Attack the Block
- 2011
- Tous publics
- 1h 28min
Un gang dadolescents fait face à une invasion de féroces extraterrestres. Leur affrontement transforme une cité de Londres en une cour de récréation futuriste, un immeuble en une forteresse ... Tout lireUn gang dadolescents fait face à une invasion de féroces extraterrestres. Leur affrontement transforme une cité de Londres en une cour de récréation futuriste, un immeuble en une forteresse assiégée et des zonards en hérosUn gang dadolescents fait face à une invasion de féroces extraterrestres. Leur affrontement transforme une cité de Londres en une cour de récréation futuriste, un immeuble en une forteresse assiégée et des zonards en héros
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 19 victoires et 39 nominations au total
Avis à la une
Made with less than one tenth of SUPER 8 budget, this movie gets twice more entertainment while delivering social messages instead of shallow fake nostalgia. A gang of teenagers (mostly black but from other ethnic groups too) rob a woman/nurse on her way home. A sudden explosion and something falling from the sky, allow the woman to escape. When the gang's leader checks what happened is attacked by an extraterrestrial creature. The group kills the thing and take the body with them hoping to make a few squids out of the strange creature. From there, things get really ugly; when more bigger beasts fall from the sky, police and some gangsters show up; everybody pursuing the gang. The action does not stop. No unnecessary romances, or tear breaking scenes; just a few commentaries about life in those marginal neighborhoods. The acting of the teenage members is excellent. Every one of them has a brief time to deploy their character but all of them have enough charisma to succeed. In brief, do not expect Hollywood overproduced and unrealistic special effects here only real fun.
First, this is the sort of flick the UK writers do so well and frankly don't do enough of.
Reminds me of the old saying, when Life gives you Lemons, make Lemonade.
London has blessed the UK film industry with one of the most diverse and interesting ecosystems on the planet. What, I have lost count, 14 distinct accents and counting? In return the industry has taken this raw material and produced a wide range of thrillers, most of which rely heavily for their impact on the violence element or the gang element.
So, who woke up one morning and said, hey, let's make the gang the good guys for a change ... instead of causing trouble they get to defend the country against aliens. And brimming with gang values, they will go it alone, they will not even ask for help.
Great premise, brilliant and engaging execution. It could have just been "merely" entertaining, but great writing, cast, acting and direction help it make the leap to cult classic.
The low IMDb rating is not merely wrong, it is seriously wrong. This is a fun film that can be watched more than once.
Reminds me of the old saying, when Life gives you Lemons, make Lemonade.
London has blessed the UK film industry with one of the most diverse and interesting ecosystems on the planet. What, I have lost count, 14 distinct accents and counting? In return the industry has taken this raw material and produced a wide range of thrillers, most of which rely heavily for their impact on the violence element or the gang element.
So, who woke up one morning and said, hey, let's make the gang the good guys for a change ... instead of causing trouble they get to defend the country against aliens. And brimming with gang values, they will go it alone, they will not even ask for help.
Great premise, brilliant and engaging execution. It could have just been "merely" entertaining, but great writing, cast, acting and direction help it make the leap to cult classic.
The low IMDb rating is not merely wrong, it is seriously wrong. This is a fun film that can be watched more than once.
I watched this without knowing the production team, who worked on it, nothing. A friend just said 'you like sci-fi movies right? Here.' And I'll admit, for the first ten minutes, I was worried. The throw-back creature-feature title sequence being my main concern.
But after that wavery start, I watched over an hour of what I would consider to be one of the truest, bloodiest and certainly most adrenaline-packed horrors I've seen in a very very long time.
The main kids - the 'gang' - are very real and the kids' acting really shines. Moses, the lead, certainly leads us through a series of complex emotions, from hatred to forgiveness, and round again a few more times just for kicks. The actor who played him will be going places with a sullen wall-eyed expression that he still manages to convey so much meaning with.
As to the plot - well, most of the actual plot is there for comedy, and the moment of gratuity when the adults are plainly dumber than the kids (teenagers everywhere punch the air and laugh). I was expecting, as I watched the film with ever more pleasure, to be let down and have the aliens' presence left unexplained, as with many non-blockbuster horrors. But, in two mere sentences, the loose threads are tied and the finale is lead into all in one great sweep of fantastic writing.
Last, but definitely not least, the aliens themselves were phenomenal. There was a certain amount of keep-them-in-the-dark and leave-it-to-your-imagination, but there were also absolute gore-fest moments which were done superbly (though the squeamish may need to blink). The aliens were well designed and were flawlessly integrated into the movie. To be honest I don't even know if they were puppets or CGI - I was so caught up in the fast-paced running and fighting, into which they were so seamlessly included.
Definitely one to watch for fans of the genre, fans of the creators, or anyone looking for a thrill. I'll certainly be watching it again. And if you wanna read someone say it better than I just did - http://www.flickfilosopher.com /blog/2011/08/attack_the_block_ review.html (remove superfluous spaces) (contains language, in movie quotes).
But after that wavery start, I watched over an hour of what I would consider to be one of the truest, bloodiest and certainly most adrenaline-packed horrors I've seen in a very very long time.
The main kids - the 'gang' - are very real and the kids' acting really shines. Moses, the lead, certainly leads us through a series of complex emotions, from hatred to forgiveness, and round again a few more times just for kicks. The actor who played him will be going places with a sullen wall-eyed expression that he still manages to convey so much meaning with.
As to the plot - well, most of the actual plot is there for comedy, and the moment of gratuity when the adults are plainly dumber than the kids (teenagers everywhere punch the air and laugh). I was expecting, as I watched the film with ever more pleasure, to be let down and have the aliens' presence left unexplained, as with many non-blockbuster horrors. But, in two mere sentences, the loose threads are tied and the finale is lead into all in one great sweep of fantastic writing.
Last, but definitely not least, the aliens themselves were phenomenal. There was a certain amount of keep-them-in-the-dark and leave-it-to-your-imagination, but there were also absolute gore-fest moments which were done superbly (though the squeamish may need to blink). The aliens were well designed and were flawlessly integrated into the movie. To be honest I don't even know if they were puppets or CGI - I was so caught up in the fast-paced running and fighting, into which they were so seamlessly included.
Definitely one to watch for fans of the genre, fans of the creators, or anyone looking for a thrill. I'll certainly be watching it again. And if you wanna read someone say it better than I just did - http://www.flickfilosopher.com /blog/2011/08/attack_the_block_ review.html (remove superfluous spaces) (contains language, in movie quotes).
I thought this movie was quite entertaining, and actually funny in some parts. It's not a normal horror movie or alien invasion movie. It ends very satisfactorily, unlike most horror movies, and the plot is quite original played with talented actors in a setting that many of us are not so familiar with. If you like rap, you'll like the music throughout too. All the actors and main actress did very well. Thankfully I saw this with subtitles since I can't follow language from "the hood" very well. The only thing that didn't seem so real to me were the space creatures, but that gave for a good laugh. If you don't take this movie too seriously, it's a lot of fun. And there was "the moral of the story is..." thrown in, like lessons learned, rectifying mistakes, etc. All in all, it makes for a good Thursday or Friday night at the movies.
The first film from Joe Cornish, one half of cult broadcasting duo Adam and Joe, is a vital horror-comedy that pitches a teen gang against a breed of hairy aliens with glow-in-the-dark teeth. It begins with a mugging, as nurse Jodie Whittaker has her phone, wallet and ring taken at knifepoint by five hoodies. No sooner has she fled the scene than an alien falls from the sky into a parked car. The kids kick it to death. Then its mates turn up.
This is an incredibly assured debut, with unpredictable plotting, stylised dialogue and characters you really care about, once their frailties are laid bare. Cornish has acknowledged his debt to '80s "creature features", but the film this most recalls is John Carpenter's action classic Assault on Precinct 13 - albeit set in London, and with added aliens - as a gaggle of disparate, untrusting souls band together to combat a greater threat, and an unlikely, initially dislikeable hero emerges.
While Whittaker is excellent and the supporting players are uniformly fine, the standout performance unquestionably comes from John Boyega as gang leader Moses, with his sullen expression, Adidas-three-stripe-style facial scar and burgeoning understanding of his growing responsibilities. He's a fantastic character and Boyega nails his myriad complexities: his insecurity and feeling of persecution alongside his bravery, resourcefulness and sense of honour.
Cornish also has a natural gift for choreographing action, leading to a series of frenetic, energetic, perfectly-paced set pieces. Indeed, that vitality and invention runs through the whole film, from its "big alien gorilla wolf monster" baddies to the Union Jack reveal: an iconic shot, informed by Roger Moore-era Bond, at the heart of a stunning finale.
Perhaps the subplot about middle class drug dealer Luke Treadaway was a bit of a misstep - although funny in itself, it slows proceedings - but everything else about this punchy, idiosyncratic slice of genre fun is absolutely dead-on. It's also a thrilling counterpoint to establishment fare like The King's Speech, without a royal carriage or quietly-emoting monarch in sight. And it has the best final five minutes of any film in recent memory.
This is an incredibly assured debut, with unpredictable plotting, stylised dialogue and characters you really care about, once their frailties are laid bare. Cornish has acknowledged his debt to '80s "creature features", but the film this most recalls is John Carpenter's action classic Assault on Precinct 13 - albeit set in London, and with added aliens - as a gaggle of disparate, untrusting souls band together to combat a greater threat, and an unlikely, initially dislikeable hero emerges.
While Whittaker is excellent and the supporting players are uniformly fine, the standout performance unquestionably comes from John Boyega as gang leader Moses, with his sullen expression, Adidas-three-stripe-style facial scar and burgeoning understanding of his growing responsibilities. He's a fantastic character and Boyega nails his myriad complexities: his insecurity and feeling of persecution alongside his bravery, resourcefulness and sense of honour.
Cornish also has a natural gift for choreographing action, leading to a series of frenetic, energetic, perfectly-paced set pieces. Indeed, that vitality and invention runs through the whole film, from its "big alien gorilla wolf monster" baddies to the Union Jack reveal: an iconic shot, informed by Roger Moore-era Bond, at the heart of a stunning finale.
Perhaps the subplot about middle class drug dealer Luke Treadaway was a bit of a misstep - although funny in itself, it slows proceedings - but everything else about this punchy, idiosyncratic slice of genre fun is absolutely dead-on. It's also a thrilling counterpoint to establishment fare like The King's Speech, without a royal carriage or quietly-emoting monarch in sight. And it has the best final five minutes of any film in recent memory.
Le saviez-vous
- AnecdotesWhen doing research for the film, Joe Cornish asked one of the girls, "What would you think of this creature if you found it?" The girl said, "I wouldn't touch it, don't want to get chlamydia." That quote went straight into script; many lines were taken directly from research.
- GaffesIt seems that Pest has a magical backpack. As the gang pulls out and uses all of his fireworks, in a minute more magically appear.
- ConnexionsFeatured in Projector: Attack the Block (2011)
- Bandes originalesSound of Da Police
Written by Alan Lomax, Eric Burdon, Bryan Chandler, Lawrence Parker, Erick Sermon, and Showbiz (as Rodney Lemay)
Performed by KRS-One
Courtesy of Sony Music Entertainment
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Ataque extraterrestre
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 024 175 $US
- Week-end de sortie aux États-Unis et au Canada
- 139 506 $US
- 31 juil. 2011
- Montant brut mondial
- 6 206 022 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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