in the last decade as much as these octo-spidey-monster thingies. Beautiful! (and I'm pretty p*ssed that a piece of shoddy Hollywood crap like Skyline is showing in 160+ cinemas here in Australia, while this little beauty is only on at a few)

If there is one thing that critics can agree on it is that Monsters is a brilliant film and that it marks a turning point where special effects are possible on a low-budget, thus ending Hollywood's rule – forever. So, it was quite the nice surprise to find that this film, having only just come out in the UK, was one of those featured on a recent flight I was on. I know that a tiny screen on a plane is not the place the makers wanted me to watch it but I did so anyway, so perhaps some may wish to take my opinion in that context? I don't know.

Anyway, I tried to ignore the hype and just come to the film as fresh as I could, wary of anything that is overly praised just because I have been burnt before. What I found with Monsters though was a film that was worthy of the praise, but just not for the reasons that everyone was saying. Made on a comparatively tiny budget with a tiny crew and with special effects done on a laptop, this film is worthy of praise for how it was made and the fact that it is reasonably good despite being made rather on the fly. This is why I think that so many critics have been quick to praise it – because it does show that "big" effects movies can be done for less than the disgusting budget of films like Transformers 2 and so on. You already know where i'm going, so let me just get there – to me, the praise has been spread beyond this aspect in a way that the film doesn't totally deserve.

Watching it for myself I could see lots going on but the word that flooded my mind was "nearly". In terms of the overall sweep of the film, while some have talked about immigration for me the film is an allegory for Afghanistan. We have the "monsters" in a set area that is heavily attacked by the military – attacks which do more harm to the innocents in the area than the monsters themselves do. At this level it is quite clever but the film never makes more of this, leaving it as it is and not making comment beyond showing the news footage of the monsters as being background noise in the way war coverage (sadly) has become for many of us – the norm. Below this we have what is essentially a road-movie where the two characters fall for each other and also make their own journeys in regards the monsters. Again this is "OK" but never really comes off in the way it should. The improvised dialogue works against the film in my opinion. It should have been well-honed dialogue – writers get paid for a reason, it is because generally written material is better than that made up on the spot. So it is here and the film misses the chance to let the dialogue be the driver for the allegory and the relationship and the character development. As it is the film is "nearly" there on this aspect.

The characters did bug me a but because they were not as strong as suggested. Able and McNairy deserve credit for their efforts and their reasonably natural performances but they deserved a better script (or any script). Chatting naturally they do not help the overall film and it is a shame that again their performances are a case of "nearly" or "if only....". I can't stand in the way of praise for Edwards though as his drive and skill made this film. His effects are used sparingly but they are impressive (small screen or not). His use of them is clever because it frees the film up to do much more than just be an effects movie – it is just a shame then that his material doesn't actually delivery in the space left for it.

Overall Monsters is a reasonably good film but it is one that could and should have been better in key regards. The nature of the making should be praised to the rooftop but the film itself falls short. It is never as smart as it thinks it is, never as engaging as it should be and never has the commentary that it surely needed. Worth a look and well worth supporting but in my opinion the gushing noise from the critics is more to do with the fact it is a low budget success rather than a brilliant film generally.

The pros: The cinematography is excellent. The editing is paced fairly well and makes good use of jump cuts. The lead actress is very good, considering she's acting in a vacuum. The CGI is seamless.

The cons: There is no story. There are no character arcs worth caring about. There is minimal suspense. The "alien" allegory is too simple. The lead male actor is inexperienced and uses slacker technique to mask it.

But, at the heart of this film is the relationship - and it seems to have been written by a 17 year old boy. I had to rent another film afterwards because this melted away faster than cotton candy in a sweaty hand (and yet, no brain candy and nominal CGI eye candy).