Angel Baby

I knew this was going to be an awesome story before I ever watched it. The lead performances were off the charts! I had a feeling the actors and actress would enhance the experience with their talents, and I was right. Effects are very amazing, as is the cinematography. Groundbreaking camera work, breathtaking use of angles, picture-perfect shots in every scene. Everyone who worked on this production brought their A-game, that is clear. Their efforts pop off the screen. The people hired as key grips did top-notch work, and it pays off in every frame. The director certainly was able to induce everyone on the film to reach new heights of achievement because of his willingness to make each one of them feel valued. It is so refreshing to see such a well-made movie where everyone worked in harmony to produce something that will stand the test of time.

Angel Baby (2023), directed by Douglas Tait, is a chilling, slow-burn psychological horror that hits hard and lingers long after the credits roll. It's not just a film-it's an experience, one that grips you emotionally from the very first frame.

What makes this story stand out is its ability to balance emotional realism with an eerie, slow-burning atmosphere. The performances are stunning-so deeply human and vulnerable that you forget you're watching actors. Every moment feels lived-in, every silence meaningful.

Tait's direction is sharp and intimate, letting the tension simmer without ever relying on clichés. The pacing is deliberate and rewarding, allowing the dread to grow organically. Visually, the film is absolutely gorgeous. The remote setting is both haunting and breathtaking, amplifying the characters' isolation and emotional unraveling.

This isn't a jump-scare horror movie-it's something much deeper. It creeps under your skin and stays there, exploring grief, fear, and love in a way that feels uniquely personal and unsettling.

If you're a fan of emotionally driven thrillers with haunting visuals and character depth, Angel Baby is a must-watch.

This is neither a great movie, nor a real stinker. In a house where an abuser father is about to seriously harm one of his children, the daughter steps up and puts a bloody stop it to. We then are introduced to Val, who just lost her twins in pregnancy, and her husband Justin. She has a friend Chloe who gives her support, has some medical training, and wants to make sure she takes her medicine to help her healing, and also get plenty of rest. After all, Val is crestfallen over the loss, and she is also sensitive to noise, which isn't helped by living just off a freeway. Justin, who does handy work, finds a cabin in the mountains that had been empty for 25 years, fixes it up some and they move there. Things start to go bump in the night, there are creaks, doors suddenly open and there seems to be a ghost of a man present. A book titled Angel Baby seems to be prominent, and also movies around a lot, but where it came from is an unknown. While Rebecca DeMornay gets prominent space on the cover art, she has little more than a cameo. Things get worse when Chloe makes a visit, and seems too involved with Justin. By then, many may already have worked out a scenario, but the twist is something many would not see coming, and helps elevate what could be a routine and boring film.

Oh Yes! Rebecca De Mornay give me some Risky Business!!!!

So a couple goes on a retreat to a cabin in the woods! As we all know, nothing bad ever happens at a cabin in the woods! There is no safer place to be than in a cabin in the woods!!! Plus, this really saves on a movie's budget since you don't need to have a lot of extras and face it, filming in the city is expensive!

Of course early on we get a rule breaker, -1 Star for a bathtub scene with no nudity shown. We don't like that. It's so unnecessary.

Then Rebecca shows up. Wow this movie is halfway over and nothing has happened -1 Star.

LAter on there is a sex scene, until of course the demon or whatever reveals. And again, no nudity. Another rule broken -1 Star

So when is the horror supposed to start here?

Okay so there's a fight at the end that is somewhat entertaining. But the end is not good enough for a star.

2/10.

Angel Baby pretends to be a grief-soaked cabin chiller, but it mostly feels like watching paint dry in the dark. Dialogue is wooden, performances flatter than the freeway Val flees, and the script borrows every haunted-house beat without adding pulse. This movie pretends to cradle grief and dread, yet spends an hour trudging through colourless corridors where nothing, and no one, is alive. Every haunted-cabin beat-creaks, music-box, shadow figure-plays like bargain-bin déjà vu, shot in flat TV gloss. A last-minute twist finally flickers, but it's too skinny to nourish the 105 empty minutes before it. Save it for laundry day when you crave lightweight horror wallpaper and can't reach the remote.